Paintings for Chocolate Walls (page 16)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 721 to 768 of 1,861.

Close to us, a woman and a winged, child-like putto float on clouds above a clean-shaven young man in a forest setting in this horizontal painting. All three people have smooth, pale skin, rosy cheeks, and ash-blond hair.

Jean-Honoré Fragonard Diana and Endymion, c. 1753/1756 National Gallery of Art

Virgin and Child, Gerard David, 1490–1523, oil on oak panel

Gerard David Virgin and Child, 1490–1523 The Met

Shown from the waist up, a cleanshaven man with pale, peachy skin, wearing a black cap and a voluminous fur-lined, black cloak, is positioned behind a crimson-red ledge or tabletop in this vertical portrait painting.

Hans Holbein the Younger Sir Brian Tuke, c. 1527/1528 or c. 1532/1534 National Gallery of Art

Manuel Osorio Manrique de Zuñiga (1784–1792), Francisco de Goya, 1787–88, oil on canvas

Francisco de Goya Manuel Osorio Manrique de Zuñiga (1784–1792), 1787–88 The Met

The Windmill, Jules Dupré, late 1850s, oil on fabric

Jules Dupré The Windmill, late 1850s Cleveland Museum of Art

The Drummond Children, Henry Raeburn, ca. 1808–9, oil on canvas

Henry Raeburn The Drummond Children, ca. 1808–9 The Met

The Coronation of the Virgin, Annibale Carracci, after 1595, oil on canvas

Annibale Carracci The Coronation of the Virgin, after 1595 The Met

Our Lady of Valvanera, Unknown artist, ca. 1770–80, oil and gold on canvas

Unknown artist Our Lady of Valvanera, ca. 1770–80 The Met

Shown from the shoulders up, a clean-shaven, pale-skinned man with shoulder-length brown hair and dressed in black fills this vertical portrait painting.

Giovanni Bellini Portrait of a Venetian Gentleman, c. 1500 National Gallery of Art

Painting, heavy in tones of blue-green and burnt orange, depicting a bar scene at night. The men wear top hats and many are bearded; the women are dressed in voluminous gowns and decorative hats.

Henri de Toulouse-Lautrec At the Moulin Rouge, 1892–95 Art Institute of Chicago

Chrysanthemum, Piet Mondrian, 1906–42, oil on canvas

Piet Mondrian Chrysanthemum, 1906–42 Cleveland Museum of Art

Marguerite-Thérèse (Margot) Berard (1874–1956), Pierre-Auguste Renoir, 1879, oil on canvas

Pierre-Auguste Renoir Marguerite-Thérèse (Margot) Berard (1874–1956), 1879 The Met

Campo Santa Maria Zobenigo, Venice, Canaletto, 1730s, oil on canvas

Canaletto Campo Santa Maria Zobenigo, Venice, 1730s The Met

Figures and a Dog in a Landscape, Narcisse Virgilio Díaz de la Peña, 1852, oil on wood

Narcisse Virgilio Díaz de la Peña Figures and a Dog in a Landscape, 1852 The Met

Roman Interior, Jean-Honoré Fragonard, ca. 1760, oil on canvas

Jean-Honoré Fragonard Roman Interior, ca. 1760 The Met

Head of a Young Woman, Jean-Baptiste Greuze, possibly 1780s, oil on canvas

Jean-Baptiste Greuze Head of a Young Woman, possibly 1780s The Met

Three women, one man, and a winged child gather near a cave opening within a vast, distant landscape in this horizontal painting. The people are small in scale, taking up the lower left quadrant of the composition, and all have pale skin.

Claude Lorrain The Judgment of Paris, 1645/1646 National Gallery of Art

Shown from the hips up, a pale-skinned woman wearing white sits facing us against a golden-toned landscape background in this vertical portrait painting.

Henry Raeburn Miss Eleanor Urquhart, c. 1793 National Gallery of Art

A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), Edgar Degas, 1865, oil on canvas

Edgar Degas A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), 1865 The Met

The Garden of the Tuileries on a Winter Afternoon, Camille Pissarro, 1899, oil on canvas

Camille Pissarro The Garden of the Tuileries on a Winter Afternoon, 1899 The Met

Armida Abandoned by Rinaldo, Giovanni Battista Tiepolo, c. 1742–45, oil on canvas

Giovanni Battista Tiepolo Armida Abandoned by Rinaldo, c. 1742–45 Art Institute of Chicago

The Burning of the Houses of Lords and Commons, 16 October 1834, Joseph Mallord William Turner, 1835, oil on canvas

Joseph Mallord William Turner The Burning of the Houses of Lords and Commons, 16 October 1834, 1835 Cleveland Museum of Art

A dark-haired, disembodied head of a haloed man with pale, peach skin floats against a red and yellow background in this vertical portrait.

Paul Gauguin Self-Portrait, 1889 National Gallery of Art

The Penitent Magdalen, Georges de La Tour, ca. 1640, oil on canvas

Georges de La Tour The Penitent Magdalen, ca. 1640 The Met

We look across the gleaming, forest-green surface of a lake at the foot of tall, jagged mountains in this horizontal landscape painting.

Albert Bierstadt Mount Corcoran, c. 1876-1877 National Gallery of Art

The head and floppy ears of a dog with a delicate muzzle are loosely painted in this vertical portrait. The dog’s head is cocked to our left, and it looks at us with large, glistening black eyes.

Pierre-Auguste Renoir Head of a Dog, 1870 National Gallery of Art

The Stolen Kiss, Jean-Honoré Fragonard, ca. 1760, oil on canvas

Jean-Honoré Fragonard The Stolen Kiss, ca. 1760 The Met

A Forest at Dawn with a Deer Hunt, Peter Paul Rubens, ca. 1635, oil on wood

Peter Paul Rubens A Forest at Dawn with a Deer Hunt, ca. 1635 The Met

Ruined Archway, Francesco Guardi, 1775–93, oil on canvas

Francesco Guardi Ruined Archway, 1775–93 Art Institute of Chicago

Calling the Cows Home, Jean-François Millet, ca. 1872, oil on wood

Jean-François Millet Calling the Cows Home, ca. 1872 The Met

A narrow strip of beach and then a vivid turquoise stretch of water give way to a towering, hazy sky in this square landscape painting.

Gustave Courbet Calm Sea, 1866 National Gallery of Art

Saint Lawrence Enthroned with Saints and Donors, Fra Filippo Lippi, 1440s, tempera on wood, gold ground

Fra Filippo Lippi Saint Lawrence Enthroned with Saints and Donors, 1440s The Met

A golden yellow melon painted with thick strokes of straw and butter yellow with touches of camel brown sits at the center of a wooden table with a blue top in this almost square still life painting.

Édouard Manet The Melon, c. 1880 National Gallery of Art

Doge Andrea Gritti, Titian, c. 1535, oil on canvas

Titian Doge Andrea Gritti, c. 1535 Art Institute of Chicago

The Agony in the Garden, Nicolas Poussin, 1626–27, oil on copper

Nicolas Poussin The Agony in the Garden, 1626–27 The Met

Honfleur, Johan Barthold Jongkind, 1865, oil on canvas

Johan Barthold Jongkind Honfleur, 1865 The Met

Music and Dance, François Boucher, 1740s, oil on canvas

François Boucher Music and Dance, 1740s Cleveland Museum of Art

This vertical portrait painting shows the head and shoulders of a person with pale peach skin and an auburn, cheek-length bob hairstyle. The person has high cheek bones, deep pink lips, and an angular, pointed chin.

Amedeo Modigliani Madame Kisling, c. 1917 National Gallery of Art

Two women and a baby, all with pale skin, sit together on a gray, stone throne with patterned fabric hanging behind them and a patterned rug below in this narrow, vertical painting.

Gerard David The Saint Anne Altarpiece: Saint Anne with the Virgin and Child [middle panel], c. 1500/1520 National Gallery of Art

A Genoese Lady with Her Child, Anthony van Dyck, c. 1623–25, oil on canvas

Anthony van Dyck A Genoese Lady with Her Child, c. 1623–25 Cleveland Museum of Art

Women Working in a Field, Winslow Homer, 1867, oil on wood

Winslow Homer Women Working in a Field, 1867 Cleveland Museum of Art

Lady Smith (Charlotte Delaval) and Her Children (George Henry, Louisa, and Charlotte), Joshua Reynolds, 1787, oil on canvas

Joshua Reynolds Lady Smith (Charlotte Delaval) and Her Children (George Henry, Louisa, and Charlotte), 1787 The Met

Long Island Farmhouses, William Sidney Mount, 1862–63, oil on canvas

William Sidney Mount Long Island Farmhouses, 1862–63 The Met

Head of a Young Woman, François Boucher, early 1730s, oil on canvas

François Boucher Head of a Young Woman, early 1730s Cleveland Museum of Art

We look slightly down at a woman with pale skin and two men with ruddy complexions sitting at a table near a railing overlooking a boat-clogged waterway in this horizontal painting.

James McNeill Whistler Wapping, 1860-1864 National Gallery of Art

Shown from the shins up, a woman with pale skin, iron-gray hair, and wearing a high-collared, long-sleeved black dress, stands next to a table against a caramel-brown wall in this vertical portrait painting.

John Singer Sargent Eleanora O'Donnell Iselin (Mrs. Adrian Iselin), 1888 National Gallery of Art

Portrait of a Child, Camille Corot, ca. 1835, oil on wood

Camille Corot Portrait of a Child, ca. 1835 The Met

Sarah Shippen Lea (Mrs. Thomas Lea), Gilbert Stuart, c. 1798, oil on canvas

Gilbert Stuart Sarah Shippen Lea (Mrs. Thomas Lea), c. 1798 National Gallery of Art

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