Paintings for Chocolate Walls (page 17)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 769 to 816 of 1,861.

Mrs. Jerathmael Bowers, John Singleton Copley, ca. 1763, oil on canvas

John Singleton Copley Mrs. Jerathmael Bowers, ca. 1763 The Met

The image shows four adults and one child seated on the ground within an oval frame. The child is on the far left, lying down with a bow and arrow.

George Catlin The Sioux Chief with Several Indians, 1861/1869 National Gallery of Art

Woman Ironing, Édouard Vuillard, 1892, oil on board

Édouard Vuillard Woman Ironing, 1892 Cleveland Museum of Art

Portrait of a Man, Possibly a Self-Portrait, Diego Velázquez, ca. 1635, oil on canvas

Diego Velázquez Portrait of a Man, Possibly a Self-Portrait, ca. 1635 The Met

Prayer in the Mosque, Jean-Léon Gérôme, by 1874, oil on canvas

Jean-Léon Gérôme Prayer in the Mosque, by 1874 The Met

Cupids in Conspiracy, François Boucher, 1740s, oil on canvas

François Boucher Cupids in Conspiracy, 1740s Cleveland Museum of Art

Sunset on the Sea, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Sunset on the Sea, 1872 The Met

The painting depicts a rural scene with a wide, cloudy blue sky over a riverbank. On the right there are tall, dark green trees that stretch up to the top of the painting.

Camille Corot River View, 1868/1872 National Gallery of Art

María Teresa (1638–1683), Infanta of Spain, Diego Velázquez, 1651–54, oil on canvas

Diego Velázquez María Teresa (1638–1683), Infanta of Spain, 1651–54 The Met

Still Life with Flowers and Fruit, Henri Fantin-Latour, 1866, oil on canvas

Henri Fantin-Latour Still Life with Flowers and Fruit, 1866 The Met

We look across a palm-tree lined river winding into the distance before a monumental, snow-covered mountain at the center of the composition in this horizontal landscape.

Frederic Edwin Church Tamaca Palms, 1854 National Gallery of Art

Lady Maria Conyngham (died 1843), Thomas Lawrence, ca. 1824–25, oil on canvas

Thomas Lawrence Lady Maria Conyngham (died 1843), ca. 1824–25 The Met

Impressionist painting of seated man, girl with brown, black hues.

Edgar Degas Henri Degas and His Niece Lucie Degas (The Artist's Uncle and Cousin), 1875–76 Art Institute of Chicago

Two green pears lit from the upper right sit on a pale blue tabletop or ledge against a dark background in this horizontal still life painting. The left pear sits upright against the other.

Édouard Manet Pears, 1880 National Gallery of Art

This painting shows a portrait of a man. His head is turned to the left. He has light skin, a straight nose, a soft jawline, and pale lips in a neutral expression. He has closely cropped brown hair mostly covered by a black cap.

Andrea Mantegna Portrait of a Man, c. 1470 National Gallery of Art

A woman with dark hair pulled up in a bun, wearing a long, muted lilac-purple silk dress, stands singing in front of woman playing a piano and a man playing a cello in a dimly lit room in this vertical painting.

Thomas Eakins Singing a Pathetic Song, 1881 National Gallery of Art

This is a painting of a cherub with small wings hovering in the sky amidst swirling clouds. The sky is a soft blue with streaks of darker blue tones and a section of gray on the right.

Giovanni Battista Tiepolo Study for a Ceiling with the Personification of Counsel, before c. 1762 National Gallery of Art

Weary Wayfarers, Jean-Charles Cazin, 1888, oil on canvas

Jean-Charles Cazin Weary Wayfarers, 1888 National Gallery of Art

The Dissolute Household, Jan Steen, ca. 1663–64, oil on canvas

Jan Steen The Dissolute Household, ca. 1663–64 The Met

Madame François Buron, Jacques-Louis David, 1769, oil on canvas

Jacques-Louis David Madame François Buron, 1769 Art Institute of Chicago

The Grand Canal above the Rialto, Francesco Guardi, late 1760s, oil on canvas

Francesco Guardi The Grand Canal above the Rialto, late 1760s The Met

Shown from the knees up, a woman wearing an ice- and teal-blue dress and shawl sits in front of a window in this vertical painting. The scene is painted loosely with brushstrokes especially evident in the clothing and background.

Childe Hassam The New York Window, 1912 National Gallery of Art

Portrait of Mme Lisle and Mme Loubens, Edgar Degas, c. 1867, oil on canvas

Edgar Degas Portrait of Mme Lisle and Mme Loubens, c. 1867 Art Institute of Chicago

This painting shows four individuals - three women and one child - in an indoor setting. One woman is seated on a chair on the left, wearing a purple and blue dress under a black coat, with white gloves and a gray hat.

William Glackens Family Group, 1910/1911 National Gallery of Art

A young woman and an older man kneel to either side of a nude baby outside of a barn-like structure in this vertical painting.

Lorenzo Lotto The Nativity, 1523 National Gallery of Art

The image shows a person standing upright, facing slightly to the right. The person has indistinct facial features with a mustache and medium-length dark hair, wearing a dark overcoat and trousers with a white collar.

James McNeill Whistler Alexander Arnold Hannay, c. 1896 National Gallery of Art

A woman wearing a breastplate and helmet over a toga stands to our left on a platform, gesturing with one arm extended to a group of about a dozen soldiers gathered around her in this horizontal painting.

Giovanni Battista Tiepolo Queen Zenobia Addressing Her Soldiers, 1725/1730 National Gallery of Art

A woman with pale skin, wearing a shimmering, azure-blue gown, stands next to a child with a pale pink complexion, wearing a flame-red suit in this vertical portrait painting.

Anthony van Dyck Queen Henrietta Maria with Sir Jeffrey Hudson, 1633 National Gallery of Art

Young Woman Knitting, Berthe Morisot, ca. 1883, oil on canvas

Berthe Morisot Young Woman Knitting, ca. 1883 The Met

Saint John the Baptist Bearing Witness, Annibale Carracci, ca. 1600, oil on copper

Annibale Carracci Saint John the Baptist Bearing Witness, ca. 1600 The Met

Vibrant colored painting of beachscape with figures, structure, and ox pulled cart.

Wassily Kandinsky Painting with Troika, January 18, 1911 Art Institute of Chicago

Sea Cove, Albert Bierstadt, ca. 1880–90, oil on wood

Albert Bierstadt Sea Cove, ca. 1880–90 The Met

Harbor of Boston, with the City in the Distance, Fitz Henry Lane, c. 1846–47, oil on canvas

Fitz Henry Lane Harbor of Boston, with the City in the Distance, c. 1846–47 Cleveland Museum of Art

The Young Virgin, Francisco de Zurbarán, ca. 1632–33, oil on canvas

Francisco de Zurbarán The Young Virgin, ca. 1632–33 The Met

Portrait of a Woman, Jean-Léon Gérôme, 1851, oil on canvas

Jean-Léon Gérôme Portrait of a Woman, 1851 Art Institute of Chicago

Mrs. Charles Deering (Marion Denison Whipple), John Singer Sargent, 1888, oil on canvas

John Singer Sargent Mrs. Charles Deering (Marion Denison Whipple), 1888 Art Institute of Chicago

Facing away from us against a cherry-red background, the head and shoulders of a light-skinned woman wearing strawberry red, with her copper-brown hair piled atop her head, fills this vertical painting.

Carolus-Duran Study of Lilia, 1887 National Gallery of Art

Stefanina Primicile Carafa, Marchioness of Cicerale and Duchess of Montejasi, Edgar Degas, c. 1875, oil on fabric

Edgar Degas Stefanina Primicile Carafa, Marchioness of Cicerale and Duchess of Montejasi, c. 1875 Cleveland Museum of Art

A shaft of warm light from our left pierces a dark wood filled with tall trees in this horizontal landscape painting. The light falls on a stout white trunk and a portion of the moss-green forest floor near the center of the composition.

George Inness Sunset in the Woods, 1891 National Gallery of Art

Pompton Plains, New Jersey, Jasper Francis Cropsey, 1867, oil on canvas

Jasper Francis Cropsey Pompton Plains, New Jersey, 1867 The Met

A bearded and balding man with deeply tanned skin, dressed only in a strip of robin’s egg-blue fabric around his shoulders and hips, sits reading a book on a rock at the entrance to a craggy cave, in front of a landscape in this vertical…

Giovanni Bellini Saint Jerome Reading, 1505 National Gallery of Art

Pierre-Auguste Renoir Girl with a Basket of Fish, c. 1889 National Gallery of Art

Portrait of Renoir, Frédéric Bazille, 1867, oil on canvas

Frédéric Bazille Portrait of Renoir, 1867 Cleveland Museum of Art

A snowy street with a horse and carriage is flanked to each side by tall buildings in this vertical painting. The overcast scene is loosely painted with visible brushstrokes throughout, so some details are difficult to make out.

Robert Henri Snow in New York, 1902 National Gallery of Art

St. Albert of Louvain, Peter Paul Rubens, 1620, oil on panel

Peter Paul Rubens St. Albert of Louvain, 1620 Art Institute of Chicago

James Monroe, Gilbert Stuart, ca. 1820–22, oil on canvas

Gilbert Stuart James Monroe, ca. 1820–22 The Met

This painting is a portrait of a child seen from the waist up. The child is seated, with their body turned to the left but their head facing us.

Robert Henri Catharine, 1913 National Gallery of Art

A tired-looking brown and white cow lies down on a patch of dry earth, a dark-brown bull and cow standing behind her against an overcast sky.

Paulus Potter Two Cows and a Young Bull beside a Fence in a Meadow, 1647 Art Institute of Chicago

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