Paintings Above the Bathtub (page 4)

Showing 145 to 192 of 441 paintings that fit

Figures on the Beach, Pierre-Auguste Renoir, 1890, oil on canvas

Pierre-Auguste Renoir Figures on the Beach, 1890 The Met

Sea and Cliffs, Pierre-Auguste Renoir, ca. 1885, oil on canvas

Pierre-Auguste Renoir Sea and Cliffs, ca. 1885 The Met

Versailles, Pierre-Auguste Renoir, 1900–1905, oil on canvas

Pierre-Auguste Renoir Versailles, 1900–1905 The Met

Allée of Chestnut Trees, Alfred Sisley, 1878, oil on canvas

Alfred Sisley Allée of Chestnut Trees, 1878 The Met

The Seine at Bougival, Alfred Sisley, 1876, oil on canvas

Alfred Sisley The Seine at Bougival, 1876 The Met

We look out onto a landscape with low, grassy hills to the left, a lake to the right, and a brick building in the center distance below a sky filled with towering white clouds in this horizontal painting.

John Constable Wivenhoe Park, Essex, 1816 National Gallery of Art

Painted in golden tones of butter and harvest yellow, tawny brown, and olive green, this horizontal landscape painting has a low wall stretching diagonally from the lower right corner off to our left, dividing a river to our right from a…

Joseph Mallord William Turner Mortlake Terrace, 1827 National Gallery of Art

Butter-yellow clouds and water, a periwinkle-blue sky, and pale plum-purple buildings blend in hazy, indistinct bands across this horizontal landscape painting.

Joseph Mallord William Turner Approach to Venice, 1844 National Gallery of Art

We look across a glittering waterway lined with long, low boats and sailboats at an ivory-white church in the distance to our right in this horizontal landscape painting.

Joseph Mallord William Turner Venice: The Dogana and San Giorgio Maggiore, 1834 National Gallery of Art

Newport Mountain, Mount Desert, Frederic Edwin Church, 1851, oil on canvas

Frederic Edwin Church Newport Mountain, Mount Desert, 1851 National Gallery of Art

We stand on a beach lined with black rocks and boulders looking out onto the water below a brick-red sky that dominates this nearly square landscape painting.

Gustave Courbet The Black Rocks at Trouville, 1865/1866 National Gallery of Art

Four women with pale, peach skin, wearing long white dresses, stand or sit on a sunny beach in this wide, horizontal painting. People and carriages are painted as hazy gray silhouettes spread along the beach in the distance.

Winslow Homer East Hampton Beach, Long Island, 1874 National Gallery of Art

This horizontal, rectangular painting is created entirely with dots and touches of sky and royal blue, butter and sunshine yellow, and spring green.

Georges Seurat Seascape (Gravelines), 1890 National Gallery of Art

The top three-quarters of this horizontal landscape painting is filled with roiling, deeply shadowed clouds that tower over a line of buffalo crossing a grassy meadow below.

Albert Bierstadt Buffalo Trail: The Impending Storm, 1869 National Gallery of Art

A young woman with flushed, peachy skin stands on a rocky shoreline with a fishing net slung over one shoulder in this horizontal painting. Her body faces us, and she looks off and down to our right.

Winslow Homer A Light on the Sea, 1897 National Gallery of Art

From high up, we look down and out at a river with seven ferries and barges, the waterway lined with buildings on the bank to our right, in this loosely painted, horizontal landscape.

Camille Pissarro The Louvre, Afternoon, Rainy Weather, 1900 National Gallery of Art

We look across a lush landscape of olive-green forests lining a glimmering, silvery-blue lake with hills in the deep distance under a pale blue sky in this horizontal landscape painting.

Camille Corot The Moored Boatman: Souvenir of an Italian Lake, 1861 National Gallery of Art

Dense canopies enclose a forested interior along a stream in this horizontal landscape painting.

Gustave Courbet The Stream (Le Ruisseau du Puits-Noir; vallée de la Loue), 1855 National Gallery of Art

We look slightly down onto a port-side town along a canal, with a church across the water from us in this horizontal landscape painting. A bright blue sky with billowing white, pink, and gray clouds fills the top two-thirds of the painting.

Canaletto Entrance to the Grand Canal from the Molo, Venice, 1742/1744 National Gallery of Art

Through a golden haze and across an expanse of gently rippling water dotted with boats, ghostly ivory and parchment-white buildings rise along a distant shore in this loosely painted horizontal landscape.

Joseph Mallord William Turner The Dogana and Santa Maria della Salute, Venice, 1843 National Gallery of Art

Towering, sheer cliffs loom to our left, over a sunny beach scattered with boats in this horizontal landscape painting.

Gustave Courbet Beach in Normandy, c. 1872/1875 National Gallery of Art

A waterway flanked by low banks curves away from us in front of a band of rolling hills in this loosely painted horizontal landscape. The water is created with wide strokes of white, ice blue, or the muted jewel tones of the hills.

Paul Gauguin Brittany Landscape, 1888 National Gallery of Art

Three women stand on or next to a ladder picking olives in an orchard in this horizontal landscape painting. The women, trees, ground, and sky are all painted with long, parallel brushstrokes that curve and swirl over the canvas.

Vincent van Gogh The Olive Orchard, 1889 National Gallery of Art

We look across a strip of tall grass and flowers at a river that winds into the distance in this loosely painted, horizontal landscape.

Claude Monet Banks of the Seine, Vétheuil, 1880 National Gallery of Art

The rounded, feathery canopies of trees are mirrored in the placid surface of a river in this horizontal landscape painting. The scene is loosely painted with visible dashes and strokes. The largest tree is to our right of center.

Claude Monet The Seine at Giverny, 1897 National Gallery of Art

We look down onto a wide, bustling, tree-lined avenue filled with buildings, people, and horse-drawn carriages in this horizontal painting.

Camille Pissarro Boulevard des Italiens, Morning, Sunlight, 1897 National Gallery of Art

A row of structures and a massive weeping willow tree line the clay-orange riverbank opposite us in this horizontal landscape painting. The scene is painted loosely with long, visible brushstrokes.

Paul Cézanne Banks of the Seine at Médan, c. 1885/1890 National Gallery of Art

A sand-colored riverbank stretches in front of us to meet an arched bridge that spans a pale blue river to our right in this horizontal landscape painting. The scene is loosely painted so many details are indistinct.

Camille Corot Bridge on the Saône River at Mâcon, 1834 National Gallery of Art

We look across the water at two sailing ships with cream-white sails and dark rigging floating in a shimmering, ice-blue river against a distant shore lined with trees, hills, and buildings in this nearly square landscape painting.

Claude Monet Ships Riding on the Seine at Rouen, 1872/1873 National Gallery of Art

From behind a low stone wall, on which a young woman with pale skin sits, we look across a wide, shimmering blue waterway toward a town along the opposite shore, under a pale blue sky with wispy white clouds in this horizontal landscape…

Berthe Morisot The Harbor at Lorient, 1869 National Gallery of Art

A tree with emerald-green leaves and laden with white blossoms grows in a dirt field, and is silhouetted against a vibrant blue sky in this horizontal landscape painting. The scene is loosely painted with visible dabs and strokes.

Camille Pissarro Orchard in Bloom, Louveciennes, 1872 National Gallery of Art

A woman bends double to tend a garden that stretches before us in front of two houses in this horizontal landscape painting.

Camille Pissarro The Artist's Garden at Eragny, 1898 National Gallery of Art

Sailboats line a grassy riverbank in this loosely painted horizontal landscape. Vivid blue water stretches before us to meet a verdant bank along the left third of the horizon, which comes less than halfway up the composition.

Pierre-Auguste Renoir Regatta at Argenteuil, 1874 National Gallery of Art

A light-skinned man and woman stand looking at each other, surrounded by blooming flowers and lush green trees in this square landscape painting.

Pierre-Auguste Renoir Picking Flowers, 1875 National Gallery of Art

Jewel-toned blue, red, yellow, green, and pearl white brushstrokes swirl and stretch in this loosely painted horizontal landscape painting.

Pierre-Auguste Renoir The Blue River, c. 1890/1900 National Gallery of Art

Moss-green land rising to a tree-topped bluff follows the curve of a sandy beach surrounding a pale blue cove in this horizontal landscape painting.

Camille Corot Beach near Etretat, c. 1872 National Gallery of Art

From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape.

Thomas Gainsborough Seashore with Fishermen, c. 1781/1782 National Gallery of Art

Four boats with low masts sit on a sandy beach next to rocky cliffs under a cloud-filled sky in this horizontal landscape painting. Three of the boats are clustered together near the center of the composition.

Gustave Courbet Boats on a Beach, Etretat, c. 1872/1875 National Gallery of Art

This painting depicts a green landscape under a blue sky. Trees fill the grassy landscape, and a small blue stream winds across the grass on the left side, reflecting light.

Gustave Courbet La Bretonnerie in the Department of Indre, 1856 National Gallery of Art

Green hills roll back to a turquoise-blue sea in this almost square painting. The scene is built with layers of small dots in lavender, lilac, cool blue, warm green, yellow, and peach.

Georges Seurat Seascape at Port-en-Bessin, Normandy, 1888 National Gallery of Art

Rectangular plots of flowers, each in a single color, stretch toward us below a sky nearly filled with cream-white clouds in this horizontal landscape painting.

Vincent van Gogh Flower Beds in Holland, c. 1883 National Gallery of Art

We look across a river at a bridge that spans the center of this horizontal landscape, which is painted entirely with broad, visible brushstrokes in pastel colors.

Claude Monet Waterloo Bridge, London, at Sunset, 1904 National Gallery of Art

Painted entirely with small dots of pure color mostly in slate and azure blue, olive green, and cream white, this scene shows a sandy beach stretching to a lighthouse at the center and a four-story building to our right in this horizontal…

Georges Seurat The Lighthouse at Honfleur, 1886 National Gallery of Art

From a high perspective, we look beyond two overlapping, emerald-green hills to a body of powder-blue water dotted with sailboats in this loosely painted horizontal landscape.

Claude Monet Cliffs at Pourville, 1882 National Gallery of Art

A wide creek winds between a tree-lined bank to our left and hazy mountains to our right in this horizontal landscape painting. The riverbank curves deeply like a backward capital letter B.

Camille Pissarro A Creek in St. Thomas (Virgin Islands), 1856 National Gallery of Art

Two dark-skinned women stand facing each other on a dirt path that runs beside a body of water in this horizontal painting. One woman faces us and balances a flat tray loaded with white cloths on her head.

Camille Pissarro Two Women Chatting by the Sea, St. Thomas, 1856 National Gallery of Art

Clouds hunker over a water-logged street that separates us from the end of a row of buildings in this horizontal painting. The scene is loosely painted, especially in the sky and water.

Alfred Sisley Flood at Port-Marly, 1872 National Gallery of Art

Hulking mountains are mostly backlit against a watery blue sky edged with shell pink along the horizon, which comes about two-thirds of the way up this horizontal landscape painting.

Thomas Cole Sunrise in the Catskills, 1826 National Gallery of Art

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