Paintings for Chocolate Walls (page 8)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 337 to 384 of 1,861.

The Cascade, Jean-Honoré Fragonard, ca. 1775, oil on wood

Jean-Honoré Fragonard The Cascade, ca. 1775 The Met

A young woman with pale, peachy skin, wearing a long, flowing white dress, stands in front of a white curtain in this vertical portrait painting. Her auburn-red hair cascades down over and behind her shoulders.

James McNeill Whistler Symphony in White, No. 1: The White Girl, 1861-1863, 1872 National Gallery of Art

Hulking mountains are mostly backlit against a watery blue sky edged with shell pink along the horizon, which comes about two-thirds of the way up this horizontal landscape painting.

Thomas Cole Sunrise in the Catskills, 1826 National Gallery of Art

Two pale-skinned women are shown from the waist up behind a counter in an interior space in this nearly square painting.

Édouard Vuillard Woman in a Striped Dress, 1895 National Gallery of Art

Fishmarket, Camille Pissarro, 1902, oil on canvas

Camille Pissarro Fishmarket, 1902 Cleveland Museum of Art

Édouard Vuillard Woman Sitting by the Fireside, c. 1894 National Gallery of Art

Leaving the Forest, Fontainebleau: Setting Sun, Théodore Rousseau, 1851, oil on fabric

Théodore Rousseau Leaving the Forest, Fontainebleau: Setting Sun, 1851 Cleveland Museum of Art

Vividly colored painting of Virgin Mary with baby Jesus and baby John the Baptist.

Correggio Virgin and Child with the Young Saint John the Baptist, c. 1515 Art Institute of Chicago

Woman with a Rake, Jean-François Millet, probably 1856–57, oil on canvas

Jean-François Millet Woman with a Rake, probably 1856–57 The Met

Shown from the knees up, a young pale-skinned woman sits looking at us in this vertical portrait painting. Her body is angled to our right, but she turns her face to gaze out with large brown eyes under dark brows.

Henri Fantin-Latour Portrait of Sonia, 1890 National Gallery of Art

We look across churning waves at four sailing ships and a wooden rowboat with four men aboard in this horizontal painting. Dark, iron-gray and tawny-brown clouds approaching from the right fill the top two-thirds of the composition.

Joseph Mallord William Turner The Junction of the Thames and the Medway, 1807 National Gallery of Art

A young man with a peachy, ruddy complexion lies on his stomach in a wooden rowboat on a river, reaching forward to grasp the horn of a stag almost completely submerged in the rippling water with one hand.

Winslow Homer Hound and Hunter, 1892 National Gallery of Art

This painting displays soft, rounded shapes and fragmented lines, creating an abstract portrayal of two people seated at a dark yellow table.

Édouard Vuillard Two Women Drinking Coffee, c. 1893 National Gallery of Art

Sunset, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Sunset, 1872 The Met

Painting of four figures in blue, red, brown dresses playing croquet.

Winslow Homer Croquet Scene, 1866 Art Institute of Chicago

A young woman with pale, peachy skin, wearing a long, silvery blue dress with a rose-pink train looks out at us in this vertical portrait painting.

John Singer Sargent Miss Mathilde Townsend, 1907 National Gallery of Art

Impressionist painting of woman wearing green dress trying on hats.

Edgar Degas The Millinery Shop, 1879-86 Art Institute of Chicago

Self-Portrait with a Straw Hat (obverse: The Potato Peeler), Vincent van Gogh, 1887, oil on canvas

Vincent van Gogh Self-Portrait with a Straw Hat (obverse: The Potato Peeler), 1887 The Met

A Dog Feast - Sioux, George Catlin, 1861/1869, oil on card mounted on paperboard

George Catlin A Dog Feast - Sioux, 1861/1869 National Gallery of Art

Jean-Baptiste-Siméon Chardin The Scullery Maid, c. 1738 National Gallery of Art

Julie Le Brun (1780–1819) Looking in a Mirror, Élisabeth Louise Vigée Le Brun, 1787, oil on canvas

Élisabeth Louise Vigée Le Brun Julie Le Brun (1780–1819) Looking in a Mirror, 1787 The Met

Cliffs at Deir el Bahri, Egypt, John Singer Sargent, 1890–91, oil on canvas

John Singer Sargent Cliffs at Deir el Bahri, Egypt, 1890–91 The Met

Gathering Storm on Long Island Sound, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Gathering Storm on Long Island Sound, 1872 The Met

Market Place, John Singer Sargent, 1890s, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Market Place, 1890s The Met

The Dancing Class, Edgar Degas, ca. 1870, oil on wood

Edgar Degas The Dancing Class, ca. 1870 The Met

The Musicians, Caravaggio, 1597, oil on canvas

Caravaggio The Musicians, 1597 The Met

Shown from the waist up, an older man with pale, peachy skin looks out at us with deep-set, gray eyes under a furrowed brow, in front of a sable-brown background in this vertical portrait painting.

Rembrandt van Rijn Self-Portrait, 1659 National Gallery of Art

This vertical portrait shows the head, shoulders, and chest of a young man with smooth, pale skin and shoulder-length, dark blond hair positioned behind a narrow gray, stone ledge.

Sandro Botticelli Portrait of a Youth, c. 1482/1485 National Gallery of Art

Watercolor of tiny people and horses, framed with gold flowers on navy background.

'Aliquli Jabbadar Royal Horse Inspection, Safavid dynasty (1501–1722), late 17th century Art Institute of Chicago

We look out onto a sweeping, panoramic view with trees, their leaves fiery orange and red, framing a view of a distant body of water under a sun-streaked sky in this long, horizontal landscape painting.

Jasper Francis Cropsey Autumn - On the Hudson River, 1860 National Gallery of Art

Dr. James Stuart; Mary Campbell Stuart, Gilbert Stuart, c. 1815, oil on wood

Gilbert Stuart Dr. James Stuart; Mary Campbell Stuart, c. 1815 Cleveland Museum of Art

Mrs. Charles Gifford Dyer (Mary Anthony), John Singer Sargent, 1880, oil on canvas

John Singer Sargent Mrs. Charles Gifford Dyer (Mary Anthony), 1880 Art Institute of Chicago

Saltash with the Water Ferry, Cornwall, Joseph Mallord William Turner, 1811, oil on canvas

Joseph Mallord William Turner Saltash with the Water Ferry, Cornwall, 1811 The Met

In this painting, a collection of large, ripe peaches sits on a light green plate with a white rim. The peaches are painted in shades of orange, yellow, and red, with some areas of dark red and black.

Pierre-Auguste Renoir Peaches on a Plate, 1902/1905 National Gallery of Art

Sketch for The Copley Family, John Singleton Copley, 1776, oil on canvas

John Singleton Copley Sketch for The Copley Family, 1776 National Gallery of Art

Gold folded tall screen with red flowers, green maize plants.

Unknown artist Maize and Cockscombs, mid 17th century Art Institute of Chicago

Asters and Fruit on a Table, Henri Fantin-Latour, 1868, oil on canvas

Henri Fantin-Latour Asters and Fruit on a Table, 1868 The Met

Portrait of Dora Wheeler, William Merritt Chase, 1882–83, oil on canvas

William Merritt Chase Portrait of Dora Wheeler, 1882–83 Cleveland Museum of Art

This painting shows a woodland scene with dense trees on the right side, their white and brown trunks twisting upwards and their leaves in shades of dark green, yellow ochre, and rusty orange.

Narcisse Virgilio Díaz de la Peña The Edge of the Forest at Les Monts-Girard, Fontainebleau, 1868 National Gallery of Art

Mary Campbell Stuart, Gilbert Stuart, c. 1815, oil on wood

Gilbert Stuart Mary Campbell Stuart, c. 1815 Cleveland Museum of Art

Bullfight in a Divided Ring, Francisco de Goya, ca. 1810, oil on canvas

Francisco de Goya Bullfight in a Divided Ring, ca. 1810 The Met

Virgin and Child in a Niche, Jan van Eyck, ca. 1440–50, oil on wood

Jan van Eyck Virgin and Child in a Niche, ca. 1440–50 The Met

A young girl with light skin, round, rosy cheeks, and blond hair holds an apple and wears a full, ankle-length, silvery white dress with puffy sleeves in this vertical portrait painting.

Anthony van Dyck Maddalena Cattaneo, 1623 National Gallery of Art

Shown from the knees up, a pale-skinned woman wearing a voluminous, gold-trimmed, white satin gown and a black overdress stands holding a closed fan in this vertical portrait painting.

Anthony van Dyck Lady with a Fan, c. 1628 National Gallery of Art

A pale-skinned, clean-shaven man with a heavily lined, paunchy face sits against a green and red wall in this vertical portrait painting. The man sits in a wooden chair painted forest green and rests both hands on the closer arm.

John Singleton Copley Eleazer Tyng, 1772 National Gallery of Art

Neptune and the Winds, Giovanni Battista Tiepolo, 1760s, oil on canvas

Giovanni Battista Tiepolo Neptune and the Winds, 1760s The Met

A barefoot man wearing tattered clothing, with his hands clasped at his chest, kneels at the feet of an old, bearded man in this almost square painting. The pair is flanked by five people on our right and a man, boy, and calf on our left.

Bartolomé Esteban Murillo The Return of the Prodigal Son, 1667/1670 National Gallery of Art

Painting of Greek landscape, classical architecture, yellow, red robed man reading.

Nicolas Poussin Landscape with Saint John on Patmos, 1640 Art Institute of Chicago

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