Famous Paintings of Skies and Weather (page 4)

Showing 145 to 192 of 196 paintings

The Glorification of the Barbaro Family, Giovanni Battista Tiepolo, ca. 1750, oil on canvas

Giovanni Battista Tiepolo The Glorification of the Barbaro Family, ca. 1750 The Met

Retreat from the Storm, Jean-François Millet, ca. 1846, oil on canvas

Jean-François Millet Retreat from the Storm, ca. 1846 The Met

View of Pirna with the Fortress of Sonnenstein, Bernardo Bellotto, c. 1760, oil on canvas

Bernardo Bellotto View of Pirna with the Fortress of Sonnenstein, c. 1760 Art Institute of Chicago

Mill of Pont Maupuit, Armand Guillaumin, c. 1900, oil on canvas

Armand Guillaumin Mill of Pont Maupuit, c. 1900 Art Institute of Chicago

The White Bridge, John Henry Twachtman, after 1895, oil on canvas

John Henry Twachtman The White Bridge, after 1895 Art Institute of Chicago

Approaching Storm, Eugène Boudin, 1864, oil on cradled panel

Eugène Boudin Approaching Storm, 1864 Art Institute of Chicago

Entrance to the Port of Honfleur, Johan Barthold Jongkind, 1863–64, oil on canvas

Johan Barthold Jongkind Entrance to the Port of Honfleur, 1863–64 Art Institute of Chicago

Wooded Landscape with Cottage and Horseman, Meindert Hobbema, 1663, oil on canvas

Meindert Hobbema Wooded Landscape with Cottage and Horseman, 1663 Art Institute of Chicago

A seascape painted in pastel tones, light-colored houses with red chimneys and light-green shutters in the foreground. The scene is set on a rocky, green hillside overlooking a blue sea with small sailboats.

Childe Hassam New England Headlands, 1899 Art Institute of Chicago

The Marsh, Charles-François Daubigny, 1871, oil on panel

Charles-François Daubigny The Marsh, 1871 Art Institute of Chicago

Barks Fleeing Before the Storm, Jules Dupré, 1870–75, oil on canvas

Jules Dupré Barks Fleeing Before the Storm, 1870–75 Art Institute of Chicago

On the Road, Jules Dupré, 1856, oil on canvas

Jules Dupré On the Road, 1856 Art Institute of Chicago

Springtime, Théodore Rousseau, c. 1860, oil on panel

Théodore Rousseau Springtime, c. 1860 Art Institute of Chicago

Approaching Storm from the Alban Hills, George Inness, 1871, oil on canvas

George Inness Approaching Storm from the Alban Hills, 1871 Cleveland Museum of Art

Sunset on the River Oise, Charles-François Daubigny, 1866, oil on wood panel

Charles-François Daubigny Sunset on the River Oise, 1866 Cleveland Museum of Art

Tivoli, Sanford Robinson Gifford, 1870, oil on canvas

Sanford Robinson Gifford Tivoli, 1870 The Met

Delaware Water Gap, George Inness, 1861, oil on canvas

George Inness Delaware Water Gap, 1861 The Met

Sunrise, George Inness, 1887, oil on canvas

George Inness Sunrise, 1887 The Met

A Foggy Sky, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett A Foggy Sky, 1872 The Met

Passing off of the Storm, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Passing off of the Storm, 1872 The Met

Sunset, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Sunset, 1872 The Met

Sunset on the Sea, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Sunset on the Sea, 1872 The Met

Dawn—Early Spring, Dwight William Tryon, 1894, oil on wood

Dwight William Tryon Dawn—Early Spring, 1894 The Met

Moonrise at Sunset, Dwight William Tryon, 1890, oil on wood

Dwight William Tryon Moonrise at Sunset, 1890 The Met

Sunset near Arbonne, Théodore Rousseau, ca. 1860–65, oil on wood

Théodore Rousseau Sunset near Arbonne, ca. 1860–65 The Met

On the Beach, Sunset, Eugène Boudin, 1865, oil on wood

Eugène Boudin On the Beach, Sunset, 1865 The Met

Tall, billowing, lavender-purple and shell-pink clouds line the distant horizon over a vast plain of flat grassy land in this horizontal landscape painting.

Martin Johnson Heade Sunlight and Shadow: The Newbury Marshes, c. 1871/1875 National Gallery of Art

Sunlight, Théodore Rousseau, c. 1848/1850, oil on wood

Théodore Rousseau Sunlight, c. 1848/1850 National Gallery of Art

We look across a waterlogged path at a line of rust-red and bronze-brown trees that nearly span the width of this horizontal landscape painting. The scene is loosely painted, which creates a blurred look.

Théodore Rousseau After the Rain, c. 1850 National Gallery of Art

The painting depicts a landscape scene with a body of water, trees, reflections, and a house in the distance. The composition shows a low horizon line with trees arching across the scene and soft reflections on the water's surface.

Charles-François Daubigny Sunset on the River, 1874 National Gallery of Art

The image features a seascape scene with a beach, ocean, and sailboats. The horizon is high in the image, separating the sea from the sky, where sailboats are present.

Eugène Boudin Low Tide at Scheveningen, 1875 National Gallery of Art

Sunset Sky, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Sunset Sky, 1872 The Met

A Winter Sky, George Inness, 1866, oil on canvas

George Inness A Winter Sky, 1866 Cleveland Museum of Art

A shaft of warm light from our left pierces a dark wood filled with tall trees in this horizontal landscape painting. The light falls on a stout white trunk and a portion of the moss-green forest floor near the center of the composition.

George Inness Sunset in the Woods, 1891 National Gallery of Art

Ruined Archway, Francesco Guardi, 1775–93, oil on canvas

Francesco Guardi Ruined Archway, 1775–93 Art Institute of Chicago

A Roadside Tavern, Johan Barthold Jongkind, 1863, oil on canvas

Johan Barthold Jongkind A Roadside Tavern, 1863 Art Institute of Chicago

River Boat, Charles-François Daubigny, c. 1860, oil on board

Charles-François Daubigny River Boat, c. 1860 Art Institute of Chicago

Nocturnal landscape painting with lush trees and a large patch of sky with visible brushstrokes. Multiple small, seated figures line the foreground.

Narcisse Virgilio Díaz de la Peña Landscape with Figures, c. 1870 Art Institute of Chicago

The Cottage by the Roadside, Stormy Sky, Jules Dupré, c. 1860, oil on canvas

Jules Dupré The Cottage by the Roadside, Stormy Sky, c. 1860 Art Institute of Chicago

Landscape, Théodore Rousseau, c. 1850, oil on panel

Théodore Rousseau Landscape, c. 1850 Art Institute of Chicago

This painting shows a green landscape from an elevated viewpoint. In the distance, light blue water meets a pale-yellow sky, and the sun casts a golden glow over the landscape.

George Inness Lake Albano, Sunset, c. 1874 National Gallery of Art

Ecce Agnus Dei, Bartolomé Esteban Murillo, c. 1655, oil on canvas

Bartolomé Esteban Murillo Ecce Agnus Dei, c. 1655 Art Institute of Chicago

Gathering Storm on Long Island Sound, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Gathering Storm on Long Island Sound, 1872 The Met

We are eye-level on a beach with half a dozen ships in view, sitting on the ground against a gray sky in this vertical landscape oil painting created with broad, unblended strokes.

Eugène Boudin Low Tide, Sailboats Run Aground, 1885-1890 National Gallery of Art

We look across a stream and through a loose screen of shadowy trees at a sunlit farm under a powder-blue sky with towering, puffy clouds in this vertical landscape painting.

Meindert Hobbema A Farm in the Sunlight, 1668 National Gallery of Art

Leaving the Forest, Fontainebleau: Setting Sun, Théodore Rousseau, 1851, oil on fabric

Théodore Rousseau Leaving the Forest, Fontainebleau: Setting Sun, 1851 Cleveland Museum of Art

The Clove - A Storm Scene in the Catskill Mountains, Jasper Francis Cropsey, 1851, oil on canvas

Jasper Francis Cropsey The Clove - A Storm Scene in the Catskill Mountains, 1851 Cleveland Museum of Art

Storm Clouds, John Henry Twachtman, 1880, oil on canvas

John Henry Twachtman Storm Clouds, 1880 Cleveland Museum of Art

Rooms these paintings suit

Styles