Paintings for Chocolate Walls (page 23)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1,057 to 1,104 of 1,861.

A scene in brown and green tones of people dancing indoors. In the foreground, three women stand near boothed tables while a man sits.

Henri de Toulouse-Lautrec Moulin de la Galette, 1889 Art Institute of Chicago

Beach Scene, Eugène Boudin, c. 1865–1867, oil on wood panel

Eugène Boudin Beach Scene, c. 1865–1867 Cleveland Museum of Art

Shown from the waist up, a woman with light, peachy-yellow skin sits with her body facing us as she looks over her shoulder to our right in this loosely painted, vertical portrait.

Henri de Toulouse-Lautrec Carmen Gaudin, 1885 National Gallery of Art

Mme L . . . (Laure Borreau), Gustave Courbet, 1863, oil on fabric

Gustave Courbet Mme L . . . (Laure Borreau), 1863 Cleveland Museum of Art

This oval painting depicts a cherubic child in a garden setting. The child is standing with one foot in front of the other and has small wings on their back. The child has light skin, curly blond hair, rosy cheeks, and a playful expression.

Jean-Honoré Fragonard Love the Sentinel, c. 1773/1776 National Gallery of Art

The head and shoulders of a pale-skinned, clean-shaven man fills this vertical portrait painting. The man’s shoulders are angled to our left, and he looks off in that direction with light green eyes.

Giovanni Bellini Portrait of a Young Man, c. 1490 National Gallery of Art

Two women and a man in front of a column and arch nearly fill this vertical, oval painting. The two women have pale skin with round faces, wide-set eyes, and full pink lips.

Giovanni Battista Tiepolo Scene from Ancient History, c. 1750 National Gallery of Art

Portrait of the Ladies Amabel and Mary Jemima Yorke, Joshua Reynolds, c. 1761, oil on canvas

Joshua Reynolds Portrait of the Ladies Amabel and Mary Jemima Yorke, c. 1761 Cleveland Museum of Art

Young Lady in 1866, Édouard Manet, 1866, oil on canvas

Édouard Manet Young Lady in 1866, 1866 The Met

The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages.

John Ferneley Heaton Park Races, 1829 National Gallery of Art

Young Man and Woman in an Inn, Frans Hals, 1623, oil on canvas

Frans Hals Young Man and Woman in an Inn, 1623 The Met

Young Woman with Ibis, Edgar Degas, 1857–58; reworked 1860–62, oil on canvas

Edgar Degas Young Woman with Ibis, 1857–58; reworked 1860–62 The Met

The Troubadour, Honoré Daumier, 1868–73, oil on fabric

Honoré Daumier The Troubadour, 1868–73 Cleveland Museum of Art

Portrait of a Family Playing Music, Pieter de Hooch, 1663, oil on canvas

Pieter de Hooch Portrait of a Family Playing Music, 1663 Cleveland Museum of Art

Arches in Ruins, Hubert Robert, 1781, oil on canvas

Hubert Robert Arches in Ruins, 1781 The Met

On the Road, Jules Dupré, 1856, oil on canvas

Jules Dupré On the Road, 1856 Art Institute of Chicago

Self-Portrait, Rembrandt van Rijn, 1660, oil on canvas

Rembrandt van Rijn Self-Portrait, 1660 The Met

This painting depicts a coastal scene overlooking a quiet shore. At the bottom of the painting, an open sandy expanse leads to blue waters.

Odilon Redon Village by the Sea in Brittany, c. 1880 National Gallery of Art

Lieutenant Colonel Paul Pechell (1724–1800), Thomas Gainsborough, 1768, oil on canvas

Thomas Gainsborough Lieutenant Colonel Paul Pechell (1724–1800), 1768 The Met

The image shows a full-body portrait of a young child standing indoors. The child faces forward with a neutral expression, looking directly at the viewer. They have neatly styled brown hair parted in the middle.

Joseph Goodhue Chandler Girl with Kitten, c. 1836/1838 National Gallery of Art

Joseph-Antoine Moltedo (born 1775), Jean-Auguste-Dominique Ingres, ca. 1810, oil on canvas

Jean-Auguste-Dominique Ingres Joseph-Antoine Moltedo (born 1775), ca. 1810 The Met

James Stuart (1612–1655), Duke of Richmond and Lennox, Anthony van Dyck, ca. 1633–35, oil on canvas

Anthony van Dyck James Stuart (1612–1655), Duke of Richmond and Lennox, ca. 1633–35 The Met

Apple Blossoms, Martin Johnson Heade, 1873, oil on canvas

Martin Johnson Heade Apple Blossoms, 1873 Cleveland Museum of Art

The Peaceable Kingdom, Edward Hicks, c. 1816–18, oil on canvas

Edward Hicks The Peaceable Kingdom, c. 1816–18 Cleveland Museum of Art

A man and two women standing near a bar nearly fill this vertical painting.

Henri de Toulouse-Lautrec Alfred la Guigne, 1894 National Gallery of Art

Archangel Gabriel; The Virgin Annunciate, Gerard David, ca. 1510, oil on oak panel

Gerard David Archangel Gabriel; The Virgin Annunciate, ca. 1510 The Met

Still life painting of dead waterfowl and vegetables in windowsill.

Juan Sánchez Cotán Still Life with Game Fowl, c. 1600–3 Art Institute of Chicago

Salt Meadow in October, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Salt Meadow in October, 1872 The Met

Reverie, Camille Corot, 1857 or later, oil on wood

Camille Corot Reverie, 1857 or later The Met

This painting features a landscape with a calm body of water dominating the lower portion. The view is slightly elevated, overlooking the water that reflects the surrounding greenery and sky.

Jasper Francis Cropsey Warwick Castle, England, 1857 National Gallery of Art

Painting of the Annunciation, dove flying above Mary with angel.

Jean Hey, The Annunciation, 1490–95 Art Institute of Chicago

George Bellows Little Girl in White (Queenie Burnett), 1907 National Gallery of Art

Tall, billowing, lavender-purple and shell-pink clouds line the distant horizon over a vast plain of flat grassy land in this horizontal landscape painting.

Martin Johnson Heade Sunlight and Shadow: The Newbury Marshes, c. 1871/1875 National Gallery of Art

David: "Oh, that I had wings like a Dove! For then would I fly away, and be at rest." Psalm 55:6, Frederic Leighton, 1865, oil on fabric

Frederic Leighton David: "Oh, that I had wings like a Dove! For then would I fly away, and be at rest." Psalm 55:6, 1865 Cleveland Museum of Art

David Anderson, Henry Raeburn, 1790, oil on canvas

Henry Raeburn David Anderson, 1790 National Gallery of Art

Warm light pours onto white stone and brown brick buildings in a grassy landscape in this horizontal painting. Tiny people walk, stand, sit, and work across the turf, among the buildings, and over a bridge spanning a canal to our right.

Canaletto The Porta Portello, Padua, c. 1741/1742 National Gallery of Art

The Dance Class, Edgar Degas, 1874, oil on canvas

Edgar Degas The Dance Class, 1874 The Met

The Little Shepherdess, Jean-François Millet, 1868–72, oil on panel

Jean-François Millet The Little Shepherdess, 1868–72 Art Institute of Chicago

This painting shows a young woman lying on her stomach on a brown, rocky surface near the water's edge, looking towards the sea.

Jules Breton The Cliff (La Falaise), 1874 National Gallery of Art

This painting depicts the upper half of a seated young woman who is facing forward. She has fair skin, pale eyebrows, gray eyes, and thin lips in a neutral expression. The right side of her face is partially in shadow.

Joshua Reynolds Miss Beatrix Lister, 1765 National Gallery of Art

Ecuadorian landscape with people, palm trees, waterfall, and volcano in background.

Frederic Edwin Church View of Cotopaxi, 1857 Art Institute of Chicago

A man with pale white skin sits and a man with light brown skin stands in front of a cave-like, rocky outcropping in this vertical portrait painting.

Benjamin West Colonel Guy Johnson and Karonghyontye (Captain David Hill), 1776 National Gallery of Art

Allegorical Figure Representing a Virtue, Possibly Patriotism, Giovanni Battista Tiepolo, 1760, fresco, transferred to canvas

Giovanni Battista Tiepolo Allegorical Figure Representing a Virtue, Possibly Patriotism, 1760 The Met

Still life of geranium plant, fruit, water pitcher, and two cats.

Henri Matisse Still Life with Geranium, 1906 Art Institute of Chicago

Dressing for the Carnival, Winslow Homer, 1877, oil on canvas

Winslow Homer Dressing for the Carnival, 1877 The Met

The painting depicts a landscape with waterfalls, a river, trees, and hills in the distance. In the foreground, a group of people are near a canoe on a grassy patch. The painting features distinct brushstrokes showing texture and movement.

George Catlin Father Hennepin and Companions at the Falls of St. Anthony. May 1, 1680, 1847/1848 National Gallery of Art

This horizontal painting is filled with gray and white clouds against a blue sky. Wisps of white clouds are interspersed among banks of darker gray clouds against a pale blue sky in the top half of the painting.

John Constable Cloud Study: Stormy Sunset, 1821-1822 National Gallery of Art

A Maid Asleep, Johannes Vermeer, ca. 1656–57, oil on canvas

Johannes Vermeer A Maid Asleep, ca. 1656–57 The Met

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