Paintings for Chocolate Walls (page 20)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 913 to 960 of 1,861.

Shown from the waist up, an older, pale-skinned man wearing clerical robes gestures to our right with one hand and turns his head to look off to our left in this vertical portrait painting.

Titian Cardinal Pietro Bembo, 1539/1540 National Gallery of Art

The Collector of Prints, Edgar Degas, 1866, oil on canvas

Edgar Degas The Collector of Prints, 1866 The Met

Lady Maitland (Catherine Connor, died 1865), Henry Raeburn, 1800, oil on canvas

Henry Raeburn Lady Maitland (Catherine Connor, died 1865), 1800 The Met

A young, pale-skinned woman with reddish-blond hair sits with a nearly nude, chubby toddler standing in her lap in this vertical painting. She looks down at him, her body and face angled to our left.

Sandro Botticelli Madonna and Child, c. 1470 National Gallery of Art

Captain George K. H. Coussmaker (1759–1801), Joshua Reynolds, 1782, oil on canvas

Joshua Reynolds Captain George K. H. Coussmaker (1759–1801), 1782 The Met

No te aha oe riri (Why Are You Angry?), Paul Gauguin, 1896, oil on jute canvas

Paul Gauguin No te aha oe riri (Why Are You Angry?), 1896 Art Institute of Chicago

Monsieur Suisse, Gustave Courbet, 1861, oil on canvas

Gustave Courbet Monsieur Suisse, 1861 The Met

We look slightly down onto a wooden table or buffet with a basket of fruit, a vase of pink and white flowers, a book, and a small tray holding a teacup, saucer, and two oranges in this horizontal still life painting.

Henri Fantin-Latour Still Life, 1866 National Gallery of Art

Two Young Peasant Women, Camille Pissarro, 1891–92, oil on canvas

Camille Pissarro Two Young Peasant Women, 1891–92 The Met

Charles Rousseau Burney (1747–1819), Thomas Gainsborough, ca. 1780, oil on canvas

Thomas Gainsborough Charles Rousseau Burney (1747–1819), ca. 1780 The Met

This painting shows a busy scene at the edge of the water. The horizon is visible on the left, where blue-gray sky meets blue-gray water behind a line of tall masts.

Robert Henri Volendam Street Scene, 1910 National Gallery of Art

Roses in a Vase, Pierre-Auguste Renoir, c. 1890, oil on fabric

Pierre-Auguste Renoir Roses in a Vase, c. 1890 Cleveland Museum of Art

This vertical portrait painting shows a pale-skinned older woman wearing a full, long-sleeved black dress with a wide white ruff at her neck and white lace cuffs at her wrists.

Frans Hals Portrait of a Woman Aged Sixty, 1633 National Gallery of Art

This horizontal painting shows a harbor scene filled with tall-masted ships and steamships adorned with colorful flags. The masts of the ship to our left dominate the composition, reaching almost to the top edge of the painting.

Eugène Boudin Festival in the Harbor of Honfleur, 1858 National Gallery of Art

The Dreamer (La Rêveuse), Antoine Watteau, 1712–14, oil on panel

Antoine Watteau The Dreamer (La Rêveuse), 1712–14 Art Institute of Chicago

Still life painting of strawberries, nuts, lemon, and porcelain vessels.

Raphaelle Peale Still Life—Strawberries, Nuts, &c., 1822 Art Institute of Chicago

Henri de Toulouse-Lautrec Rue des Moulins, 1894, 1894 National Gallery of Art

Colonel Francis James Scott, Henry Raeburn, 1796/1811, oil on canvas

Henry Raeburn Colonel Francis James Scott, 1796/1811 National Gallery of Art

The Spanish Singer, Édouard Manet, 1860, oil on canvas

Édouard Manet The Spanish Singer, 1860 The Met

The image displays a landscape with rolling plains and sloping hills in the background. A rider on a galloping horse is depicted aiming a firearm at birds in flight. The painting features detailed brushwork capturing movement.

George Catlin Ostrich Chase, Buenos Aires - Auca, 1854/1869 National Gallery of Art

Antoine Dominique Sauveur Aubert (born 1817), the Artist's Uncle, Paul Cézanne, 1866, oil on canvas

Paul Cézanne Antoine Dominique Sauveur Aubert (born 1817), the Artist's Uncle, 1866 The Met

Shown from about the ankles up, a woman with ashen, pale skin, wearing a full, silvery-white dress with gray dots, sits on a low-backed white sofa against a pale peach background in this horizontal portrait painting.

Edgar Degas Madame René de Gas, 1872/1873 National Gallery of Art

The Yellow Room, James McNeill Whistler, ca. 1883–84, watercolor and gouache on paperboard

James McNeill Whistler The Yellow Room, ca. 1883–84 The Met

The Horse Fair, Rosa Bonheur, 1852–55, oil on canvas

Rosa Bonheur The Horse Fair, 1852–55 The Met

About a dozen women and men, all with pale or suntanned skin, work in a field harvesting grain in this horizontal painting. The women wear long skirts and aprons, and some wear cloths tied around their heads.

Jules Breton The Colza (Harvesting Rapeseed), 1860 National Gallery of Art

Etruscan Vase with Flowers, Odilon Redon, 1900–1910, tempera on canvas

Odilon Redon Etruscan Vase with Flowers, 1900–1910 The Met

Fog off Mount Desert, Frederic Edwin Church, 1850, oil on academy board

Frederic Edwin Church Fog off Mount Desert, 1850 National Gallery of Art

Portrait of Hugh Hope, Henry Raeburn, c. 1810, oil on canvas

Henry Raeburn Portrait of Hugh Hope, c. 1810 Cleveland Museum of Art

Campo Sant'Angelo, Venice, Canaletto, 1730s, oil on canvas

Canaletto Campo Sant'Angelo, Venice, 1730s The Met

Wolf and Fox Hunt, Peter Paul Rubens, ca. 1616, oil on canvas

Peter Paul Rubens Wolf and Fox Hunt, ca. 1616 The Met

Albert Gallatin, Gilbert Stuart, ca. 1803, oil on canvas

Gilbert Stuart Albert Gallatin, ca. 1803 The Met

Painting in tones of gray and brown, with some green and blue, of a woman digging with a garden tool before a structure with a thatched roof that descends almost to the ground. Above her the sky is gray and blue, a haze of clouds.

Vincent van Gogh A Peasant Woman Digging in Front of Her Cottage, c. 1885 Art Institute of Chicago

Madam Pompadour, Amedeo Modigliani, 1915, oil on canvas

Amedeo Modigliani Madam Pompadour, 1915 Art Institute of Chicago

Allegorical Figure Representing Fortitude, Giovanni Battista Tiepolo, 1760, fresco, transferred to canvas

Giovanni Battista Tiepolo Allegorical Figure Representing Fortitude, 1760 The Met

The painting contains two full-body depictions of a man with dark skin in different postures and clothing, placed next to each other against a dark background. On the left, the man stands upright, holding a cane.

Eugène Delacroix Two Studies of an Indian from Calcutta, Seated and Standing, c. 1823/1824 National Gallery of Art

Boy with a Sword, Édouard Manet, 1861, oil on canvas

Édouard Manet Boy with a Sword, 1861 The Met

From a low vantage point, we look up a steep, rocky mountainside at a towering mountain peak in the distance in this nearly square landscape painting.

John Singer Sargent Simplon Pass, 1911 National Gallery of Art

Christ and the Virgin in the House at Nazareth, Francisco de Zurbarán, c. 1640, oil on canvas

Francisco de Zurbarán Christ and the Virgin in the House at Nazareth, c. 1640 Cleveland Museum of Art

A tall woman with pale white skin and a shorter man with brown skin stand on a terrace in this vertical, full-length portrait.

Anthony van Dyck Marchesa Elena Grimaldi Cattaneo, 1623 National Gallery of Art

Robert Rich (1587–1658), Second Earl of Warwick, Anthony van Dyck, ca. 1632–35, oil on canvas

Anthony van Dyck Robert Rich (1587–1658), Second Earl of Warwick, ca. 1632–35 The Met

We hover over the bottle-green surface of a river as it rushes toward a horseshoe-shaped waterfall that curves away from us in this horizontal landscape painting.

Frederic Edwin Church Niagara, 1857 National Gallery of Art

Princess Varvara Nikolaevna Gagarina (1762–1802), Jean-Baptiste Greuze, ca. 1780–82, oil on canvas

Jean-Baptiste Greuze Princess Varvara Nikolaevna Gagarina (1762–1802), ca. 1780–82 The Met

Landscape at Saint-André, Near Marseilles, Paul Guigou, c. 1865, oil on wood panel

Paul Guigou Landscape at Saint-André, Near Marseilles, c. 1865 Cleveland Museum of Art

The Laundress, Honoré Daumier, 186[3?], oil on oak

Honoré Daumier The Laundress, 186[3?] The Met

Marie-Yolande de Fitz-James, Henri Fantin-Latour, 1867, oil on fabric

Henri Fantin-Latour Marie-Yolande de Fitz-James, 1867 Cleveland Museum of Art

Valley of Aosta: Snowstorm, Avalanche, and Thunderstorm, Joseph Mallord William Turner, 1836–37, oil on canvas

Joseph Mallord William Turner Valley of Aosta: Snowstorm, Avalanche, and Thunderstorm, 1836–37 Art Institute of Chicago

Portrait of a Man with a Rosary, Lucas Cranach the Elder, ca. 1508, oil on oak

Lucas Cranach the Elder Portrait of a Man with a Rosary, ca. 1508 The Met

This painting shows a bowl of red raspberries resting on a surface. The bowl is pale blue with blue details on the rim, and it is surrounded by a pile of pale peaches and pears, red plums, and green and purple grapes.

Charles V. Bond Still Life: Fruit, Bird, and Dwarf Pear Tree, 1856 National Gallery of Art

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