Paintings for Chocolate Walls (page 34)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1,585 to 1,632 of 1,861.

Portrait of a Man, probably a Member of the Van Beresteyn Family, Rembrandt van Rijn, 1632, oil on canvas

Rembrandt van Rijn Portrait of a Man, probably a Member of the Van Beresteyn Family, 1632 The Met

A cleanshaven man wearing a black and red diamond-patterned costume and holding a white wooden sword tucked under one arm stands in a room with a blue background in this vertical painting.

Paul Cézanne Harlequin, 1888-1890 National Gallery of Art

The Pink Cloud, Henri-Edmond Cross, c. 1896, oil on canvas

Henri-Edmond Cross The Pink Cloud, c. 1896 Cleveland Museum of Art

Gray Weather, Grande Jatte, Georges Seurat, ca. 1886–88, oil on canvas

Georges Seurat Gray Weather, Grande Jatte, ca. 1886–88 The Met

View of the Domaine Saint-Joseph, Paul Cézanne, late 1880s, oil on canvas

Paul Cézanne View of the Domaine Saint-Joseph, late 1880s The Met

Sunset at Sea, John Singer Sargent, 1905–6 (?) or 1905–?6, watercolor and gouache on white wove paper

John Singer Sargent Sunset at Sea, 1905–6 (?) or 1905–?6 The Met

This painting shows a woman seated on a wooden chair, facing the right with her head slightly tilted down. She is focused on the thin silver needles she holds in her hands.

Edmund Charles Tarbell Josephine Knitting, 1916 National Gallery of Art

The painting depicts a rural landscape from a distance, showing a hill, houses, and trees. At the bottom of the painting is a body of water with two green banks on either side. The water reflects the green surroundings.

Henri-Joseph Harpignies Landscape in Auvergne, 1870 National Gallery of Art

Passing off of the Storm, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Passing off of the Storm, 1872 The Met

Moon, Pine and Maple, Katsushika Hokusai, c. 1764–81, hanging scroll, ink, colors and gold on silk

Katsushika Hokusai Moon, Pine and Maple, c. 1764–81 Art Institute of Chicago

Gustave Boyer (b. 1840) in a Straw Hat, Paul Cézanne, 1870–71, oil on paper, laid down on canvas

Paul Cézanne Gustave Boyer (b. 1840) in a Straw Hat, 1870–71 The Met

From a sandy beach, we look across a sun-drenched body of water enclosed by a long, sand-colored, crenelated wall in this horizontal landscape painting.

Frédéric Bazille The Western Ramparts at Aigues-Mortes, 1867 National Gallery of Art

Roiling, churning waves breaking against a patch of a sandy beach fill most of this wide, horizontal landscape painting. The water deepens from aquamarine blue to teal, slate, and midnight blue amid clouds of ivory-white crests and spray.

Thomas Moran The Much Resounding Sea, 1884 National Gallery of Art

Shown from the lap up, a person with peach-colored skin sits facing us as he looks down and to our left in this vertical, stylized, portrait painting.

Amedeo Modigliani Monsieur Deleu, 1916 National Gallery of Art

Two minuscule people stand in the center of an expansive, rugged landscape dusted with snow in this horizontal painting.

Caspar David Friedrich Northern Landscape, Spring, c. 1825 National Gallery of Art

Christmas-Time, The Blodgett Family, Eastman Johnson, 1864, oil on canvas

Eastman Johnson Christmas-Time, The Blodgett Family, 1864 The Met

We look slightly down onto a baby tucked into an oval-shaped cradle with a woman sitting on the far side looking down at the child in this vertical painting. Both the woman and baby have light skin.

Claude Monet The Cradle - Camille with the Artist's Son Jean, 1867 National Gallery of Art

A row of about a dozen men and women sit, stand, or stroll along a sandy beach beneath a pale blue sky in this horizontal landscape painting. The scene is loosely painted so many of the facial features and other details are indistinct.

Eugène Boudin The Beach, 1877 National Gallery of Art

Vibrantly colored geometric painting of a central white and blue waterfall with birds visible through it. A stylized red jungle cat and black wild boar drink at bottom right.

Franz Marc The Bewitched Mill, 1913 Art Institute of Chicago

This painting shows a woman sitting upright in a yellow-and-tan reclining chair, her body turned to the right, her face turned toward us. Her skin is pale, with shades of pale yellow and light pink, and shadows in a pale green shade.

Henri de Toulouse-Lautrec Lady with a Dog, 1891 National Gallery of Art

A plucked chicken, a few stray feathers remaining, hangs upside-down by one foot, illuminated. Behind it the metal hinges and wood panels of a door are visible.

William Michael Harnett For Sunday's Dinner, 1888 Art Institute of Chicago

Paul Lafond and Alphonse Cherfils Examining a Painting, Edgar Degas, c. 1878–80, oil on wood panel

Edgar Degas Paul Lafond and Alphonse Cherfils Examining a Painting, c. 1878–80 Cleveland Museum of Art

This painting shows a slightly elevated viewpoint looking out across a green landscape towards a reflective body of water. In the green sky, the pale-yellow moon glows brightly, illuminating the scene.

Ralph Albert Blakelock Moonlight, 1886/1895 National Gallery of Art

Madame Auguste Cuoq (Mathilde Desportes, 1827–1910), Gustave Courbet, ca. 1852–57, oil on canvas

Gustave Courbet Madame Auguste Cuoq (Mathilde Desportes, 1827–1910), ca. 1852–57 The Met

A waterway flanked by low banks curves away from us in front of a band of rolling hills in this loosely painted horizontal landscape. The water is created with wide strokes of white, ice blue, or the muted jewel tones of the hills.

Paul Gauguin Brittany Landscape, 1888 National Gallery of Art

Horatio Gates, Gilbert Stuart, ca. 1793–94, oil on canvas

Gilbert Stuart Horatio Gates, ca. 1793–94 The Met

A young woman with pale, peach skin wearing a white apron over an ankle-length navy-blue dress stands in a dining room in this vertical painting. The painting is created using loose brushstrokes throughout.

Berthe Morisot In the Dining Room, 1886 National Gallery of Art

Jean-Auguste-Dominique Ingres Ulysses, 1827 National Gallery of Art

The Pool (Memory of the Forest of Chambord), Théodore Rousseau, 1839, oil on wood

Théodore Rousseau The Pool (Memory of the Forest of Chambord), 1839 The Met

Bashi-Bazouk, Jean-Léon Gérôme, ca. 1868–69, oil on canvas

Jean-Léon Gérôme Bashi-Bazouk, ca. 1868–69 The Met

Eaton's Neck, Long Island, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Eaton's Neck, Long Island, 1872 The Met

Catherine Brooks Hall, William Sidney Mount, ca. 1830, oil on canvas

William Sidney Mount Catherine Brooks Hall, ca. 1830 The Met

Blind Orion Searching for the Rising Sun, Nicolas Poussin, 1658, oil on canvas

Nicolas Poussin Blind Orion Searching for the Rising Sun, 1658 The Met

The Garden of the Tuileries on a Spring Morning, Camille Pissarro, 1899, oil on canvas

Camille Pissarro The Garden of the Tuileries on a Spring Morning, 1899 The Met

We look across a profusion of vivid red, blush-pink, and white flowers lining a stony shoreline in this almost square landscape painting.

Childe Hassam Poppies, Isles of Shoals, 1891 National Gallery of Art

The head and chest of a man with pale pink skin, a honey-blond beard, and curly, mahogany-brown hair around a receding hairline fills this vertical portrait painting.

Peter Paul Rubens Peter Paul Rubens, c. 1620 National Gallery of Art

Large painting, standing man blue turtleneck, sitting woman with white collar.

Amedeo Modigliani Jacques and Berthe Lipchitz, 1916 Art Institute of Chicago

Shown from the chest up, a pale-skinned, clean-shaven man looks off to our left against a moss-green background in this vertical portrait painting.

Albrecht Dürer Portrait of a Clergyman (Johann Dorsch?), 1516 National Gallery of Art

Seventeenth Century Lady, William Merritt Chase, ca. 1895, oil on canvas

William Merritt Chase Seventeenth Century Lady, ca. 1895 The Met

A pale-skinned young girl with blond hair, wearing a blue dress, stands in a garden in this vertical painting. The girl and background are painted with blended strokes, giving the scene and especially the girl a soft look.

Pierre-Auguste Renoir A Girl with a Watering Can, 1876 National Gallery of Art

Henri de Toulouse-Lautrec Hussars, 1878 National Gallery of Art

Shown from the chest up, an older man with pale, peachy skin, wearing a high-collared black coat and a cream-white, ruffled collar, is shown against a deep wine-red background in this vertical portrait painting.

Gilbert Stuart George Washington (Vaughan-Sinclair portrait), 1795 National Gallery of Art

Lady in Gray, James McNeill Whistler, ca. 1883, watercolor and gouache on dark brown wove paper

James McNeill Whistler Lady in Gray, ca. 1883 The Met

Impressionist painting of two girls on balcony, bright flower hat, knitting basket.

Pierre-Auguste Renoir Two Sisters (On the Terrace), 1881 Art Institute of Chicago

Portrait of a Woman, Rembrandt van Rijn, 1633, oil on wood

Rembrandt van Rijn Portrait of a Woman, 1633 The Met

Fruits of the Midi, Pierre-Auguste Renoir, 1881, oil on canvas

Pierre-Auguste Renoir Fruits of the Midi, 1881 Art Institute of Chicago

Madame Jean-Baptiste Nicolet (Anne Antoinette Desmoulins, 1743–1817), Jean-Baptiste Greuze, late 1780s, oil on wood

Jean-Baptiste Greuze Madame Jean-Baptiste Nicolet (Anne Antoinette Desmoulins, 1743–1817), late 1780s The Met

This painting shows an expansive green and yellow grassland under a textured blue and white sky. The horizon line is high, separating the fields and clouds with a thin line of dark trees and small white buildings.

Georges Seurat A Summer Landscape, 1883 National Gallery of Art

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