Paintings for Chocolate Walls (page 21)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 961 to 1,008 of 1,861.

At seascape rendered in pastel tones. At right, boats line a pink shore underneath a tall cliff. At left, a single red sailboat floats in blue water.

Claude Monet Étretat: The Beach and the Falaise d'Amont, 1885 Art Institute of Chicago

Painting of a placid-looking, light-skinned woman in a maroon dress, seated in a chair with yellow upholstery, hands folded.

Paul Cézanne Madame Cezanne in a Yellow Chair, 1888–90 Art Institute of Chicago

Four elegantly dressed men and women, plus a brown and white dog, gather around a rug-covered table in a shadowy room in this vertical painting. The people all have pale skin and are lit from our left.

Pieter de Hooch The Greeting, c. 1675 National Gallery of Art

The Cottage by the Roadside, Stormy Sky, Jules Dupré, c. 1860, oil on canvas

Jules Dupré The Cottage by the Roadside, Stormy Sky, c. 1860 Art Institute of Chicago

Still Life with Apples and Pears, Paul Cézanne, ca. 1891–92, oil on canvas

Paul Cézanne Still Life with Apples and Pears, ca. 1891–92 The Met

People and a horse-drawn wagon move along a street lined with buildings on the left and trees on the right in this loosely painted horizontal landscape. The wide street angles from the bottom left of the composition to the middle right.

Alfred Sisley Boulevard Héloïse, Argenteuil, 1872 National Gallery of Art

Shown from the knees up, a woman wearing a shimmering teal-blue gown and holding a garland of flowers stands in front of columns and a landscape in this vertical portrait painting.

John Singleton Copley Anne Fairchild Bowler (Mrs. Metcalf Bowler), c. 1763 National Gallery of Art

Connecticut Village (Going to School), Julian Alden Weir, after 1891, oil on canvas

Julian Alden Weir Connecticut Village (Going to School), after 1891 The Met

A screen made up of five tall, rectangular panels, set side by side and each surrounded by a gold frame, is painted as a single scene showing a tree-lined sidewalk curving around a park in a city.

Édouard Vuillard Place Vintimille, 1911 National Gallery of Art

This painting shows a man from the chest up, positioned facing the right, gazing into the distance. The male has pale skin, a long nose, and deep-set eyes. He has dark, wavy hair, a pointed beard, and a mustache that hides his mouth.

Thomas Eakins Louis Husson, 1899 National Gallery of Art

Painting mostly in soft yellow, green, purple, blue, and pink of two wheatstacks, the right nearer than the left, in a country landscape at sunset.

Claude Monet Stacks of Wheat (End of Day, Autumn), 1890–91 Art Institute of Chicago

Vétheuil, Claude Monet, 1901, oil on canvas

Claude Monet Vétheuil, 1901 Art Institute of Chicago

Portrait of a Man, Possibly Nicolaes Pietersz Duyst van Voorhout (born about 1600, died 1650), Frans Hals, ca. 1636–38, oil on canvas

Frans Hals Portrait of a Man, Possibly Nicolaes Pietersz Duyst van Voorhout (born about 1600, died 1650), ca. 1636–38 The Met

The painting depicts a landscape with a field, trees, and a dramatic cloudy sky. Grass, rocks, and a group of large trees are visible in the center of the composition.

Jules Dupré The Old Oak, c. 1870 National Gallery of Art

Cider Making, William Sidney Mount, 1840–41, oil on canvas

William Sidney Mount Cider Making, 1840–41 The Met

Two horses, one dark brown and one cream white, stand together to our right against a landscape with rolling, sage-green hills and a river or canal in this horizontal painting.

Edgar Degas Horses in a Meadow, 1871 National Gallery of Art

Afternoon sunlight pours over a town crowded along the banks of a serene, glass-green river that runs through the middle of this horizontal painting. Several buildings cluster to our left on the riverbank close to us.

Bernardo Bellotto View of Munich, c. 1761 National Gallery of Art

Painting of vibrantly colored shapes and lines intersecting and overlapping.

Wassily Kandinsky Painting with Green Center, 1913 Art Institute of Chicago

This painting depicts a young boy sitting in a relaxed position, with his right arm leaning on a black surface. He has pale skin, wide eyes, and a small, slightly downturned mouth.

Camille Corot Italian Peasant Boy, 1825/1827 National Gallery of Art

A long-haired, small white dog with tawny-brown ears and spots sits on a garnet-red cushion in this loosely painted vertical portrait. The dog looks just to our left with large, round, black eyes under perked eyebrows.

Édouard Manet A King Charles Spaniel, c. 1866 National Gallery of Art

Midshipman Augustus Brine, John Singleton Copley, 1782, oil on canvas

John Singleton Copley Midshipman Augustus Brine, 1782 The Met

Four light-skinned ballerinas with russet-orange hair tied back in buns adjust the straps of their bodices as they gather close together, their bodies and wide, knee-length tutus taking up the left half of this horizontal painting.

Edgar Degas Four Dancers, c. 1899 National Gallery of Art

The Rommel-Pot Player, Frans Hals, c. 1630, oil on panel

Frans Hals The Rommel-Pot Player, c. 1630 Art Institute of Chicago

The Champion Single Sculls (Max Schmitt in a Single Scull), Thomas Eakins, 1871, oil on canvas

Thomas Eakins The Champion Single Sculls (Max Schmitt in a Single Scull), 1871 The Met

Circus Sideshow (Parade de cirque), Georges Seurat, 1887–88, oil on canvas

Georges Seurat Circus Sideshow (Parade de cirque), 1887–88 The Met

This painting shows a beach scene with people gathered on the sandy shore, facing away from us, looking towards the water. The horizon is in the center of the image, with the pale green-blue sea meeting the slightly darker blue sky.

Eugène Boudin On the Beach, 1894 National Gallery of Art

This painting depicts a harbor scene with brown arches and towers on the right, along with tall columns that look like ruins. At the bottom of the painting, people are engaged in various activities along the water's edge.

Francesco Guardi Capriccio of a Harbor, c. 1760/1770 National Gallery of Art

An Alpine Scene, Gustave Courbet, 1874, oil on canvas

Gustave Courbet An Alpine Scene, 1874 Art Institute of Chicago

Mountains painted in tones of sage and mint green and mauve purple are backlit against a hazy sky in this expansive, nearly square landscape painting.

Joseph Wright of Derby Italian Landscape, 1790 National Gallery of Art

The Keeper of the Flock, Jean-François Millet, 1871–74, oil on canvas

Jean-François Millet The Keeper of the Flock, 1871–74 Art Institute of Chicago

The Drinkers, Honoré Daumier, by 1861, oil on wood

Honoré Daumier The Drinkers, by 1861 The Met

John, 4th Earl of Darnley, Thomas Gainsborough, 1785, oil on canvas

Thomas Gainsborough John, 4th Earl of Darnley, 1785 National Gallery of Art

Madonna and Child, Simone Martini, ca. 1326, tempera on wood, gold ground

Simone Martini Madonna and Child, ca. 1326 The Met

Ferdinand VII (1784–1833), When Prince of Asturias, Francisco de Goya, ca. 1800, oil on canvas

Francisco de Goya Ferdinand VII (1784–1833), When Prince of Asturias, ca. 1800 The Met

The Falls of Niagara, Edward Hicks, ca. 1825, oil on canvas

Edward Hicks The Falls of Niagara, ca. 1825 The Met

View of La Crescenza, Claude Lorrain, 1648–50, oil on canvas

Claude Lorrain View of La Crescenza, 1648–50 The Met

Mrs. Mayer and Daughter, Ammi Phillips, 1835–40, oil on canvas

Ammi Phillips Mrs. Mayer and Daughter, 1835–40 The Met

Shown from the hips up, an elegantly dressed woman with smooth, pale skin and ash-brown hair piled high on her head looks off into the distance to our left in front of a loosely painted landscape in this vertical portrait.

Thomas Gainsborough The Hon. Mrs. Thomas Graham, c. 1775/1777 National Gallery of Art

Livestock, woodland animals, and about a dozen people cluster in groups throughout a densely wooded landscape with rocky outcroppings and the ruins of a round structure in this horizontal painting. The people all appear to have light skin.

Roelandt Savery Landscape with the Flight into Egypt, 1624 National Gallery of Art

The Colonnade of Saint Peter's, Rome, during the Conclave, Hubert Robert, c.1769, oil on canvas

Hubert Robert The Colonnade of Saint Peter's, Rome, during the Conclave, c.1769 Cleveland Museum of Art

Orange, yellow, and white flowers in a brown vase on a round table, with a blue-green floral tablecloth and mottled, brownish background.

Pierre-Auguste Renoir Chrysanthemums, 1881–82 Art Institute of Chicago

Roland, William Merritt Chase, ca. 1902, oil on canvas

William Merritt Chase Roland, ca. 1902 The Met

Landscape with Ducks, Charles-François Daubigny, 1872, oil on wood

Charles-François Daubigny Landscape with Ducks, 1872 The Met

Madame Lerolle, Henri Fantin-Latour, 1882, oil on fabric

Henri Fantin-Latour Madame Lerolle, 1882 Cleveland Museum of Art

The Love Letter, Jean-Honoré Fragonard, early 1770s, oil on canvas

Jean-Honoré Fragonard The Love Letter, early 1770s The Met

Allegorical Figure Representing Prudence, Giovanni Battista Tiepolo, 1760, fresco, transferred to canvas

Giovanni Battista Tiepolo Allegorical Figure Representing Prudence, 1760 The Met

River Boat, Charles-François Daubigny, c. 1860, oil on board

Charles-François Daubigny River Boat, c. 1860 Art Institute of Chicago

The Baptism of Christ, Lucas Cranach the Elder, 1530s, oil on wood

Lucas Cranach the Elder The Baptism of Christ, 1530s Cleveland Museum of Art

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