Paintings Above the Bathtub (page 5)

Showing 193 to 240 of 441 paintings that fit

We look slightly down onto a silvery-gray beach nestled in a hilly, curving coastline to our right in this horizontal landscape painting. A flat expanse of beach stretches in front of us to meet the water to our left.

Claude Monet Sainte-Adresse, 1867 National Gallery of Art

A bank of flowering bushes, possibly roses, fills most of an enclosed garden in front of a white house in this horizontal landscape painting.

Claude Monet The Artist's Garden in Argenteuil (A Corner of the Garden with Dahlias), 1873 National Gallery of Art

A profusion of white roses bursting from the neck of a tan jug almost fills the height of this horizontal still life painting.

Vincent van Gogh Roses, 1890 National Gallery of Art

A pale turquoise footbridge arching over a pond lined with tall grasses and filled with petal-pink and butter-yellow waterlilies spans this horizontal landscape painting. The scene is loosely painted with touches of vibrant color.

Claude Monet The Japanese Footbridge, 1899 National Gallery of Art

We look slightly down onto and across a wide, boat-filled river under a cloudy sky at the far bank, which is lined with buildings, in this loosely painted, horizontal landscape.

James McNeill Whistler Battersea Reach, c. 1863 National Gallery of Art

We look across a rocky, grass-covered promontory at a crumbling, round brick tower overlooking topaz-blue water in this horizontal landscape painting.

Thomas Cole Italian Coast Scene with Ruined Tower, 1838 National Gallery of Art

Two horses, one dark brown and one cream white, stand together to our right against a landscape with rolling, sage-green hills and a river or canal in this horizontal painting.

Edgar Degas Horses in a Meadow, 1871 National Gallery of Art

About a dozen ruby-red and bright pink peonies in a gold and green vase sit on a rumpled cloth in this loosely painted, horizontal still life.

Paul Gauguin Still Life with Peonies, 1884 National Gallery of Art

This painting shows a seaside view with a low horizon. A sandy beach is on the left, with ships and sailboats sailing on the water in the distance on the right.

John Constable Yarmouth Jetty, 1822 National Gallery of Art

A Pond in Picardy, Camille Corot, ca. 1867, oil on canvas

Camille Corot A Pond in Picardy, ca. 1867 The Met

Northeaster, Winslow Homer, 1895; reworked by 1901, oil on canvas

Winslow Homer Northeaster, 1895; reworked by 1901 The Met

We look slightly down at a woman with pale skin and two men with ruddy complexions sitting at a table near a railing overlooking a boat-clogged waterway in this horizontal painting.

James McNeill Whistler Wapping, 1860-1864 National Gallery of Art

Marine: The Waterspout, Gustave Courbet, 1870, oil on canvas

Gustave Courbet Marine: The Waterspout, 1870 The Met

The Fishermen (Fantastic Scene), Paul Cézanne, ca. 1875, oil on canvas

Paul Cézanne The Fishermen (Fantastic Scene), ca. 1875 The Met

We look across churning waves at four sailing ships and a wooden rowboat with four men aboard in this horizontal painting. Dark, iron-gray and tawny-brown clouds approaching from the right fill the top two-thirds of the composition.

Joseph Mallord William Turner The Junction of the Thames and the Medway, 1807 National Gallery of Art

Lormes: Goat-Girl Sitting Beside a Stream in a Forest, Camille Corot, 1842, oil on fabric

Camille Corot Lormes: Goat-Girl Sitting Beside a Stream in a Forest, 1842 Cleveland Museum of Art

Fog off Mount Desert, Frederic Edwin Church, 1850, oil on academy board

Frederic Edwin Church Fog off Mount Desert, 1850 National Gallery of Art

A pair of arched cave openings yawn in a steep, rocky cliff face that fills this horizontal painting.

Gustave Courbet La Grotte de la Loue, 1864 National Gallery of Art

The Source of the Loue, Gustave Courbet, 1864, oil on canvas

Gustave Courbet The Source of the Loue, 1864 The Met

Sea Cove, Albert Bierstadt, ca. 1880–90, oil on wood

Albert Bierstadt Sea Cove, ca. 1880–90 The Met

Peach Blossoms, Winslow Homer, 1878, oil on canvas

Winslow Homer Peach Blossoms, 1878 Art Institute of Chicago

The "Kearsarge" at Boulogne, Édouard Manet, 1864, oil on canvas

Édouard Manet The "Kearsarge" at Boulogne, 1864 The Met

The Pond at the Entrance of the Woods, Camille Corot, c. 1860–75, oil on fabric

Camille Corot The Pond at the Entrance of the Woods, c. 1860–75 Cleveland Museum of Art

A woman holding a baby stands near a young boy who perches in the tipped-up end of a rowboat that has been pulled onto a sandy beach in this horizontal painting. All the people have light skin.

Winslow Homer Dad's Coming!, 1873 National Gallery of Art

Woman on Rose Divan, Henri Matisse, 1921, oil on canvas

Henri Matisse Woman on Rose Divan, 1921 Art Institute of Chicago

Painting in tones of gray and brown, with some green and blue, of a woman digging with a garden tool before a structure with a thatched roof that descends almost to the ground. Above her the sky is gray and blue, a haze of clouds.

Vincent van Gogh A Peasant Woman Digging in Front of Her Cottage, c. 1885 Art Institute of Chicago

Monte Pincio, Rome, Camille Corot, 1840–50, oil on canvas

Camille Corot Monte Pincio, Rome, 1840–50 Art Institute of Chicago

Snow at Louveciennes, Camille Pissarro, c. 1870, oil on panel

Camille Pissarro Snow at Louveciennes, c. 1870 Art Institute of Chicago

Landscape with Cottages, John Constable, 1809–10, oil on canvas

John Constable Landscape with Cottages, 1809–10 Art Institute of Chicago

Heavy daubs of pigment form a crowded scene of roughly defined, finely dressed individuals in a brightly color park along a riverbank.

Georges Seurat Oil Sketch for "A Sunday on La Grande Jatte — 1884", 1884 Art Institute of Chicago

Roses in a Vase, Pierre-Auguste Renoir, c. 1890, oil on fabric

Pierre-Auguste Renoir Roses in a Vase, c. 1890 Cleveland Museum of Art

Boboli Garden, Florence, John Singer Sargent, ca. 1906–7, watercolor, gouache, and graphite on white wove paper, mounted on board

John Singer Sargent Boboli Garden, Florence, ca. 1906–7 The Met

Moorish Buildings in Sunlight, John Singer Sargent, 1879–80, oil on wood

John Singer Sargent Moorish Buildings in Sunlight, 1879–80 The Met

Sunset, John Singer Sargent, 1905–6, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Sunset, 1905–6 The Met

Treetops against Sky, John Singer Sargent, 1909–13, watercolor and gouache on white wove paper

John Singer Sargent Treetops against Sky, 1909–13 The Met

Clouds, Thomas Cole, ca. 1838, oil on paper laid down on canvas

Thomas Cole Clouds, ca. 1838 The Met

Garden Scene, Jean-François Millet, 1854, oil on canvas

Jean-François Millet Garden Scene, 1854 The Met

View of the Seine, Georges Seurat, 1882–83, oil on wood

Georges Seurat View of the Seine, 1882–83 The Met

Study for "A Sunday on La Grande Jatte", Georges Seurat, 1884, oil on wood

Georges Seurat Study for "A Sunday on La Grande Jatte", 1884 The Met

Imaginary View with a Tomb by the Lagoon, Canaletto, early 1740s, oil on canvas

Canaletto Imaginary View with a Tomb by the Lagoon, early 1740s The Met

This horizontal painting is filled with gray and white clouds against a blue sky. Wisps of white clouds are interspersed among banks of darker gray clouds against a pale blue sky in the top half of the painting.

John Constable Cloud Study: Stormy Sunset, 1821-1822 National Gallery of Art

This painting depicts a vast landscape with a horizon line in the lower third of the painting. A range of dark brown and purple mountains or hills stretches across the width of the image.

Thomas Cole Study for "Catskill Creek", c. 1844/1845 National Gallery of Art

Four women and two children, all with pale skin, carry baskets as they walk along a beach under a brilliant blue sky in this horizontal painting. The scene is painted with visible dabs and blended strokes.

John Singer Sargent En route pour la pêche (Setting Out to Fish), 1878 National Gallery of Art

The painting depicts a rural scene with a wide, cloudy blue sky over a riverbank. On the right there are tall, dark green trees that stretch up to the top of the painting.

Camille Corot River View, 1868/1872 National Gallery of Art

This horizontal landscape is painted with broad, visible strokes in shades of laurel, fern, and pine green, dark yellow, and ash brown.

Pierre-Auguste Renoir Landscape between Storms, 1874/1875 National Gallery of Art

A passenger boat, its bright tan sails reflecting the sun, careens among choppy water with at least eight more sailboats and a town along the water’s edge in the distance in this horizontal landscape painting.

Joseph Mallord William Turner Rotterdam Ferry-Boat, 1833 National Gallery of Art

The dark, forest-green canopies of trees to our right are silhouetted against a sky that warms from pale blue along the top edge of the composition to butter yellow along the horizon, which comes about a quarter of the way up this…

Jean-Honoré Fragonard Mountain Landscape at Sunset, c. 1765 National Gallery of Art

Boats at Berck-sur-Mer, Édouard Manet, 1873, oil on fabric

Édouard Manet Boats at Berck-sur-Mer, 1873 Cleveland Museum of Art

Rooms with this spot

Bathroom 387

Other places to hang art