Paintings for Chocolate Walls (page 24)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1,105 to 1,152 of 1,861.

In this painting, thick, overlapping strokes of paint create the blurred image of people standing and sitting on grass. In the center, two people in pink and dark purple appear to sit on the green ground, facing the left.

Georges Seurat Study of Figures for "La Grande Jatte", 1884/1885 National Gallery of Art

Virgin and Child with Saint Catherine of Alexandria, Anthony van Dyck, ca. 1630, oil on canvas

Anthony van Dyck Virgin and Child with Saint Catherine of Alexandria, ca. 1630 The Met

The Holy Family with Saints Anne and Catherine of Alexandria, Jusepe de Ribera, 1648, oil on canvas

Jusepe de Ribera The Holy Family with Saints Anne and Catherine of Alexandria, 1648 The Met

Two dark-skinned women stand facing each other on a dirt path that runs beside a body of water in this horizontal painting. One woman faces us and balances a flat tray loaded with white cloths on her head.

Camille Pissarro Two Women Chatting by the Sea, St. Thomas, 1856 National Gallery of Art

In this painting, abstract shapes and bright colors give the impression of two tall people standing outdoors.

August Macke People by the Blue Lake, 1913 National Gallery of Art

The White Tablecloth, Jean-Baptiste-Siméon Chardin, c. 1731–32, oil on canvas

Jean-Baptiste-Siméon Chardin The White Tablecloth, c. 1731–32 Art Institute of Chicago

Don Andrés de Andrade y la Cal, Bartolomé Esteban Murillo, ca. 1665–72, oil on canvas

Bartolomé Esteban Murillo Don Andrés de Andrade y la Cal, ca. 1665–72 The Met

Portrait of a Young Woman, Called Miss Sparrow, Thomas Gainsborough, 1770s, oil on canvas

Thomas Gainsborough Portrait of a Young Woman, Called Miss Sparrow, 1770s The Met

A rocky shoreline juts into a vivid, aquamarine-blue body of water in this loosely painted, nearly square landscape.

Childe Hassam A North East Headland, 1901 National Gallery of Art

Portrait of General José Manuel Romero, Francisco de Goya, c. 1810, oil on canvas

Francisco de Goya Portrait of General José Manuel Romero, c. 1810 Art Institute of Chicago

Rest, William-Adolphe Bouguereau, 1879, oil on fabric

William-Adolphe Bouguereau Rest, 1879 Cleveland Museum of Art

A young girl wearing a rust-red dress with a tight bodice and full, voluminous skirt sits in a hazy, garden-like setting in this vertical portrait painting. Her skin is pale with a greenish cast, but her cheeks are slightly flushed.

Joshua Reynolds Lady Elizabeth Hamilton, 1758 National Gallery of Art

Man in a Turban, Rembrandt van Rijn, 1632, oil on canvas

Rembrandt van Rijn Man in a Turban, 1632 The Met

James McNeill Whistler Mother of Pearl and Silver: The Andalusian, 1888(?)-1900 National Gallery of Art

Mountain Torrent, Jacob van Ruisdael, 1670s, oil on canvas

Jacob van Ruisdael Mountain Torrent, 1670s The Met

Three apples and two pears sit next to a knife and a luminous, white mug on a tan, stone surface before a muted, olive-green background in this horizontal still life painting.

Jean-Baptiste-Siméon Chardin Still Life with a White Mug, c. 1764 National Gallery of Art

This is a painting of a woman reaching to pick a water lily from a pond. She is crouching atop a fallen log, leaning over to submerge her right hand in the water.

Eastman Johnson Gathering Lilies, 1865 National Gallery of Art

This painting depicts a landscape with an open green field stretching out into the distance. At the bottom of the painting, there is a rocky area with sparse vegetation and yellow, sun-bleached grass.

Théodore Rousseau Countryside in Picardy, 1860 National Gallery of Art

Lucas van Uffel (died 1637), Anthony van Dyck, ca. 1622, oil on canvas

Anthony van Dyck Lucas van Uffel (died 1637), ca. 1622 The Met

The Call, Paul Gauguin, 1902, oil on canvas

Paul Gauguin The Call, 1902 Cleveland Museum of Art

Path Near the Pond of Vipers, Fontainebleau Forest, Narcisse Virgilio Díaz de la Peña, c. 1860s, oil on wood panel

Narcisse Virgilio Díaz de la Peña Path Near the Pond of Vipers, Fontainebleau Forest, c. 1860s Cleveland Museum of Art

This painting depicts a seated woman looking off to the left, resting her head on her right hand, our left, with her elbow on an abstract green surface.

Joshua Reynolds Annetta Coke, 1758 National Gallery of Art

This painting shows a landscape with castle-like structures on a green hill, with a group of people gathering in colorful clothing in the bottom left.

Dosso Dossi The Trojans Building the Temple to Venus and Making Offerings at Anchises's Grave in Sicily, c. 1520 National Gallery of Art

A man stands and a woman sits near a herd of seven cows under a light-drenched sky in this horizontal landscape painting. The herd gathers on a grassy rise just beyond some large boulders and twiggy branches.

Aelbert Cuyp Herdsmen Tending Cattle, 1655/1660 National Gallery of Art

Steamboats in the Port of Rouen, Camille Pissarro, 1896, oil on canvas

Camille Pissarro Steamboats in the Port of Rouen, 1896 The Met

Sunset Sky, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Sunset Sky, 1872 The Met

Shown from the knees up, a light-skinned man and woman are seated side-by-side on grassy rise in a landscape in this horizontal portrait painting.

Charles Willson Peale Benjamin and Eleanor Ridgely Laming, 1788 National Gallery of Art

Coronation of the Virgin, Giovanni di Paolo, ca. 1455, tempera on wood, gold ground

Giovanni di Paolo Coronation of the Virgin, ca. 1455 The Met

Fountain of Venus, François Boucher, 1756, oil on canvas

François Boucher Fountain of Venus, 1756 Cleveland Museum of Art

Captain John Gell, Gilbert Stuart, 1785, oil on canvas

Gilbert Stuart Captain John Gell, 1785 The Met

The Seine: Morning, Charles-François Daubigny, 1874, oil on wood

Charles-François Daubigny The Seine: Morning, 1874 The Met

Sunrise on the Matterhorn, Albert Bierstadt, after 1875, oil on canvas

Albert Bierstadt Sunrise on the Matterhorn, after 1875 The Met

The painting displays the upper torso, head, and shoulders of a person wrapped in a light-colored fabric that covers their body and forms a hood around their head. The person appears to be seated, facing slightly towards the right.

Robert Henri Indian Girl in White Blanket, 1917 National Gallery of Art

Shown from about the waist up, a light-skinned man with sagging jowls and a double chin wears a fur garment and hat, a large teardrop pearl earring, and gold chains in this vertical painting.

Rembrandt van Rijn A Polish Nobleman, 1637 National Gallery of Art

Evening at Medfield, Massachusetts, George Inness, 1875, oil on canvas

George Inness Evening at Medfield, Massachusetts, 1875 The Met

Shown from the hips up, a young man with pale skin and wearing black clothing sits with his body angled to our right as he turns to look at us in this vertical portrait painting. He looks out with green eyes under hooded lids.

Rembrandt van Rijn A Young Man Seated at a Table (possibly Govaert Flinck), c. 1660 National Gallery of Art

Louis Gueymard (1822–1880) as Robert le Diable, Gustave Courbet, 1857, oil on canvas

Gustave Courbet Louis Gueymard (1822–1880) as Robert le Diable, 1857 The Met

Bay of New York, Sunset, Thomas Chambers, mid 19th century, oil on canvas

Thomas Chambers Bay of New York, Sunset, mid 19th century National Gallery of Art

Six elegantly dressed, light-skinned women, a man with dark brown skin, and a person of short stature gather around a nude baby boy in front of a landscape with a town in the distance in this vertical painting.

Paolo Veronese The Finding of Moses, c. 1581/1582 National Gallery of Art

Painted in golden tones of butter and harvest yellow, tawny brown, and olive green, this horizontal landscape painting has a low wall stretching diagonally from the lower right corner off to our left, dividing a river to our right from a…

Joseph Mallord William Turner Mortlake Terrace, 1827 National Gallery of Art

Mrs. Walter Rathbone Bacon (Virginia Purdy Barker, 1862–1919), Anders Zorn, 1897, oil on canvas

Anders Zorn Mrs. Walter Rathbone Bacon (Virginia Purdy Barker, 1862–1919), 1897 The Met

The Beach, Late Afternoon, Winslow Homer, 1869, oil on wood

Winslow Homer The Beach, Late Afternoon, 1869 The Met

The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, Johann Zoffany, c. 1772, oil on canvas

Johann Zoffany The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, c. 1772 Cleveland Museum of Art

The Rest on the Flight into Egypt, Gerard David, ca. 1512–15, oil on wood

Gerard David The Rest on the Flight into Egypt, ca. 1512–15 The Met

A woman sitting close to us in front of a deep landscape holds up a white cloth with the image of a man’s face on it in this vertical painting. The woman and the image on the cloth both have pale skin, hooded eyes, and long, straight noses.

Hans Memling Saint Veronica [obverse], c. 1470/1475 National Gallery of Art

The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935), Berthe Morisot, ca. 1870, oil on canvas

Berthe Morisot The Pink Dress (Albertie-Marguerite Carré, later Madame Ferdinand-Henri Himmes, 1854–1935), ca. 1870 The Met

Women Picking Olives, Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh Women Picking Olives, 1889 The Met

We look across an expanse of a flat, grassy lawn at the towering spire of a stone church outlined against billowing clouds in this horizontal landscape painting.

John Constable Salisbury Cathedral from Lower Marsh Close, 1820 National Gallery of Art

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