Paintings for Chocolate Walls (page 27)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1,249 to 1,296 of 1,861.

Against a hilly landscape and on a patch of dirt, five people wearing tattered clothing gather around a bearded man who holds a violin in his lap in this horizontal painting. Most of them have pale skin.

Édouard Manet The Old Musician, 1862 National Gallery of Art

This is a painting of four people outside of a circular stone wall that contains a statue and several trees. The four people are on the left, next to an opening in the curving wall.

Arnold Böcklin The Sanctuary of Hercules, 1884 National Gallery of Art

The Source of the Loue, Gustave Courbet, 1864, oil on canvas

Gustave Courbet The Source of the Loue, 1864 The Met

A bearded man with light skin, wearing a black costume and holding a plumed hat, stands in front of mottled brown background in this vertical portrait painting.

Édouard Manet The Tragic Actor (Rouvière as Hamlet), 1866 National Gallery of Art

Joseph Sherburne, John Singleton Copley, ca. 1767–70, oil on canvas

John Singleton Copley Joseph Sherburne, ca. 1767–70 The Met

Portrait of a Young Woman, Hans Holbein the Younger, ca. 1540–45, oil and gold on oak

Hans Holbein the Younger Portrait of a Young Woman, ca. 1540–45 The Met

The Large Plane Trees (Road Menders at Saint-Rémy), Vincent van Gogh, 1889, oil on fabric

Vincent van Gogh The Large Plane Trees (Road Menders at Saint-Rémy), 1889 Cleveland Museum of Art

Majas on a Balcony, Francisco de Goya, ca. 1800–1810, oil on canvas

Francisco de Goya Majas on a Balcony, ca. 1800–1810 The Met

Landscape painting featuring a wavy tree tree in the foreground and a watermill with a red roof adjacent to a river at right. Colors are subdued earth tones, the foliage a dark green and the river a muddy brown.

Meindert Hobbema The Watermill with the Great Red Roof, c. 1665 Art Institute of Chicago

A garden with two fountains stretches back to a manor house in the distance in this horizontal landscape painting. The horizon comes about a third of the way up the composition, and gray clouds tower in the vivid blue sky above.

Jacob van Ruisdael Country House in a Park, c. 1675 National Gallery of Art

Mrs. Henry Hill (Anna Barrett), John Singleton Copley, c. 1765–70, pastel on paper mounted on linen

John Singleton Copley Mrs. Henry Hill (Anna Barrett), c. 1765–70 Art Institute of Chicago

Peonies, Édouard Manet, 1864–65, oil on canvas

Édouard Manet Peonies, 1864–65 The Met

Shown from the chest up, a clean shaven, young man with pale, rosy skin and curly, mahogany-red hair, looks at or toward us against a black background in this vertical portrait painting.

Antonello da Messina Portrait of a Young Man, c. 1475/1479 National Gallery of Art

The image is a portrait of a young child shown from the waist up. The child is seated and facing forward. The child has dark hair that is styled smoothly and parted down the middle.

Sturtevant J. Hamblin Little Girl with Pet Rabbit, c. 1845 National Gallery of Art

Portrait of a Man, Titian, ca. 1515, oil on canvas

Titian Portrait of a Man, ca. 1515 The Met

Still Life: A Banqueting Scene, Jan Davidsz de Heem, ca. 1640–41, oil on canvas

Jan Davidsz de Heem Still Life: A Banqueting Scene, ca. 1640–41 The Met

Aristotle with a Bust of Homer, Rembrandt van Rijn, 1653, oil on canvas

Rembrandt van Rijn Aristotle with a Bust of Homer, 1653 The Met

Shown from the thighs up, an older, balding man with a long white beard stands wearing a full suit of armor draped in a burgundy-red cloak in this vertical portrait painting.

Titian Vincenzo Cappello, c. 1550/1560 National Gallery of Art

Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456), Hans Memling, ca. 1470, oil on oak

Hans Memling Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456), ca. 1470 The Met

Lachrymae, Frederic Leighton, 1894–95, oil on canvas

Frederic Leighton Lachrymae, 1894–95 The Met

Berthe Morisot The Artist's Sister at a Window, 1869 National Gallery of Art

This painting shows a busy marketplace scene at eye level with a crowd of people and cattle. Hills are in the distance under a cloudy gray sky, and in front of them we can see a line of rooftops and a tall church spire.

Eugène Boudin Fair in Brittany, 1874 National Gallery of Art

Shown from the chest up, a pale-skinned woman wears a black tricorn hat and a black cloak that covers her shoulders, chest, and much of her face in this vertical portrait painting.

Giovanni Battista Tiepolo Young Lady in a Tricorn Hat, c. 1755/1760 National Gallery of Art

Josef de Jaudenes y Nebot, Gilbert Stuart, 1794, oil on canvas

Gilbert Stuart Josef de Jaudenes y Nebot, 1794 The Met

Clouds hunker over a water-logged street that separates us from the end of a row of buildings in this horizontal painting. The scene is loosely painted, especially in the sky and water.

Alfred Sisley Flood at Port-Marly, 1872 National Gallery of Art

The Baptism of Christ, Jacopo Bassano, ca. 1590, oil on canvas

Jacopo Bassano The Baptism of Christ, ca. 1590 The Met

The Artist's Wife and His Setter Dog, Thomas Eakins, ca. 1884–89, oil on canvas

Thomas Eakins The Artist's Wife and His Setter Dog, ca. 1884–89 The Met

Self-Portrait, Anthony van Dyck, ca. 1620–21, oil on canvas

Anthony van Dyck Self-Portrait, ca. 1620–21 The Met

This painting shows a portrait of a woman, depicted from the thighs up. She is seated with her body and head facing forward.

Amedeo Modigliani Madame Amédée (Woman with Cigarette), 1918 National Gallery of Art

Hendrickje Stoffels (1626–1663), Rembrandt van Rijn, mid-1650s, oil on canvas

Rembrandt van Rijn Hendrickje Stoffels (1626–1663), mid-1650s The Met

Portrait of a woman in white with a bonnet perched on an architectural feature painting something to her right, a spouting water fountain, greenery, and a an ornate, low white fence behind her.

John Singer Sargent The Fountain, Villa Torlonia, Frascati, Italy, 1907 Art Institute of Chicago

Houses at Murnau, Wassily Kandinsky, 1909, oil on cardboard

Wassily Kandinsky Houses at Murnau, 1909 Art Institute of Chicago

Poppy Field (Giverny), Claude Monet, 1890–91, oil on canvas

Claude Monet Poppy Field (Giverny), 1890–91 Art Institute of Chicago

Shown from the hips up, a nude woman stands between a table in front of her and a clothed man behind her, against a deep landscape in this vertical painting. The man rests one hand on her shoulder and holds up a mirror with the other.

Titian Allegory of Love, c. 1520/1540 National Gallery of Art

Frieze of Dancers, Edgar Degas, c. 1895, oil on fabric

Edgar Degas Frieze of Dancers, c. 1895 Cleveland Museum of Art

A sand-colored riverbank stretches in front of us to meet an arched bridge that spans a pale blue river to our right in this horizontal landscape painting. The scene is loosely painted so many details are indistinct.

Camille Corot Bridge on the Saône River at Mâcon, 1834 National Gallery of Art

Kitchen Scene, Diego Velázquez, 1618–20, oil on canvas

Diego Velázquez Kitchen Scene, 1618–20 Art Institute of Chicago

Vétheuil, Claude Monet, 1901, oil on canvas

Claude Monet Vétheuil, 1901 Art Institute of Chicago

La Cervara, the Roman Campagna, Camille Corot, c. 1830–31, oil on fabric

Camille Corot La Cervara, the Roman Campagna, c. 1830–31 Cleveland Museum of Art

Burgomaster Jan van Duren (1613–1687), Gerard ter Borch, ca. 1666–67, oil on canvas

Gerard ter Borch Burgomaster Jan van Duren (1613–1687), ca. 1666–67 The Met

Doge Andrea Gritti (1455–1538), Titian, 1542, oil on canvas

Titian Doge Andrea Gritti (1455–1538), 1542 The Met

Three light-skinned, dark-haired ballerinas, painted in muted tones, wear off-the-shoulder yellow leotards and tutus as they huddle near each other. One adjusts her costume, while one holds her hands clasped above her head.

Edgar Degas Yellow Dancers (In the Wings), 1874–76 Art Institute of Chicago

Emma Van Name, Joshua Johnson, ca. 1805, oil on canvasPainting

Joshua Johnson Emma Van Name, ca. 1805 The Met

Camp Fire, Winslow Homer, 1880, oil on canvas

Winslow Homer Camp Fire, 1880 The Met

Portrait after a Costume Ball (Portrait of Madame Dietz-Monnin), Edgar Degas, 1879, distemper, metallic paint, and pastel, on canvas

Edgar Degas Portrait after a Costume Ball (Portrait of Madame Dietz-Monnin), 1879 Art Institute of Chicago

Sarah Ursula Rose, Benjamin West, 1756, oil on canvas

Benjamin West Sarah Ursula Rose, 1756 The Met

Winding Yarn (Interior of a Nantucket Kitchen), Eastman Johnson, 1872, oil on board

Eastman Johnson Winding Yarn (Interior of a Nantucket Kitchen), 1872 Cleveland Museum of Art

Portrait of a Woman, Agnolo Bronzino, c. 1550, oil on wood

Agnolo Bronzino Portrait of a Woman, c. 1550 Cleveland Museum of Art

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