Famous Village Paintings (page 2)

Showing 49 to 82 of 82 paintings

Pirna: The Obertor from the South, Bernardo Bellotto, mid-1750s, oil on canvas

Bernardo Bellotto Pirna: The Obertor from the South, mid-1750s The Met

The Hamlet of Optevoz, Charles-François Daubigny, ca. 1852, oil on canvas

Charles-François Daubigny The Hamlet of Optevoz, ca. 1852 The Met

Entrance to a Village, Meindert Hobbema, ca. 1665, oil on wood

Meindert Hobbema Entrance to a Village, ca. 1665 The Met

Landscape with a Village in the Distance, Jacob van Ruisdael, 1646, oil on wood

Jacob van Ruisdael Landscape with a Village in the Distance, 1646 The Met

Grainfields, Jacob van Ruisdael, mid- or late 1660s, oil on canvas

Jacob van Ruisdael Grainfields, mid- or late 1660s The Met

This painting depicts a coastal scene overlooking a quiet shore. At the bottom of the painting, an open sandy expanse leads to blue waters.

Odilon Redon Village by the Sea in Brittany, c. 1880 National Gallery of Art

Three people gather around the doorway of a small cottage set in a sun-warmed yard in this almost square painting.

George Caleb Bingham Cottage Scenery, 1845 National Gallery of Art

The painting shows a bright-green landscape with rolling hills in the distance.

Julian Alden Weir Obweebetuck, c. 1908 National Gallery of Art

A garden with two fountains stretches back to a manor house in the distance in this horizontal landscape painting. The horizon comes about a third of the way up the composition, and gray clouds tower in the vivid blue sky above.

Jacob van Ruisdael Country House in a Park, c. 1675 National Gallery of Art

Village in Brittany, Charles-François Daubigny, 1844, oil on paper, mounted on canvas

Charles-François Daubigny Village in Brittany, 1844 Art Institute of Chicago

The Cottage by the Roadside, Stormy Sky, Jules Dupré, c. 1860, oil on canvas

Jules Dupré The Cottage by the Roadside, Stormy Sky, c. 1860 Art Institute of Chicago

Vibrantly colored geometric painting of a central white and blue waterfall with birds visible through it. A stylized red jungle cat and black wild boar drink at bottom right.

Franz Marc The Bewitched Mill, 1913 Art Institute of Chicago

Landscape on a River, Charles-François Daubigny, 1863, oil on wood

Charles-François Daubigny Landscape on a River, 1863 The Met

Mrs. Lewis Thomas Watson (Mary Elizabeth Milles, 1767–1818), Joshua Reynolds, 1789, oil on canvas

Joshua Reynolds Mrs. Lewis Thomas Watson (Mary Elizabeth Milles, 1767–1818), 1789 The Met

Landscape, Distant Village, Charles-François Daubigny, c. 1870/1875, oil on wood

Charles-François Daubigny Landscape, Distant Village, c. 1870/1875 National Gallery of Art

The Farm at the Entrance of the Wood, Rosa Bonheur, 1860–80, oil on fabric

Rosa Bonheur The Farm at the Entrance of the Wood, 1860–80 Cleveland Museum of Art

We look across a stream and through a loose screen of shadowy trees at a sunlit farm under a powder-blue sky with towering, puffy clouds in this vertical landscape painting.

Meindert Hobbema A Farm in the Sunlight, 1668 National Gallery of Art

A Cottage in the Woods, Meindert Hobbema, c. 1662, oil on canvas

Meindert Hobbema A Cottage in the Woods, c. 1662 Cleveland Museum of Art

Connecticut Village (Going to School), Julian Alden Weir, after 1891, oil on canvas

Julian Alden Weir Connecticut Village (Going to School), after 1891 The Met

The Windmill, Jules Dupré, late 1850s, oil on fabric

Jules Dupré The Windmill, late 1850s Cleveland Museum of Art

The Factory Village, Julian Alden Weir, 1897, oil on canvas

Julian Alden Weir The Factory Village, 1897 The Met

The Weeders, Jules Breton, 1868, oil on canvas

Jules Breton The Weeders, 1868 The Met

This painting shows a landscape with several buildings near a body of water. Closest to us, near the bottom right corner, a person in red leans over a wooden fence to cast a fishing rod into the water.

Meindert Hobbema Village near a Pool, c. 1670 National Gallery of Art

This painting depicts buildings under a clear blue sky. The horizon line is low, mostly obscured by the structures. The buildings have pointed brown roofs, and they are a pale yellow color.

Charles-François Daubigny The Farm, 1855 National Gallery of Art

Cows, horses, sheep, and pigs stand closely together in a band across the bottom edge of this horizontal painting. Rolling hills open onto grassy lawns, farms, and fields beyond.

Edward Hicks The Cornell Farm, 1848 National Gallery of Art

This painting depicts a view from an elevated position. The horizon is in the center of the painting, where the blue sky meets distant green hills.

Julian Alden Weir U.S. Thread Company Mills, Willimantic, Connecticut, c. 1893/1897 National Gallery of Art

We look across an ochre-yellow field to a band of pearl-white buildings under an azure-blue sky in this horizontal landscape painting. Flecks of red in the lower right corner could be flowers.

Odilon Redon Breton Village, c. 1890 National Gallery of Art

Landscape with Fisherman and Washerwoman, John Rathbone, 1790–1800, oil on panel

John Rathbone Landscape with Fisherman and Washerwoman, 1790–1800 Art Institute of Chicago

Cottage by the River with Washerwomen, Camille Flers, 1835, oil on fabric

Camille Flers Cottage by the River with Washerwomen, 1835 Cleveland Museum of Art

Landscape, Jean-Charles Cazin, after 1876, oil on canvas

Jean-Charles Cazin Landscape, after 1876 National Gallery of Art

This painting depicts a landscape with rolling green hills viewed from an elevated perspective. Closest to us, the light green hills on the left are covered with yellowish grass.

Kenyon Cox Flying Shadows, 1883 National Gallery of Art

View of Benjamin Reber's Farm, Charles C. Hofmann, 1872, oil on canvas

Charles C. Hofmann View of Benjamin Reber's Farm, 1872 National Gallery of Art

The image shows a landscape with a settlement surrounded by lush greenery and mountains in the distance. The mountains are partly covered by clouds. The painting technique is smooth and gentle, giving the scene a serene atmosphere.

George Catlin A Crow Village and the Salmon River Mountains, 1855/1869 National Gallery of Art

The image shows a riverside scene with various activities. The horizon has green hills with trees. Villagers and tipis are on both sides of the riverbanks. Canoes filled with people are on the water, some docked near the sandy shore.

George Catlin La Salle and Party Arrive at the Village of the Illinois. January 1, 1680, 1847/1848 National Gallery of Art

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