Paintings Above the Bathtub (page 8)

Showing 337 to 384 of 441 paintings that fit

This painting shows a group of potted pansies. There is a large basket filled with yellow pansies on the left, surrounded by at least four smaller terracotta pots on the right containing purple, white, blue, and orange pansies.

Henri Fantin-Latour Pansies, 1874 National Gallery of Art

This is a painting of a park filled with tall trees and people in colorful clothes. Some people are seated on chairs, while others are walking or standing on the tan ground.

William Glackens Luxembourg Gardens, 1906 National Gallery of Art

This painting shows a serene forest setting with a wide, shallow stream flowing gently towards us. The scene is enclosed by tall trees on either side.

Worthington Whittredge Trout Brook in the Catskills, 1875 National Gallery of Art

Sunlight, Théodore Rousseau, c. 1848/1850, oil on wood

Théodore Rousseau Sunlight, c. 1848/1850 National Gallery of Art

This painting shows a landscape with a wide river on the right flowing through green hills.

John Frederick Kensett View on the Genesee near Mount Morris, 1857 National Gallery of Art

We look across a waterlogged path at a line of rust-red and bronze-brown trees that nearly span the width of this horizontal landscape painting. The scene is loosely painted, which creates a blurred look.

Théodore Rousseau After the Rain, c. 1850 National Gallery of Art

We look across a channel of choppy water at three masted ships, a sailboat, at least one steamer, and three rowboats in this horizontal seascape painting.

Eugène Boudin Le Havre, 1883 National Gallery of Art

The painting depicts a landscape scene with a body of water, trees, reflections, and a house in the distance. The composition shows a low horizon line with trees arching across the scene and soft reflections on the water's surface.

Charles-François Daubigny Sunset on the River, 1874 National Gallery of Art

Landscape, George Inness, c. 1852, oil on canvas

George Inness Landscape, c. 1852 National Gallery of Art

This painting shows a woodland scene with tall trees surrounding a small, still pond. The trees and grassy ground are painted in shades of olive-green, rusty orange, yellow ochre, and dark brown.

Narcisse Virgilio Díaz de la Peña The Frog Pond, 1876 National Gallery of Art

Water laps at a curving shoreline in front of a steep sandy dune carpeted in grass, shrubs, and trees in this horizontal landscape painting. The dune takes up the lower right quadrant of the composition.

Jacob van Ruisdael Dunes by the Sea, 1648 National Gallery of Art

The image features a seascape scene with a beach, ocean, and sailboats. The horizon is high in the image, separating the sea from the sky, where sailboats are present.

Eugène Boudin Low Tide at Scheveningen, 1875 National Gallery of Art

From a point of view over the water, we look across a bustling canal at a bridge, which is flanked by rows of buildings to each side in this horizontal painting.

Francesco Guardi View on the Cannaregio Canal, Venice, c. 1775-1780 National Gallery of Art

This painting shows a tranquil river scene with a distant horizon on the left showing rolling landscapes, trees, and small brown buildings across calm water.

Charles-François Daubigny Washerwomen at the Oise River near Valmondois, 1865 National Gallery of Art

We look through shadowed trees at a river winding into the distance in this horizontal landscape painting.

Annibale Carracci River Landscape, c. 1590 National Gallery of Art

We look across a dark, aquamarine-blue body of water at a bulky, stony outcropping to our right in this horizontal landscape painting.

John Frederick Kensett Beacon Rock, Newport Harbor, 1857 National Gallery of Art

A garden with two fountains stretches back to a manor house in the distance in this horizontal landscape painting. The horizon comes about a third of the way up the composition, and gray clouds tower in the vivid blue sky above.

Jacob van Ruisdael Country House in a Park, c. 1675 National Gallery of Art

About three dozen men and women sit, stand, or stroll along a sandy beach beneath a sunset-streaked sky in this horizontal landscape painting.

Eugène Boudin The Beach at Villerville, 1864 National Gallery of Art

This is a painting of a seaside scene with people sitting on a sandy beach. In the center is a group of three women and one child. The women wear high-necked dresses and tall hats in shades of red, yellow, and pink.

Eugène Boudin On the Beach, Trouville, 1887 National Gallery of Art

This painting shows a beach scene with people gathered on the sandy shore, facing away from us, looking towards the water. The horizon is in the center of the image, with the pale green-blue sea meeting the slightly darker blue sky.

Eugène Boudin On the Beach, 1894 National Gallery of Art

A two-masted ship with sails furled has been pulled onto a beach as dozens of people bustle on and around it in this horizontal landscape painting. The scene is loosely painted and many details are indistinct throughout.

Eugène Boudin Return of the Terre-Neuvier, 1875 National Gallery of Art

We look slightly down onto a wooden table or buffet with a basket of fruit, a vase of pink and white flowers, a book, and a small tray holding a teacup, saucer, and two oranges in this horizontal still life painting.

Henri Fantin-Latour Still Life, 1866 National Gallery of Art

A stream meanders back through snowbanks in this wooded landscape, which is created entirely with cool, pale tones of white, gray, blue, lilac, and golden beige in this nearly square painting.

John Henry Twachtman Winter Harmony, c. 1890/1900 National Gallery of Art

Across a short stretch of sand in front of us, waves of bottle-green water break over two boulders on the shoreline, with sailboats in the water beyond, in this wide, horizontal painting.

Martin Johnson Heade Rio de Janeiro Bay, 1864 National Gallery of Art

Roiling, churning waves breaking against a patch of a sandy beach fill most of this wide, horizontal landscape painting. The water deepens from aquamarine blue to teal, slate, and midnight blue amid clouds of ivory-white crests and spray.

Thomas Moran The Much Resounding Sea, 1884 National Gallery of Art

The painting depicts a tranquil lake scene with a low horizon line showing a pale green hill in the background under a pale, cloudy sky. Closer to us, on the right, there is a large, textured rock surrounded by greenery and red flowers.

John Frederick Kensett Landing at Sabbath Day Point, c. 1853 National Gallery of Art

Eight men, women, and children stand or sit in straight-backed, wooden chairs gathered along a sandy beach near low, gently breaking waves with sailboats floating in the ocean beyond in this horizontal landscape painting.

Eugène Boudin Beach at Trouville, 1864/1865 National Gallery of Art

Eleven men, women, and children stand around a freestanding flagpole near a floating dock on a beach in this horizontal landscape painting. The scene is loosely painted, and dozens more people are gathered on the dock.

Eugène Boudin On the Jetty, c. 1869/1870 National Gallery of Art

A row of about a dozen men and women sit, stand, or stroll along a sandy beach beneath a pale blue sky in this horizontal landscape painting. The scene is loosely painted so many of the facial features and other details are indistinct.

Eugène Boudin The Beach, 1877 National Gallery of Art

This painting depicts a sandy beach under a vast, light blue sky. The horizon is in the center of the painting where the blue sky blends into the blue water.

Eugène Boudin Women on the Beach at Berck, 1881 National Gallery of Art

This painting shows a coastal scene with a rocky tan cliff on the left side extending down to the blue sea. The horizon is in the middle of the painting, with a bright, slightly cloudy blue sky above the sea.

Eugène Boudin Washerwomen on the Beach of Etretat, 1894 National Gallery of Art

A pink-toned sandy beach meets a placid body of pale blue water under a hazy sky in this horizontal landscape painting.

John Frederick Kensett Beach at Beverly, c. 1869/1872 National Gallery of Art

Near the center of the painting, a masted wooden ship floats against a vibrant sunset that fades from lilac purple to carnation pink along the horizon line, which comes about a quarter of the way up this horizontal landscape.

Fitz Henry Lane Lumber Schooners at Evening on Penobscot Bay, 1863 National Gallery of Art

Holding a bunch of peonies in one hand, a woman with brown skin leans forward, toward us from behind a large basket holding dozens of flowers in this horizontal painting.

Frédéric Bazille Young Woman with Peonies, 1870 National Gallery of Art

This is a painting depicting several ships on a stretch of water. The horizon is situated in the lower third of the painting, creating a vast expanse of sky above.

Eugène Boudin Ships and Sailing Boats Leaving Le Havre, 1887 National Gallery of Art

A dozen men, women, and children walk, stand, or sit on a waterside wharf that spans this horizontal painting. A jetty stretches into the distance at a right angle, starting to the left of center. Dozens more people pack the jetty.

Eugène Boudin Jetty and Wharf at Trouville, 1863 National Gallery of Art

This horizontal painting shows a harbor scene filled with tall-masted ships and steamships adorned with colorful flags. The masts of the ship to our left dominate the composition, reaching almost to the top edge of the painting.

Eugène Boudin Festival in the Harbor of Honfleur, 1858 National Gallery of Art

The painting depicts a seascape. The horizon is visible in the bottom third of the composition, with several ships floating on the water, including a large sailing ship to the left of center.

Eugène Boudin Coast of Brittany, 1870 National Gallery of Art

Twenty men, women, and children sit, stand, or stroll along a sandy beach beneath a bright, cloud-filled sky in this horizontal landscape painting.

Eugène Boudin Figures on the Beach, c. 1867/1870 National Gallery of Art

The painting shows a beach scene with several people gathered on the shore. The people are gathered between four white tent-like structures in the center of the painting.

Eugène Boudin Beach Scene, 1862 National Gallery of Art

About two dozen men and women sit in straight-backed, wooden chairs gathered along a sandy beach near low, gently breaking waves with sailboats floating in the ocean beyond in this horizontal landscape painting.

Eugène Boudin Beach Scene at Trouville, 1863 National Gallery of Art

The painting features a sandy shore and a calm sea with sailing boats in the distance. At the bottom of the painting, people sit on the sand by the water.

Eugène Boudin Washerwoman near Trouville, c. 1872/1876 National Gallery of Art

The painting depicts a busy harbor scene with ships and masts rising into the blue-gray sky. The brushstrokes are loose and impressionistic, in shades of soft grey, brown, and blue, with some pops of red and yellow from indistinct objects.

Eugène Boudin The Trawlers, 1885 National Gallery of Art

Eight cows bathed in warm sunlight stand and lie on a riverbank carpeted in mossy green in this horizontal painting. The cows are amber, ginger, or tawny brown, bone white, or black, and all have short, curving horns.

Aelbert Cuyp River Landscape with Cows, 1645/1650 National Gallery of Art

Two ships and two sailboats, all with full sails, float on a gently rippling body of water in front of a pale pastel-shaded sky in this horizontal painting.

Fitz Henry Lane Becalmed off Halfway Rock, 1860 National Gallery of Art

Sheer, vertical, cliffs, brightly lit in cream white and rust orange by the low sun, tower over a band of people riding horses into the distance in this long, horizontal landscape painting.

Thomas Moran Green River Cliffs, Wyoming, 1881 National Gallery of Art

This painting shows a seascape with large sailing ships and smaller vessels. To the right of center is a large ship with several tall masts and many billowing white sails.

Fitz Henry Lane New York Harbor, 1852 National Gallery of Art

Twigs of a magnolia tree with light green, glossy leaves and three cream-white blossoms lie on a sapphire-blue cloth in this horizontal still life painting.

Martin Johnson Heade Giant Magnolias on a Blue Velvet Cloth, c. 1890 National Gallery of Art

Rooms with this spot

Bathroom 387

Other places to hang art