Paintings for Chocolate Walls (page 19)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 865 to 912 of 1,861.

In the Auvergne, Jean-François Millet, c. 1866–69, oil on canvas

Jean-François Millet In the Auvergne, c. 1866–69 Art Institute of Chicago

Shown from the hips up, a woman sits facing our left as she cradles a child in her lap in this vertical painting. A ginger-brown parapet spanning the lower edge of the composition separates them from us, and they have pale skin.

Giovanni Bellini Madonna and Child in a Landscape, c. 1490/1500 National Gallery of Art

Madonna and Child, Giovanni Bellini, ca. 1470, tempera, oil, and gold on wood

Giovanni Bellini Madonna and Child, ca. 1470 The Met

This nearly square, sketchy painting shows the interior of an empty courtyard, created in milky tones of oatmeal brown, ivory, muted brick red, eucalyptus green, and slate blue.

John Singer Sargent Pavement, Cairo, 1891 National Gallery of Art

Two women reach for or touch the arm of a man wearing a uniform and standing next to a chestnut-brown horse in front of a deep landscape in this horizontal painting.

John Singleton Copley Colonel William Fitch and His Sisters Sarah and Ann Fitch, 1800/1801 National Gallery of Art

Monte Pincio, Rome, Camille Corot, 1840–50, oil on canvas

Camille Corot Monte Pincio, Rome, 1840–50 Art Institute of Chicago

The Annunciation, Hans Memling, 1480–89, oil on panel, transferred to canvas

Hans Memling The Annunciation, 1480–89 The Met

The image shows three individuals against a natural background. On the left, a man is seated on the ground, his body wrapped in a beige cloth. He has long, dark hair and a solemn expression, holding a long pipe.

George Catlin Old Menomonie Chief with Two Young Beaux, 1861/1869 National Gallery of Art

Close to us, a young man and three boys sit or recline in a small sailboat that tips to our left on a choppy dark green sea in this horizontal painting.

Winslow Homer Breezing Up (A Fair Wind), 1873-1876 National Gallery of Art

Portrait of a Woman, probably Aeltje Dircksdr. Pater, Frans Hals, 1638, oil on canvas

Frans Hals Portrait of a Woman, probably Aeltje Dircksdr. Pater, 1638 Cleveland Museum of Art

Roman Landscape, Arnold Böcklin, ca. 1850–52, oil on canvas, several pieces joined

Arnold Böcklin Roman Landscape, ca. 1850–52 The Met

Head of Saint John the Evangelist, Jean-Auguste-Dominique Ingres, probably ca. 1818–20, oil on canvas, laid down on wood

Jean-Auguste-Dominique Ingres Head of Saint John the Evangelist, probably ca. 1818–20 The Met

Shown from the waist up, an elderly man with pale, peachy skin, wavy, silvery-gray hair, and a long beard stands facing our right, almost filling this vertical painting.

Peter Paul Rubens Saint Peter, c. 1616/1618 National Gallery of Art

This painting shows three apples on a flat, gray surface. Two of the apples in the center are large, while one to the left is much smaller. The apples are glossy, covered in uneven patches of bright red and light green.

William Rickarby Miller Study of Apples from Nature, 1863 National Gallery of Art

The Trotter, Charles S. Humphreys, c. 1860, oil on canvas

Charles S. Humphreys The Trotter, c. 1860 National Gallery of Art

Shown from the waist up, a light-skinned man sits sideways in a wooden chair so the arm closer to us rests along the chair’s back in this vertical portrait painting. Brushstrokes are visible throughout, especially in the clothing and hair.

Frans Hals Willem Coymans, 1645 National Gallery of Art

Under the Trees (from "The Public Gardens"), Édouard Vuillard, 1894, distemper on fabric

Édouard Vuillard Under the Trees (from "The Public Gardens"), 1894 Cleveland Museum of Art

This painting shows a person in an agricultural setting. The background is made of horizontal bands of browns and greens, painted in short, overlapping strokes.

Georges Seurat Peasant with a Hoe, c. 1882 National Gallery of Art

The Ballet from "Robert le Diable", Edgar Degas, 1871, oil on canvas

Edgar Degas The Ballet from "Robert le Diable", 1871 The Met

Golden sunlight pours across a landscape with three people on horseback and two more people near a flock of sheep, a cow, and a mule in this horizontal painting. The people all have pale, peachy skin.

Aelbert Cuyp Horsemen and Herdsmen with Cattle, 1655/1660 National Gallery of Art

Monk Selling Ceremonial Tea Whisks, Katsushika Hokusai, c. 1802, ink and light color on paper

Katsushika Hokusai Monk Selling Ceremonial Tea Whisks, c. 1802 Art Institute of Chicago

Garden Scene, Jean-François Millet, 1854, oil on canvas

Jean-François Millet Garden Scene, 1854 The Met

A woman kneels, angled to our left, and tips her face down toward a naked baby propped on a pillow against a pile of hay in a shed-like structure in this round painting.

Sandro Botticelli The Virgin Adoring the Child, 1480/1490 National Gallery of Art

Madame X (Virginie Amélie Avegno Gautreau), John Singer Sargent, 1883–84, oil on canvas

John Singer Sargent Madame X (Virginie Amélie Avegno Gautreau), 1883–84 The Met

The Woodchopper, Jean-François Millet, c. 1858–66, oil on canvas

Jean-François Millet The Woodchopper, c. 1858–66 Art Institute of Chicago

Madonna Adoring the Sleeping Child, Giovanni Bellini, early 1460s, tempera on wood

Giovanni Bellini Madonna Adoring the Sleeping Child, early 1460s The Met

Far below us, a river winds through a valley lined with hazy mountains in this horizontal landscape painting.

Thomas Moran The Juniata, Evening, 1864 National Gallery of Art

Margaret Strachan (Mrs. Thomas Harwood), Charles Willson Peale, ca. 1771, oil on canvas

Charles Willson Peale Margaret Strachan (Mrs. Thomas Harwood), ca. 1771 The Met

Shown from the shoulders up, a man with peachy skin looks off to our left as he holds the feathered end of an arrow up in a hand resting along the bottom edge of this vertical portrait painting.

Hans Memling Portrait of a Man with an Arrow, c. 1470/1475 National Gallery of Art

The Deer, Gustave Courbet, ca. 1865, oil on canvas

Gustave Courbet The Deer, ca. 1865 The Met

The image shows a riverside scene with various activities. The horizon has green hills with trees. Villagers and tipis are on both sides of the riverbanks. Canoes filled with people are on the water, some docked near the sandy shore.

George Catlin La Salle and Party Arrive at the Village of the Illinois. January 1, 1680, 1847/1848 National Gallery of Art

The painting depicts a coastal scene. A rocky shore in warm tones of orange, brown, red, and purple is closest to us, with two boats and a simple structure visible near the center of the painting.

Henri-Edmond Cross Calanque des Antibois, 1891/1892 National Gallery of Art

Charles Claude de Flahaut (1730–1809), Comte d'Angiviller, Jean-Baptiste Greuze, 1763, oil on canvas

Jean-Baptiste Greuze Charles Claude de Flahaut (1730–1809), Comte d'Angiviller, 1763 The Met

The Plate of Apples, Paul Cézanne, c. 1877, oil on canvas

Paul Cézanne The Plate of Apples, c. 1877 Art Institute of Chicago

The image shows a winter scene with an icy river and activity on the shore. A rocky cliff partially covered in snow is on the right, with evergreen trees.

George Catlin The Expedition Encamped below the Falls of Niagara. January 20, 1679, 1847/1848 National Gallery of Art

Reapers Resting in a Wheat Field, John Singer Sargent, 1885, oil on canvas

John Singer Sargent Reapers Resting in a Wheat Field, 1885 The Met

Arion on a Sea Horse, William-Adolphe Bouguereau, 1855, oil on fabric

William-Adolphe Bouguereau Arion on a Sea Horse, 1855 Cleveland Museum of Art

This painting shows a seascape with large sailing ships and smaller vessels. To the right of center is a large ship with several tall masts and many billowing white sails.

Fitz Henry Lane New York Harbor, 1852 National Gallery of Art

In saturated, vivid tones of mint green, marigold orange, dandelion yellow, sky blue, and rose pink, a long building stretches away from us along a walkway.

Ernst Ludwig Kirchner Dance Hall Bellevue [obverse], 1909/1910 National Gallery of Art

A Colonnade in Ruins, Hubert Robert, 1781, oil on canvas

Hubert Robert A Colonnade in Ruins, 1781 The Met

Portrait of a light-skinned woman with dark curly hair and to her right a small, blond child. Both are elegantly dressed, the woman in a dark, short-sleeved dress with gathered bodice and the child in a short-sleeved white dress.

Joshua Johnson Elizabeth Grant Bankson Beatty (Mrs. James Beatty) and Her Daughter Susan, c. 1805 Art Institute of Chicago

The painting shows a cityscape with a large cylindrical reddish-brown fortress on the right. In the center, a wide river winds through the city, with people by the riverbank and more people walking along a winding road on the left.

Francesco Guardi Fanciful View of the Castel Sant'Angelo, Rome, c. 1785 National Gallery of Art

Madonna and Child, Titian, ca. 1508, oil on wood

Titian Madonna and Child, ca. 1508 The Met

The Virgin Adoring the Host, Jean-Auguste-Dominique Ingres, 1852, oil on canvas

Jean-Auguste-Dominique Ingres The Virgin Adoring the Host, 1852 The Met

Narcisa Barañano Gayoso de Goicoechea, Francisco de Goya, ca. 1805, oil on canvas

Francisco de Goya Narcisa Barañano Gayoso de Goicoechea, ca. 1805 The Met

October in the Marshes, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett October in the Marshes, 1872 The Met

Shown from the hips up in a room on the far side of a ledge, a young woman props up a naked baby so he stands on a cushion in this vertical painting.

Albrecht Dürer Madonna and Child [obverse], c. 1496/1499 National Gallery of Art

A woman with pale, peachy skin wearing elegant gold and ink-black garments sits in front of a stone portico in this vertical portrait painting. Her red armchair is angled to our right, but the woman turns to look at us under cocked brows.

Anthony van Dyck Isabella Brant, 1621 National Gallery of Art

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