Paintings for Chocolate Walls (page 14)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 625 to 672 of 1,861.

The image shows a man in a portrait from the waist up. He has fair skin, curly light-colored hair, and wears a dark navy coat with gold buttons and a vibrant red collar.

Thomas Gainsborough William Yelverton Davenport, c. 1785/1788 National Gallery of Art

Sketch for a Ceiling, Giovanni Battista Tiepolo, 1750s, oil on canvas

Giovanni Battista Tiepolo Sketch for a Ceiling, 1750s Cleveland Museum of Art

Pope Pius VI Descending the Throne to Take Leave of the Doge in the Hall of Saints Giovanni e Paolo, 1782 and Pontifical Ceremony in Saints Giovanni e Paolo, Venice, 1782 (pair), Francesco Guardi, c. 1783, oil on canvas

Francesco Guardi Pope Pius VI Descending the Throne to Take Leave of the Doge in the Hall of Saints Giovanni e Paolo, 1782 and Pontifical Ceremony in Saints Giovanni e Paolo, Venice, 1782 (pair), c. 1783 Cleveland Museum of Art

A man wearing armor, sitting astride a cream-white horse, drives a long lance down at a lizard-like dragon as a woman kneels with her hands in prayer in the landscape beyond in this vertical painting.

Raphael Saint George and the Dragon, c. 1506 National Gallery of Art

Two women, a man, and three small children gather around a baby sleeping in a wicker cradle near an open window in this horizontal painting. The people all have pale skin with rosy cheeks.

Jean-Honoré Fragonard The Visit to the Nursery, c. 1775 National Gallery of Art

Woman in the Garden of Monsieur Forest, Henri de Toulouse-Lautrec, 1889–91, oil on canvas

Henri de Toulouse-Lautrec Woman in the Garden of Monsieur Forest, 1889–91 The Met

A bearded man with wrinkled, peachy skin and reddened cheeks sits and smokes a pipe on a wooden box in a landscape in this vertical painting. The man’s body faces us, and he peers at us with dark eyes under heavy, bushy white brows.

George Caleb Bingham Mississippi Boatman, 1850 National Gallery of Art

Adoration of the Magi, Titian, 1500s, oil on canvas

Titian Adoration of the Magi, 1500s Cleveland Museum of Art

The Adoration of the Shepherds, Andrea Mantegna, shortly after 1450, tempera on canvas, transferred from wood

Andrea Mantegna The Adoration of the Shepherds, shortly after 1450 The Met

Portrait of Colonel Charles Heathcote, Joseph Wright of Derby, c. 1771–72, oil on canvas

Joseph Wright of Derby Portrait of Colonel Charles Heathcote, c. 1771–72 Cleveland Museum of Art

The Siesta, Paul Gauguin, ca. 1892–94, oil on canvas

Paul Gauguin The Siesta, ca. 1892–94 The Met

A woman stands drinking from a tall glass as two men sit at a table in a courtyard enclosed by wood paneling and brick buildings in this vertical painting. The people all have pale, peachy skin.

Pieter de Hooch A Dutch Courtyard, 1658/1660 National Gallery of Art

Portrait of Charlotte and Sarah Carteret-Hardy, Thomas Lawrence, 1801, oil on canvas

Thomas Lawrence Portrait of Charlotte and Sarah Carteret-Hardy, 1801 Cleveland Museum of Art

Mariana of Austria (1634–1696), Queen of Spain, Diego Velázquez, 1640, oil on canvas

Diego Velázquez Mariana of Austria (1634–1696), Queen of Spain, 1640 The Met

Stage Fort across Gloucester Harbor, Fitz Henry Lane, 1862, oil on canvas

Fitz Henry Lane Stage Fort across Gloucester Harbor, 1862 The Met

Friar Pedro Binds El Maragato with a Rope, Francisco de Goya, c. 1806, oil on panel

Francisco de Goya Friar Pedro Binds El Maragato with a Rope, c. 1806 Art Institute of Chicago

John Shaw, Gilbert Stuart, 1793, oil on canvas

Gilbert Stuart John Shaw, 1793 The Met

Painting of two fishermen in small wooden boat on rocky seas.

Winslow Homer The Herring Net, 1885 Art Institute of Chicago

Lucia, Frederic Leighton, possibly late 1870s, oil on canvas

Frederic Leighton Lucia, possibly late 1870s The Met

Painting of woman, arms crossed on brown desk, staring at goldfish.

Henri Matisse Woman before an Aquarium, 1921–23 Art Institute of Chicago

Three figures stand side by side in an outdoor setting. The person on the left is facing forward, holding a shield. They have long dark hair with feathers and wear a fringed outfit.

George Catlin Two Nezperce Warriors and a Boy, 1855/1869 National Gallery of Art

Study for "William Rush Carving His Allegorical Figure of the Schuylkill River", Thomas Eakins, 1876–77, oil on canvas mounted on board

Thomas Eakins Study for "William Rush Carving His Allegorical Figure of the Schuylkill River", 1876–77 Art Institute of Chicago

Sawmill, Outskirts of Paris, Henri Rousseau, c. 1893/95, oil on canvas

Henri Rousseau Sawmill, Outskirts of Paris, c. 1893/95 Art Institute of Chicago

Virgin and Child with Saint Anne, Albrecht Dürer, probably 1519, oil on linden

Albrecht Dürer Virgin and Child with Saint Anne, probably 1519 The Met

Shown from the chest up against a black background, a man with peachy skin wears a gold and rose-pink cloak in this vertical portrait painting.

Giovanni Bellini Giovanni Emo, c. 1475/1480 National Gallery of Art

The Apotheosis of the Spanish Monarchy, Giovanni Battista Tiepolo, 1760s, oil on canvas

Giovanni Battista Tiepolo The Apotheosis of the Spanish Monarchy, 1760s The Met

Shown from the waist up, a bearded man with pale, peachy skin, wearing a black wide-brimmed hat and jacket, and a broad, layered, white collar, holds up a piece of rolled up paper in this vertical portrait painting.

Rembrandt van Rijn Man with a Sheet of Music, 1633 National Gallery of Art

Boy with a Greyhound, Paolo Veronese, possibly 1570s, oil on canvas

Paolo Veronese Boy with a Greyhound, possibly 1570s The Met

Woman with Collie, John Singer Sargent, after 1890, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Woman with Collie, after 1890 The Met

The Jabach Family, Charles Le Brun, ca. 1660, oil on canvas

Charles Le Brun The Jabach Family, ca. 1660 The Met

We look down onto a pile with a newspaper, theater program, pipe, a black and white checkerboard, and other objects painted as abstracted, geometric forms on a tabletop in this nearly square still life painting.

Juan Gris Fantômas, 1915 National Gallery of Art

The Burning of Sodom (formerly "The Destruction of Sodom"), Camille Corot, 1843 and 1857, oil on canvas

Camille Corot The Burning of Sodom (formerly "The Destruction of Sodom"), 1843 and 1857 The Met

The Holy Family with the Young Saint John the Baptist, Andrea del Sarto, ca. 1528, oil on wood

Andrea del Sarto The Holy Family with the Young Saint John the Baptist, ca. 1528 The Met

We look slightly down onto a panorama with dozens of pale-skinned men, women, and children skating and standing on a frozen river in this horizontal landscape painting.

Hendrick Avercamp A Scene on the Ice, c. 1625 National Gallery of Art

Rinaldo and the Magus of Ascalon, Giovanni Battista Tiepolo, c. 1742–45, oil on canvas

Giovanni Battista Tiepolo Rinaldo and the Magus of Ascalon, c. 1742–45 Art Institute of Chicago

Antiochus and Stratonice, Jean-Auguste-Dominique Ingres, c. 1838, oil on linen

Jean-Auguste-Dominique Ingres Antiochus and Stratonice, c. 1838 Cleveland Museum of Art

Honoré Daumier In Church, 1855/1857 National Gallery of Art

Painted portrait of a seated young light-skinned girl with brown hair in a gauzy white dress and hat, eyes downcast, holding a basket.

Berthe Morisot Young Girl with Hat, 1892 Art Institute of Chicago

Samson Captured by the Philistines, Guercino, 1619, oil on canvas

Guercino Samson Captured by the Philistines, 1619 The Met

This is a painting of a group of people, mostly men, engaged in laborious activities outdoors. The people are minimally clothed, with small pieces of cloth wrapped around their waists.

Pierre Puvis de Chavannes Work, c. 1863 National Gallery of Art

A Bearded Man Wearing a Hat, Rembrandt van Rijn, c. 1655–60, oil on canvas

Rembrandt van Rijn A Bearded Man Wearing a Hat, c. 1655–60 Cleveland Museum of Art

Helena Tromper Du Bois, Anthony van Dyck, c. 1631, oil on canvas

Anthony van Dyck Helena Tromper Du Bois, c. 1631 Art Institute of Chicago

A cleanshaven man in a saffron-yellow cloak runs and points to a nude woman whose fingers are turning into leafy tree branches in this horizontal painting.

Giovanni Battista Tiepolo Apollo Pursuing Daphne, c. 1755/1760 National Gallery of Art

Signora Gomez d'Arza, Thomas Eakins, 1901–2, oil on canvas

Thomas Eakins Signora Gomez d'Arza, 1901–2 The Met

John Barker (1707–1787), Joshua Reynolds, 1786, oil on canvas

Joshua Reynolds John Barker (1707–1787), 1786 The Met

The Adoration of the Magi, Gerard David, ca. 1520, oil on wood

Gerard David The Adoration of the Magi, ca. 1520 The Met

A woman holds and looks toward a nude, young child, who sits on her lap and looks out at us, smiling, in this vertical painting. They both have pale skin and thin, gold halos floating above their heads.

Raphael The Niccolini-Cowper Madonna, 1508 National Gallery of Art

Shown from the knees up, a young girl with pale skin, wearing a coral-peach dress, sits facing and looking at us in this loosely painted, vertical portrait. Her knees are angled slightly to our left, and her hands rest in her lap.

Berthe Morisot The Artist's Daughter with a Parakeet, 1890 National Gallery of Art

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