Paintings for Blush Walls (page 12)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 529 to 576 of 650.

Jo, La Belle Irlandaise, Gustave Courbet, 1865–66, oil on canvas

Gustave Courbet Jo, La Belle Irlandaise, 1865–66 The Met

Impressionist painting of two girls on balcony, bright flower hat, knitting basket.

Pierre-Auguste Renoir Two Sisters (On the Terrace), 1881 Art Institute of Chicago

Basket of Flowers, Eugène Delacroix, 1848–49, oil on canvas

Eugène Delacroix Basket of Flowers, 1848–49 The Met

Fur Traders Descending the Missouri, George Caleb Bingham, 1845, oil on canvas

George Caleb Bingham Fur Traders Descending the Missouri, 1845 The Met

Margaret Strachan (Mrs. Thomas Harwood), Charles Willson Peale, ca. 1771, oil on canvas

Charles Willson Peale Margaret Strachan (Mrs. Thomas Harwood), ca. 1771 The Met

Shown from the knees up, a woman with peach-colored skin and dark hair sits facing us and holding a baby in this stylized, vertical portrait painting.

Amedeo Modigliani Roma Woman with Baby, 1919 National Gallery of Art

Portrait of a Young Woman, Hans Holbein the Younger, ca. 1540–45, oil and gold on oak

Hans Holbein the Younger Portrait of a Young Woman, ca. 1540–45 The Met

A woman sits in the center of this vertical panel painting and gazes down at a baby lying across her lap while two winged angels hold up a red, gold, and black brocade-like patterned cloth behind her.

Fra Angelico The Madonna of Humility, c. 1430 National Gallery of Art

Derick Berck of Cologne, Hans Holbein the Younger, 1536, oil on canvas, transferred from wood

Hans Holbein the Younger Derick Berck of Cologne, 1536 The Met

Pierre-Auguste Renoir Girl with a Basket of Fish, c. 1889 National Gallery of Art

Shown from the knees up, a woman wearing a black dress is painted with areas of mottled color in this vertical painting. The woman’s body faces us, her shoulders sloping steeply down from her elongated neck.

Amedeo Modigliani Café Singer, 1917 National Gallery of Art

Shown from the thighs up, a boy wearing a crimson-red waistcoat stands against swags of fabric painted with visible strokes in white, sky blue, harvest yellow, and sage green in this loosely painted, vertical portrait.

Paul Cézanne Boy in a Red Waistcoat, 1888-1890 National Gallery of Art

Shown from the chest up, an older man with pale, peachy skin, wearing a high-collared black coat and a cream-white, ruffled collar, is shown against a deep wine-red background in this vertical portrait painting.

Gilbert Stuart George Washington (Vaughan portrait), 1795 National Gallery of Art

Manuel Osorio Manrique de Zuñiga (1784–1792), Francisco de Goya, 1787–88, oil on canvas

Francisco de Goya Manuel Osorio Manrique de Zuñiga (1784–1792), 1787–88 The Met

The Old Italian Woman, Edgar Degas, 1857, oil on canvas

Edgar Degas The Old Italian Woman, 1857 The Met

This painting shows a woman from the chest up, with her head slightly turned to the right. She has fair skin, red lips, and brown hair in an updo.

Paul Gauguin Madame Alexandre Kohler, 1887/1888 National Gallery of Art

Large painting, woman in pink dress in front of classical sculpture, shrine.

Joshua Reynolds Lady Sarah Bunbury Sacrificing to the Graces, 1763–65 Art Institute of Chicago

Portrait of General José Manuel Romero, Francisco de Goya, c. 1810, oil on canvas

Francisco de Goya Portrait of General José Manuel Romero, c. 1810 Art Institute of Chicago

A light-skinned man in red and woman in blue sit with an infant between them, angels beside and above them, a small town in the background.

Fra Bartolommeo The Nativity, 1504–7 Art Institute of Chicago

Etruscan Vase with Flowers, Odilon Redon, 1900–1910, tempera on canvas

Odilon Redon Etruscan Vase with Flowers, 1900–1910 The Met

Painting of four figures in blue, red, brown dresses playing croquet.

Winslow Homer Croquet Scene, 1866 Art Institute of Chicago

Jacques-Louis Leblanc (1774–1846), Jean-Auguste-Dominique Ingres, 1823, oil on canvas

Jean-Auguste-Dominique Ingres Jacques-Louis Leblanc (1774–1846), 1823 The Met

Roman Interior, Jean-Honoré Fragonard, ca. 1760, oil on canvas

Jean-Honoré Fragonard Roman Interior, ca. 1760 The Met

About three dozen men and women sit, stand, or stroll along a sandy beach beneath a sunset-streaked sky in this horizontal landscape painting.

Eugène Boudin The Beach at Villerville, 1864 National Gallery of Art

The Trotter, Charles S. Humphreys, c. 1860, oil on canvas

Charles S. Humphreys The Trotter, c. 1860 National Gallery of Art

A woman wearing a voluminous black dress with a wide, ruffled collar sits holding the hand of a young boy, who stands next to her, in this vertical portrait painting.

Anthony van Dyck A Genoese Noblewoman and Her Son, c. 1626 National Gallery of Art

Catharine Lorillard Wolfe (1828–1887), Alexandre Cabanel, 1876, oil on canvas

Alexandre Cabanel Catharine Lorillard Wolfe (1828–1887), 1876 The Met

A cleanshaven man wearing a black and red diamond-patterned costume and holding a white wooden sword tucked under one arm stands in a room with a blue background in this vertical painting.

Paul Cézanne Harlequin, 1888-1890 National Gallery of Art

Painting of a performance inside a circus ring. A man wearing a suit holds a whip in his hand and looks towards a woman with red hair riding a gray horse and wearing a green dress.

Henri de Toulouse-Lautrec Equestrienne (At the Cirque Fernando), 1887–88 Art Institute of Chicago

This painting shows a man's head and shoulders in a portrait. He is turned slightly to the left, looking out towards us. The left half of his face and torso are in shadow.

Henri Fantin-Latour Self-Portrait, 1858 National Gallery of Art

A Woman and Two Men in an Arbor, Pieter de Hooch, ca. 1657–58, oil on wood

Pieter de Hooch A Woman and Two Men in an Arbor, ca. 1657–58 The Met

Portrait of a Woman, Jean-Léon Gérôme, 1851, oil on canvas

Jean-Léon Gérôme Portrait of a Woman, 1851 Art Institute of Chicago

Portrait of a Man with a Rosary, Lucas Cranach the Elder, ca. 1508, oil on oak

Lucas Cranach the Elder Portrait of a Man with a Rosary, ca. 1508 The Met

A wide creek winds between a tree-lined bank to our left and hazy mountains to our right in this horizontal landscape painting. The riverbank curves deeply like a backward capital letter B.

Camille Pissarro A Creek in St. Thomas (Virgin Islands), 1856 National Gallery of Art

We look slightly down onto a baby tucked into an oval-shaped cradle with a woman sitting on the far side looking down at the child in this vertical painting. Both the woman and baby have light skin.

Claude Monet The Cradle - Camille with the Artist's Son Jean, 1867 National Gallery of Art

The Brioche, Édouard Manet, 1870, oil on canvas

Édouard Manet The Brioche, 1870 The Met

We look beyond a cluster of flags hanging from the side of one tall building onto a wide street at a row of buildings across from us in this vertical painting.

Childe Hassam Allies Day, May 1917, 1917 National Gallery of Art

Shown from the knees up, a pale-skinned woman wearing a muted, sapphire-blue gown sits ramrod straight in a chair and looks at us in this vertical portrait painting.

Francisco de Goya Thérèse Louise de Sureda, c. 1803/1804 National Gallery of Art

Head of Saint John the Evangelist, Jean-Auguste-Dominique Ingres, probably ca. 1818–20, oil on canvas, laid down on wood

Jean-Auguste-Dominique Ingres Head of Saint John the Evangelist, probably ca. 1818–20 The Met

Madonna and Child with Saints, Giovanni Bellini, ca. 1505–10, tempera and oil on wood

Giovanni Bellini Madonna and Child with Saints, ca. 1505–10 The Met

David: "Oh, that I had wings like a Dove! For then would I fly away, and be at rest." Psalm 55:6, Frederic Leighton, 1865, oil on fabric

Frederic Leighton David: "Oh, that I had wings like a Dove! For then would I fly away, and be at rest." Psalm 55:6, 1865 Cleveland Museum of Art

The Italian Woman, Amedeo Modigliani, ca. 1918–19, oil on canvas

Amedeo Modigliani The Italian Woman, ca. 1918–19 The Met

Cylindrical, C-shaped, and triangular forms are painted with flat areas of vivid pink, purple, navy, royal, and light blue, turquoise, white, black, and gray in this abstract, horizontal painting.

Patrick Henry Bruce Peinture/Nature Morte, c. 1924 National Gallery of Art

Portrait of a Man, Anthony van Dyck, ca. 1618, oil on wood

Anthony van Dyck Portrait of a Man, ca. 1618 The Met

Henry Rice, Gilbert Stuart, ca. 1815, oil on wood

Gilbert Stuart Henry Rice, ca. 1815 The Met

Evening at Medfield, Massachusetts, George Inness, 1875, oil on canvas

George Inness Evening at Medfield, Massachusetts, 1875 The Met

A woman with pale skin holds a baby in the crook of her left arm, on our right, against a gold background in this vertical, arched wooden panel. The woman is shown from the waist up with her body angled slightly to our right.

Giotto di Bondone Madonna and Child, c. 1310/1315 National Gallery of Art

Lachrymae, Frederic Leighton, 1894–95, oil on canvas

Frederic Leighton Lachrymae, 1894–95 The Met

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