Paintings for Chocolate Walls (page 36)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1,681 to 1,728 of 1,861.

Young Herdsmen with Cows, Aelbert Cuyp, ca. 1655–60, oil on canvas

Aelbert Cuyp Young Herdsmen with Cows, ca. 1655–60 The Met

Sahurs Meadows in Morning Sun, Alfred Sisley, 1894, oil on canvas

Alfred Sisley Sahurs Meadows in Morning Sun, 1894 The Met

Trouville (Grey and Green, the Silver Sea), James McNeill Whistler, 1865, oil on canvas

James McNeill Whistler Trouville (Grey and Green, the Silver Sea), 1865 Art Institute of Chicago

A young woman with light skin stands in a garden, wearing a voluminous, full-length, silvery, shimmering gown in this vertical portrait painting. Her body faces us, as she looks into the distance to our left.

François Boucher Madame Bergeret, possibly 1766 National Gallery of Art

A small child stands facing us on a sun-dappled path that runs up the center of a garden dominated by towering yellow and burnt-orange sunflowers in this loosely painted, vertical scene.

Claude Monet The Artist's Garden at Vétheuil, 1881 National Gallery of Art

The Card Players, Paul Cézanne, 1890–92, oil on canvas

Paul Cézanne The Card Players, 1890–92 The Met

This horizontal landscape is painted with dots and dashes in fresh green, shimmering blue, amethyst purple, shell pink, pale yellow, and cream white against the brown wood of the panel, which is visible throughout.

Georges Seurat Study for "La Grande Jatte", 1884/1885 National Gallery of Art

This painting shows a scene with several people spaced out across a grassy expanse. The horizon is high in the painting, lined with white structures with red roofs and green trees.

Georges Seurat Figures in a Landscape, c. 1883 National Gallery of Art

The Gulf Stream, Winslow Homer, 1899; reworked by 1906, oil on canvas

Winslow Homer The Gulf Stream, 1899; reworked by 1906 The Met

Outskirts of Paris, Henri Rousseau, c. 1897–1905, oil on fabric

Henri Rousseau Outskirts of Paris, c. 1897–1905 Cleveland Museum of Art

We look across a forested ravine painted in deep greens and blues at a terracotta-orange building at the top of a hill at the center of this nearly square, loosely painted landscape.

Paul Cézanne Château Noir, 1900/1904 National Gallery of Art

The Fishermen (Fantastic Scene), Paul Cézanne, ca. 1875, oil on canvas

Paul Cézanne The Fishermen (Fantastic Scene), ca. 1875 The Met

Portrait of a Bearded Man with a Ruff, Frans Hals, 1625, oil on canvas

Frans Hals Portrait of a Bearded Man with a Ruff, 1625 The Met

Les Andelys, Côte d'Aval, Paul Signac, 1886, oil on canvas

Paul Signac Les Andelys, Côte d'Aval, 1886 Art Institute of Chicago

Study of a Young Woman, Johannes Vermeer, ca. 1665–67, oil on canvas

Johannes Vermeer Study of a Young Woman, ca. 1665–67 The Met

The artwork depicts a peaceful landscape viewed from an elevated perspective. The horizon divides the sky from the land below, with distant blue hills visible. The sky shows soft blues and gray clouds.

George Catlin Halsey's Bluff - Sioux Indians on the March, 1861/1869 National Gallery of Art

Three light-skinned girls hold hands to create a loose ring with their arms extended, in a grassy field in this horizontal painting. All three girls wear white headdresses, ankle-length, long-sleeved dresses, and clogs.

Paul Gauguin Breton Girls Dancing, Pont-Aven, 1888 National Gallery of Art

Landscape with Cattle at Limousin, Jules Dupré, 1837, oil on canvas

Jules Dupré Landscape with Cattle at Limousin, 1837 The Met

Arrangement in Black, No. 3: Sir Henry Irving as Philip II of Spain, James McNeill Whistler, 1876, reworked 1885, oil on canvas

James McNeill Whistler Arrangement in Black, No. 3: Sir Henry Irving as Philip II of Spain, 1876, reworked 1885 The Met

We look up at the exterior of a church that soars the height of this vertical painting.

Claude Monet Rouen Cathedral, West Façade, Sunlight, 1894 National Gallery of Art

The Banks of the Marne in Winter, Camille Pissarro, 1866, oil on canvas

Camille Pissarro The Banks of the Marne in Winter, 1866 Art Institute of Chicago

Portrait of Sor Juana de Nuestra Señora de Guadalupe, Domingo Ortiz, 1797, oil on canvas

Domingo Ortiz Portrait of Sor Juana de Nuestra Señora de Guadalupe, 1797 The Met

We look across an ochre-yellow field to a band of pearl-white buildings under an azure-blue sky in this horizontal landscape painting. Flecks of red in the lower right corner could be flowers.

Odilon Redon Breton Village, c. 1890 National Gallery of Art

View on the Catskill—Early Autumn, Thomas Cole, 1836–37, oil on canvas

Thomas Cole View on the Catskill—Early Autumn, 1836–37 The Met

Portrait of an Old Man, El Greco, ca. 1595–1600, oil on canvas

El Greco Portrait of an Old Man, ca. 1595–1600 The Met

The image shows a landscape with trees, hills, and mountains under a partly cloudy sky. In the foreground, there is a tipi surrounded by figures dressed in traditional attire interacting with a horse.

George Catlin The Cheyenne Brothers Starting on Their Fall Hunt, 1861/1869 National Gallery of Art

Saint Andrew, El Greco, ca. 1610, oil on canvas

El Greco Saint Andrew, ca. 1610 The Met

Impressionist sea landscape, tan houses, blue ocean, distant mountains.

Paul Cézanne The Bay of Marseille, Seen from L'Estaque, c. 1885 Art Institute of Chicago

From Ávila, John Singer Sargent, ca. 1903, watercolor and gouache on white wove paper

John Singer Sargent From Ávila, ca. 1903 The Met

Alfred Dedreux (1810–1860) as a Child, Théodore Géricault, ca. 1819–20, oil on canvas

Théodore Géricault Alfred Dedreux (1810–1860) as a Child, ca. 1819–20 The Met

L'Arlésienne: Madame Joseph-Michel Ginoux (Marie Julien, 1848–1911), Vincent van Gogh, 1888–89, oil on canvas

Vincent van Gogh L'Arlésienne: Madame Joseph-Michel Ginoux (Marie Julien, 1848–1911), 1888–89 The Met

Boys in a Dory, Winslow Homer, 1873, watercolor washes and gouache over graphite underdrawing on medium rough textured white wove paper

Winslow Homer Boys in a Dory, 1873 The Met

Shown from the waist up behind a stone ledge, a young woman nestles a nude baby against her chest in this vertical painting.

Giovanni Bellini Madonna and Child in a Landscape, c. 1480/1485 National Gallery of Art

A Washerwoman at Eragny, Camille Pissarro, 1893, oil on canvas

Camille Pissarro A Washerwoman at Eragny, 1893 The Met

Portrait of Don Juan Antonio Cuervo, Francisco de Goya, 1819, oil on canvas

Francisco de Goya Portrait of Don Juan Antonio Cuervo, 1819 Cleveland Museum of Art

Allegory of the Catholic Faith, Johannes Vermeer, ca. 1670–72, oil on canvas

Johannes Vermeer Allegory of the Catholic Faith, ca. 1670–72 The Met

Beggar with Oysters (Philosopher), Édouard Manet, 1865–67, oil on canvas

Édouard Manet Beggar with Oysters (Philosopher), 1865–67 Art Institute of Chicago

This painting is a portrait of a man shown from the chest up, with his body partially turned to the right and his head facing us, the right side of his face in shadow.

Robert Henri George Cotton Smith, 1908 National Gallery of Art

The Raffle (Raffling for the Goose), William Sidney Mount, 1837, oil on mahogany

William Sidney Mount The Raffle (Raffling for the Goose), 1837 The Met

Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856), John Constable, 1818, oil on canvas

John Constable Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856), 1818 The Met

Still Life: Fish, William Merritt Chase, by 1908, oil on canvas

William Merritt Chase Still Life: Fish, by 1908 The Met

The Adoration of the Shepherds, El Greco, ca. 1605–10, oil on canvas

El Greco The Adoration of the Shepherds, ca. 1605–10 The Met

Portrait of a Man (Sir Ralph Sadler?), Hans Holbein the Younger, 1535, oil and gold on oak

Hans Holbein the Younger Portrait of a Man (Sir Ralph Sadler?), 1535 The Met

Shown from the chest up, a young man with a plump, pale-skinned face hooks one elbow over the back of a wooden chair and looks at us in this vertical portrait painting.

Frans Hals Portrait of a Young Man, 1646/1648 National Gallery of Art

The head and shoulders of a young woman with gold-tinted, pale skin looks out over our right shoulder from against a tomato-red background in this vertical painting.

James McNeill Whistler Alice Butt, c. 1895 National Gallery of Art

This painting shows a person bent over, working the land outdoors. The person is in the center of the painting, surrounded by green grass and dark trees. The sky is not visible. In the bottom left corner, there is a section of brown earth.

Georges Seurat Man with a Hoe, c. 1882 National Gallery of Art

A bearded man with a coppery-peach completion, wearing a dark, navy-blue brimmed cap, vest, jacket, and pants sits on a wooden bench or chair against a green background in this vertical portrait.

Paul Cézanne The Gardener Vallier, 1906 National Gallery of Art

Elizabeth, Countess of Effingham, Benjamin West, c. 1797, oil on canvas

Benjamin West Elizabeth, Countess of Effingham, c. 1797 National Gallery of Art

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