Paintings for Chocolate Walls (page 29)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1,345 to 1,392 of 1,861.

Catharine Lorillard Wolfe (1828–1887), Alexandre Cabanel, 1876, oil on canvas

Alexandre Cabanel Catharine Lorillard Wolfe (1828–1887), 1876 The Met

Souvenir of Italy, Camille Corot, 1855–60, oil on canvas

Camille Corot Souvenir of Italy, 1855–60 Art Institute of Chicago

Saints Peter and John Healing the Lame Man, Nicolas Poussin, 1655, oil on canvas

Nicolas Poussin Saints Peter and John Healing the Lame Man, 1655 The Met

Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895), Pierre-Auguste Renoir, 1878, oil on canvas

Pierre-Auguste Renoir Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895), 1878 The Met

Côte des Grouettes, near Pontoise, Camille Pissarro, probably 1878, oil on canvas

Camille Pissarro Côte des Grouettes, near Pontoise, probably 1878 The Met

Horsewoman, Théodore Géricault, 1820 or later, oil on canvas

Théodore Géricault Horsewoman, 1820 or later The Met

A pale-skinned woman sits on a red velvet chair, which is almost entirely hidden by her voluminous, dark emerald-green and gold gown, in this vertical portrait painting.

Anthony van Dyck Marchesa Balbi, c. 1623 National Gallery of Art

André Bénac, Édouard Vuillard, 1936, oil on fabric

Édouard Vuillard André Bénac, 1936 Cleveland Museum of Art

Two pale-skinned women sit together surrounded by five sheep and a dog in a lush forest in this vertical painting. The woman to our right sits slightly above the other, with her arm draped around the shoulders of her companion.

François Boucher The Love Letter, 1750 National Gallery of Art

Young Woman with a Lute, Johannes Vermeer, ca. 1662–63, oil on canvas

Johannes Vermeer Young Woman with a Lute, ca. 1662–63 The Met

The rounded, feathery canopies of trees are mirrored in the placid surface of a river in this horizontal landscape painting. The scene is loosely painted with visible dashes and strokes. The largest tree is to our right of center.

Claude Monet The Seine at Giverny, 1897 National Gallery of Art

Lute Player, Valentin de Boulogne, ca. 1625–26, oil on canvas

Valentin de Boulogne Lute Player, ca. 1625–26 The Met

William Robertson (1753–1835), Lord Robertson, Henry Raeburn, 1805, oil on canvas

Henry Raeburn William Robertson (1753–1835), Lord Robertson, 1805 The Met

Nevada Falls, Yosemite, Albert Bierstadt, 1872 or 1873, oil on canvas

Albert Bierstadt Nevada Falls, Yosemite, 1872 or 1873 The Met

Johannes Vermeer Woman Holding a Balance, c. 1664 National Gallery of Art

Rachel Ruysch (1664–1750), Rachel Ruysch, 1692, oil on canvas

Rachel Ruysch Rachel Ruysch (1664–1750), 1692 The Met

Woman Mending, Camille Pissarro, 1895, oil on canvas

Camille Pissarro Woman Mending, 1895 Art Institute of Chicago

View of Niagara Falls, John Frederick Kensett, c. 1851–52, oil on canvas

John Frederick Kensett View of Niagara Falls, c. 1851–52 Cleveland Museum of Art

This painting shows a man standing upright, his body slightly turned to the right.

Francisco de Goya Charles IV of Spain as Huntsman, c. 1799/1800 National Gallery of Art

Portrait of Jean-Baptiste Lemoyne the Younger, Élisabeth Louise Vigée Le Brun, 1774, oil on canvas

Élisabeth Louise Vigée Le Brun Portrait of Jean-Baptiste Lemoyne the Younger, 1774 Cleveland Museum of Art

The Tired Gleaner, Jules Breton, 1880, oil on fabric

Jules Breton The Tired Gleaner, 1880 Cleveland Museum of Art

A woman and the baby she holds float in a cloud flanked by two winged angels, as two women stand below in this tall, vertical painting. All the people have pale skin shaded with smoke gray, and their necks, fingers, and limbs are elongated.

El Greco Madonna and Child with Saint Martina and Saint Agnes, 1597/1599 National Gallery of Art

This painting shows a man from the waist up, his body turned slightly to the right. He stands upright, looking at the viewer, holding a golf club or cane horizontally with both hands.

George Bellows Chester Dale, 1922 National Gallery of Art

Madonna Adoring the Child, Sandro Botticelli, ca. 1490–95, tempera and gold on wood

Sandro Botticelli Madonna Adoring the Child, ca. 1490–95 The Met

View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, Thomas Cole, 1836, oil on canvas

Thomas Cole View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, 1836 The Met

A Boy with a Cat—Morning, Thomas Gainsborough, 1787, oil on canvas

Thomas Gainsborough A Boy with a Cat—Morning, 1787 The Met

Packet Ship Passing Castle Williams, New York Harbor, Thomas Chambers, mid 19th century, oil on canvas

Thomas Chambers Packet Ship Passing Castle Williams, New York Harbor, mid 19th century National Gallery of Art

Shown from the lap up, a woman with peach-colored skin sits leaning sideways against the back of a wooden chair with her head tilted to our left on her long neck in this vertical, stylized portrait.

Amedeo Modigliani Woman with Red Hair, 1917 National Gallery of Art

From Jerusalem, John Singer Sargent, 1905–6, watercolor, gouache, and graphite on off-white wove paper

John Singer Sargent From Jerusalem, 1905–6 The Met

High Point: Shandaken Mountains, Asher Brown Durand, 1853, oil on canvas

Asher Brown Durand High Point: Shandaken Mountains, 1853 The Met

View of the Seacoast near Wargemont in Normandy, Pierre-Auguste Renoir, 1880, oil on canvas

Pierre-Auguste Renoir View of the Seacoast near Wargemont in Normandy, 1880 The Met

In this painting, a person appears to pull a long brown-and-green canoe out of the water and onto a grassy stretch of land. The person wears a hat and a green shirt with brown trousers, and their face is indistinct.

Winslow Homer Sunset, c. 1875 National Gallery of Art

Salvator Mundi, Albrecht Dürer, ca. 1505, oil on linden

Albrecht Dürer Salvator Mundi, ca. 1505 The Met

This painting depicts a rural landscape with a shepherdess tending to a flock of sheep on a tree-lined dirt path. She is facing away from us and wears a blue skirt with a white shirt and a white bonnet covering her hair.

George Inness Hillside at Étretat, 1876 National Gallery of Art

The image features a variety of fruit, including large white melons, a sliced red watermelon, and clusters of dark and white grapes with an assortment of green leaves.

Chipman Melons and Grapes, mid 19th century National Gallery of Art

A densely packed crowd of men and women, all of them with pale skin and most of them wearing black, stand in a theater lobby beneath a mezzanine level that runs close to the top edge of the composition in this horizontal painting.

Édouard Manet Masked Ball at the Opera, 1873 National Gallery of Art

The image is a portrait painting of a woman. She is seated with her body turned slightly to the right, while her head is facing forward towards the viewer. She has a gentle expression with slightly raised eyebrows.

Henry Raeburn Mrs. George Hill, c. 1790/1800 National Gallery of Art

The face of a young woman with pale, peachy skin materializes from a deeply shadowed background in this vertical portrait painting. Shown from the waist up, her body is angled to our right, and her face turns to look at us.

Rembrandt van Rijn Saskia van Uylenburgh, the Wife of the Artist, probably begun 1634/1635 and completed 1638/1640 National Gallery of Art

This is a painting of a red horse standing on a patch of tan ground, tethered by a rope to a tall brown post. The horse's reddish-brown coat is rich and glossy, with white highlights. It faces the left, with its ears pricked up.

Eugène Delacroix A Horse Hitched to a Post, c. 1820 National Gallery of Art

Landscape with Figures (Les Bohémiens), Camille Corot, 1872, oil on canvas

Camille Corot Landscape with Figures (Les Bohémiens), 1872 The Met

Watercolor of man with golden halo on horse, green background.

Ghasi Maharana Bhim Singh in Procession, c. 1820 Art Institute of Chicago

A road or path curves away from us, past a tall formation, perhaps rocks, to our left, and into a valley filled with trees and a low hill beyond in this stylized, vertical landscape.

Paul Cézanne The Bend in the Road, 1900/1906 National Gallery of Art

Shown from the shins up, two elegantly dressed women and two young boys, all with light skin, sit together on a bench in front of a stone balustrade with a forest landscape beyond in this horizontal portrait painting.

Élisabeth Louise Vigée Le Brun The Marquise de Pezay, and the Marquise de Rougé with Her Sons Alexis and Adrien, 1787 National Gallery of Art

Mrs. Gideon Tucker, William Sidney Mount, 1830, oil on canvas

William Sidney Mount Mrs. Gideon Tucker, 1830 The Met

White Mare, Winslow Homer, c. 1868, oil on panel

Winslow Homer White Mare, c. 1868 Cleveland Museum of Art

A Couple Playing Cards, with a Serving Woman, Pieter de Hooch, ca. 1665–75, oil on canvas

Pieter de Hooch A Couple Playing Cards, with a Serving Woman, ca. 1665–75 The Met

Six men on horseback and wearing jockeys’ uniforms line up on a grassy field in front of us in this loosely painted horizontal scene. The jockeys and horses’ features are especially freely painted so much of the detail is indistinct.

Edgar Degas The Riders, c. 1885 National Gallery of Art

Shown from about the hips up, a young, pale-skinned man with curly brown hair stands facing and looking at us, wearing a plum-purple coat under a golden yellow cape in this vertical portrait painting.

Anthony van Dyck Philip, Lord Wharton, 1632 National Gallery of Art

Back to every group for chocolate walls

Other wall colors