Paintings Above a Desk (page 18)

Showing 817 to 864 of 1,111 paintings that fit

In saturated, vivid tones of mint green, marigold orange, dandelion yellow, sky blue, and rose pink, a long building stretches away from us along a walkway.

Ernst Ludwig Kirchner Dance Hall Bellevue [obverse], 1909/1910 National Gallery of Art

A jumble of pewter plates and a pitcher, glass goblets, a gold chalice, a brass candlestick, and other vessels along with lemons, olives, and the remains of a mince pie are arranged on a cream-white tablecloth bunched on a dark green…

Willem Claesz Heda Banquet Piece with Mince Pie, 1635 National Gallery of Art

We look sightly down and across a green meadow in front of us at a grove of tall trees to our left next to a shimmering body of water, before a deep view of distant mountains beneath an ice-blue sky in this horizontal landscape.

Asher Brown Durand Pastoral Landscape, 1861 National Gallery of Art

This painting features a landscape with a calm body of water dominating the lower portion. The view is slightly elevated, overlooking the water that reflects the surrounding greenery and sky.

Jasper Francis Cropsey Warwick Castle, England, 1857 National Gallery of Art

Two ships and two sailboats, all with full sails, float on a gently rippling body of water in front of a pale pastel-shaded sky in this horizontal painting.

Fitz Henry Lane Becalmed off Halfway Rock, 1860 National Gallery of Art

This painting shows a seascape with large sailing ships and smaller vessels. To the right of center is a large ship with several tall masts and many billowing white sails.

Fitz Henry Lane New York Harbor, 1852 National Gallery of Art

Twigs of a magnolia tree with light green, glossy leaves and three cream-white blossoms lie on a sapphire-blue cloth in this horizontal still life painting.

Martin Johnson Heade Giant Magnolias on a Blue Velvet Cloth, c. 1890 National Gallery of Art

The painting depicts a stately building complex from an elevated point. The buildings are large, with white, ivy-covered walls and dark, peaked roofs.

Bernardo Bellotto The Fortress of Königstein: Courtyard with the Magdalenenburg, 1756-1758 National Gallery of Art

Sunset Sky, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Sunset Sky, 1872 The Met

Irregular, geometric shapes in burnt orange, pale peach, light blue, forest and mint green, brown, taupe, gray, and black are layered and spread across this horizontal, abstract painting. They are mostly flat planes of color.

Juan Gris Glass and Checkerboard, c. 1917 National Gallery of Art

A Winter Sky, George Inness, 1866, oil on canvas

George Inness A Winter Sky, 1866 Cleveland Museum of Art

Hummingbird and Apple Blossoms, Martin Johnson Heade, 1875, oil on canvas

Martin Johnson Heade Hummingbird and Apple Blossoms, 1875 The Met

The Falls of Niagara, Edward Hicks, ca. 1825, oil on canvas

Edward Hicks The Falls of Niagara, ca. 1825 The Met

This is a painting of various people gathered in a pastoral setting. The scene features a group of nude and partially-clothed people of different ages, including an elderly man who is seated on the left, gesturing to the others around him.

Pierre Puvis de Chavannes Rest, c. 1863 National Gallery of Art

The Lovesick Maiden, Jan Steen, ca. 1660, oil on canvas

Jan Steen The Lovesick Maiden, ca. 1660 The Met

This painting shows a rocky green ravine with a gray stream running through it, surrounded by thick foliage and large boulders. An arched stone bridge crosses over the stream in the center of the painting.

Théodore Rousseau Mountain Stream in the Auvergne, 1830 National Gallery of Art

Weaning the Calves, Rosa Bonheur, 1879, oil on canvas

Rosa Bonheur Weaning the Calves, 1879 The Met

Two men wearing brief-like shorts, shoes, and boxing gloves curl toward each other as they grapple in the middle of a boxing ring in this horizontal painting. We look at the ring from across the heads of the crowd below and around us.

George Bellows Club Night, 1907 National Gallery of Art

Woman Ironing, Édouard Vuillard, 1892, oil on board

Édouard Vuillard Woman Ironing, 1892 Cleveland Museum of Art

The Banks of the Marne at Charenton, Armand Guillaumin, c. 1895, oil on fabric

Armand Guillaumin The Banks of the Marne at Charenton, c. 1895 Cleveland Museum of Art

The Banks of the Oise, Charles-François Daubigny, 1863, oil on wood

Charles-François Daubigny The Banks of the Oise, 1863 The Met

Luncheon (Annette and Her Grandmother), Édouard Vuillard, 1899, oil on board

Édouard Vuillard Luncheon (Annette and Her Grandmother), 1899 Cleveland Museum of Art

Orchard, Édouard Vuillard, 1897, oil on board

Édouard Vuillard Orchard, 1897 Cleveland Museum of Art

Ruined Archway, Francesco Guardi, 1775–93, oil on canvas

Francesco Guardi Ruined Archway, 1775–93 Art Institute of Chicago

A Roadside Tavern, Johan Barthold Jongkind, 1863, oil on canvas

Johan Barthold Jongkind A Roadside Tavern, 1863 Art Institute of Chicago

Roses in a Bowl, Henri Fantin-Latour, 1881, oil on canvas

Henri Fantin-Latour Roses in a Bowl, 1881 Art Institute of Chicago

Village in Brittany, Charles-François Daubigny, 1844, oil on paper, mounted on canvas

Charles-François Daubigny Village in Brittany, 1844 Art Institute of Chicago

Nocturnal landscape painting with lush trees and a large patch of sky with visible brushstrokes. Multiple small, seated figures line the foreground.

Narcisse Virgilio Díaz de la Peña Landscape with Figures, c. 1870 Art Institute of Chicago

The Cottage by the Roadside, Stormy Sky, Jules Dupré, c. 1860, oil on canvas

Jules Dupré The Cottage by the Roadside, Stormy Sky, c. 1860 Art Institute of Chicago

Landscape, Théodore Rousseau, c. 1850, oil on panel

Théodore Rousseau Landscape, c. 1850 Art Institute of Chicago

Lion on the Watch, Jean-Léon Gérôme, c. 1885, oil on wood panel

Jean-Léon Gérôme Lion on the Watch, c. 1885 Cleveland Museum of Art

Pair of Paintings: The Colonnade of Saint Peter's, Rome, during the Conclave and The Grotto of Posillipo, Hubert Robert, c.1769, oil on canvas

Hubert Robert Pair of Paintings: The Colonnade of Saint Peter's, Rome, during the Conclave and The Grotto of Posillipo, c.1769 Cleveland Museum of Art

Alpine Landscape: The Handegg, Switzerland, Jean-Léon Gérôme, 1850s, oil on fabric

Jean-Léon Gérôme Alpine Landscape: The Handegg, Switzerland, 1850s Cleveland Museum of Art

Alice Gerson in Prospect Park, William Merritt Chase, 1886, oil on panel

William Merritt Chase Alice Gerson in Prospect Park, 1886 The Met

Castel San Elmo (from Cropsey Album), Jasper Francis Cropsey, 1848, graphite, white gouache, and watercolor on dark buff-colored wove paper

Jasper Francis Cropsey Castel San Elmo (from Cropsey Album), 1848 The Met

Across the Campagna, George Inness, 1872, watercolor, gouache, and graphite on off-white wove paper

George Inness Across the Campagna, 1872 The Met

Landscape, George Inness, 1884 or 1889, oil on canvas

George Inness Landscape, 1884 or 1889 The Met

Stage Fort across Gloucester Harbor, Fitz Henry Lane, 1862, oil on canvas

Fitz Henry Lane Stage Fort across Gloucester Harbor, 1862 The Met

Olive Trees at Tivoli, George Inness, 1873, gouache, watercolor, and graphite on blue wove paper with colored fibers

George Inness Olive Trees at Tivoli, 1873 The Met

Roman Landscape, Arnold Böcklin, ca. 1850–52, oil on canvas, several pieces joined

Arnold Böcklin Roman Landscape, ca. 1850–52 The Met

Landscape on a River, Charles-François Daubigny, 1863, oil on wood

Charles-François Daubigny Landscape on a River, 1863 The Met

A River Landscape with Storks, Charles-François Daubigny, 1864, oil on wood

Charles-François Daubigny A River Landscape with Storks, 1864 The Met

Portejoie on the Seine, Charles-François Daubigny, 1858 or 1868, oil on wood

Charles-François Daubigny Portejoie on the Seine, 1858 or 1868 The Met

The Edge of the Woods, Narcisse Virgilio Díaz de la Peña, 1872, oil on wood

Narcisse Virgilio Díaz de la Peña The Edge of the Woods, 1872 The Met

A Vista through Trees: Fontainebleau, Narcisse Virgilio Díaz de la Peña, 1873, oil on wood

Narcisse Virgilio Díaz de la Peña A Vista through Trees: Fontainebleau, 1873 The Met

Still Life with Roses and Fruit, Henri Fantin-Latour, 1863, oil on canvas

Henri Fantin-Latour Still Life with Roses and Fruit, 1863 The Met

An Old Chapel in a Valley, Théodore Rousseau, ca. 1835, oil on wood

Théodore Rousseau An Old Chapel in a Valley, ca. 1835 The Met

Pansies, Henri Fantin-Latour, 1903, oil on canvas

Henri Fantin-Latour Pansies, 1903 The Met

Rooms with this spot

Home Office 403
Apartment & Dorm 584

Other places to hang art