Paintings for Chocolate Walls (page 25)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1,153 to 1,200 of 1,861.

The Farm at the Entrance of the Wood, Rosa Bonheur, 1860–80, oil on fabric

Rosa Bonheur The Farm at the Entrance of the Wood, 1860–80 Cleveland Museum of Art

George Washington, Charles Willson Peale, ca. 1779–81, oil on canvas

Charles Willson Peale George Washington, ca. 1779–81 The Met

Landscape, George Inness, 1888, oil on canvas

George Inness Landscape, 1888 Cleveland Museum of Art

A pale-skinned young woman with copper-orange hair, wearing a turquoise-blue robe, stands in a pastel-infused landscape in this stylized, vertical painting. The woman fills most of the left half of the composition.

Odilon Redon Pandora, 1910/1912 National Gallery of Art

A long haired, bearded man holds a whip and stands in the middle of a crowd of about two dozen people who stand or twist, all in a building with columns and arches in this horizontal painting.

El Greco Christ Cleansing the Temple, probably before 1570 National Gallery of Art

Upon first glance, the shapes and colors in this painting are hard to distinguish. After closer inspection, three women become visible, all with pale skin, light hair, and indistinct facial features.

Edgar Degas The Loge, c. 1883 National Gallery of Art

Olive Trees, Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh Olive Trees, 1889 The Met

This painting depicts a seated woman from the waist up. She has her right elbow resting on one arm of the red chair that she sits in, with her head leaning on her hand. Her left hand is holding white fabric in her lap.

Ezra Ames Maria Gansevoort Melvill (Mrs. Allan Melvill), c. 1815 National Gallery of Art

Polynesian Woman with Children, Paul Gauguin, 1901, oil on linen canvas

Paul Gauguin Polynesian Woman with Children, 1901 Art Institute of Chicago

This painting shows a man's head and shoulders in a portrait. He is turned slightly to the left, looking out towards us. The left half of his face and torso are in shadow.

Henri Fantin-Latour Self-Portrait, 1858 National Gallery of Art

This painting shows a brown jug filled with pink roses and green leaves on a brown surface that looks like a suitcase on its side. To the right of the jug are some stacked books, which are a light green color.

Édouard Vuillard The Artist's Paint Box and Moss Roses, 1898 National Gallery of Art

Madonna and Child, Filippino Lippi, ca. 1483–84, tempera, oil, and gold on wood

Filippino Lippi Madonna and Child, ca. 1483–84 The Met

A nude woman with brown skin and long black hair stands to our right against a landscape swirling with jewel-toned greens, pinks, and purples while a man, also with brown skin, sits under a tree behind her in this stylized vertical…

Paul Gauguin Parau na te Varua ino (Words of the Devil), 1892 National Gallery of Art

Shown from the thighs up, a man with pale, peachy skin, wearing a black suit, cape, and hat, stands with one hand on his hip against an elephant-gray background in this vertical portrait painting.

Frans Hals Portrait of a Gentleman, 1650/1652 National Gallery of Art

We look across a lush landscape of olive-green forests lining a glimmering, silvery-blue lake with hills in the deep distance under a pale blue sky in this horizontal landscape painting.

Camille Corot The Moored Boatman: Souvenir of an Italian Lake, 1861 National Gallery of Art

Shown from the lap up, an older woman with pale, slightly sagging skin and frosty gray hair sits facing us in this loosely painted vertical portrait.

Mary Cassatt Portrait of a Lady, c. 1887 National Gallery of Art

Sunrise, Claude Lorrain, possibly 1646–47, oil on canvas

Claude Lorrain Sunrise, possibly 1646–47 The Met

The Forest of Fontainebleau, Narcisse Virgilio Díaz de la Peña, 1874, oil on wood

Narcisse Virgilio Díaz de la Peña The Forest of Fontainebleau, 1874 The Met

Beggar with a Duffle Coat (Philosopher), Édouard Manet, 1865–67, oil on canvas

Édouard Manet Beggar with a Duffle Coat (Philosopher), 1865–67 Art Institute of Chicago

This painting shows a woman from the chest up, with her head slightly turned to the right. She has fair skin, red lips, and brown hair in an updo.

Paul Gauguin Madame Alexandre Kohler, 1887/1888 National Gallery of Art

Bayside, New Rochelle, New York, Eastman Johnson, 1886, oil on canvas

Eastman Johnson Bayside, New Rochelle, New York, 1886 The Met

Tivoli, Sanford Robinson Gifford, 1870, oil on canvas

Sanford Robinson Gifford Tivoli, 1870 The Met

Shown from the waist up, a young woman holds a baby up against her chest in this vertical painting. They both face us and have pale skin.

Giovanni Bellini Madonna and Child, c. 1480/1485 National Gallery of Art

Cremorne Gardens, No. 2, James McNeill Whistler, ca. 1870–80, oil on canvas

James McNeill Whistler Cremorne Gardens, No. 2, ca. 1870–80 The Met

From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape.

Thomas Gainsborough Seashore with Fishermen, c. 1781/1782 National Gallery of Art

Brooklyn Bridge, Henry Ward Ranger, 1899, oil on canvas

Henry Ward Ranger Brooklyn Bridge, 1899 Art Institute of Chicago

Against a deep, hilly landscape, a young woman sits facing us on a rocky ledge with a small child in her lap in this square painting. The woman and child, Mary and Jesus, both have pale skin and blond hair.

Gerard David The Rest on the Flight into Egypt, c. 1510 National Gallery of Art

Dark portrait of older woman in black dress with lace collar, flowers.

Gustave Courbet Mère Grégoire, 1855, reworked 1857–59 Art Institute of Chicago

This painting shows a landscape with several buildings near a body of water. Closest to us, near the bottom right corner, a person in red leans over a wooden fence to cast a fishing rod into the water.

Meindert Hobbema Village near a Pool, c. 1670 National Gallery of Art

This painting depicts a landscape with several haystacks in the center, arranged in a line that cuts diagonally across a green field from left to right.

Georges Seurat Haystacks, c. 1882 National Gallery of Art

Nocturne, John La Farge, ca. 1885, watercolor, gouache, and charcoal on off-white wove paper adhered to wove paper

John La Farge Nocturne, ca. 1885 The Met

A pair of arched cave openings yawn in a steep, rocky cliff face that fills this horizontal painting.

Gustave Courbet La Grotte de la Loue, 1864 National Gallery of Art

Spring Flowers, Claude Monet, 1864, oil on canvas

Claude Monet Spring Flowers, 1864 Cleveland Museum of Art

This painting presents a series of curved and bending lines intersecting with each other in an abstract pattern. The lines create a design resembling tree branches and leafy canopies.

Franz Marc Weasels at Play, 1911 National Gallery of Art

Approaching Storm from the Alban Hills, George Inness, 1871, oil on canvas

George Inness Approaching Storm from the Alban Hills, 1871 Cleveland Museum of Art

This painting shows a coastal scene with a rocky tan cliff on the left side extending down to the blue sea. The horizon is in the middle of the painting, with a bright, slightly cloudy blue sky above the sea.

Eugène Boudin Washerwomen on the Beach of Etretat, 1894 National Gallery of Art

Gardanne, Paul Cézanne, 1885–86, oil on canvas

Paul Cézanne Gardanne, 1885–86 The Met

A Monumental Portrait of a Monkey, India, c. 1705–1710, opaque watercolor and gold on paper

India A Monumental Portrait of a Monkey, c. 1705–1710 Art Institute of Chicago

Friedrich III (1463–1525), the Wise, Elector of Saxony, Lucas Cranach the Elder, 1533, oil on beech, with letterpress-printed paper labels

Lucas Cranach the Elder Friedrich III (1463–1525), the Wise, Elector of Saxony, 1533 The Met

Dancers, Pink and Green, Edgar Degas, ca. 1890, oil on canvas

Edgar Degas Dancers, Pink and Green, ca. 1890 The Met

Large English country landscape painting, farmers with horses, green trees.

John Constable Stoke-by-Nayland, 1836 Art Institute of Chicago

The Standard Bearer (probably Floris Soop, 1604–1657), Rembrandt van Rijn, 1654, oil on canvas

Rembrandt van Rijn The Standard Bearer (probably Floris Soop, 1604–1657), 1654 The Met

Shown from the knees up, a young woman with pale skin, wearing a short wine-red jacket over an ivory-white gown, gazes out at us from this vertical portrait painting.

Élisabeth Louise Vigée Le Brun Madame d'Aguesseau de Fresnes, 1789 National Gallery of Art

The Chess Players, Thomas Eakins, 1876, oil on wood

Thomas Eakins The Chess Players, 1876 The Met

A young, pale-skinned boy wearing a brilliant blue toga sits on a rock and holds a gold pitcher in a landscape in this vertical painting.

Giovanni Bellini The Infant Bacchus, probably 1505/1510 National Gallery of Art

Shown from the waist up in front of a black background, a young woman with pale white skin and curly brown hair looks directly out at us over her shoulder with her body angled to our left in this vertical portrait.

Francisco de Goya Señora Sabasa Garcia, c. 1806/1811 National Gallery of Art

A blue and white bowl with a flaring rim is filled with small red strawberries, and the currants and cherries scattered around it are arranged along a wooden ledge or table in this horizontal still life painting.

Jacob van Hulsdonck Wild Strawberries and a Carnation in a Wan-Li Bowl, c. 1620 National Gallery of Art

View from the Quai d'Orsay, Johan Barthold Jongkind, 1854, oil on canvas, mounted on wood

Johan Barthold Jongkind View from the Quai d'Orsay, 1854 The Met

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