Paintings for Cream Walls (page 20)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 913 to 960 of 1,235.

View of Benjamin Reber's Farm, Charles C. Hofmann, 1872, oil on canvas

Charles C. Hofmann View of Benjamin Reber's Farm, 1872 National Gallery of Art

A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), Edgar Degas, 1865, oil on canvas

Edgar Degas A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), 1865 The Met

Portrait of Gerard de Lairesse, Rembrandt van Rijn, 1665–67, oil on canvas

Rembrandt van Rijn Portrait of Gerard de Lairesse, 1665–67 The Met

The Pigeon Tower at Bellevue, Paul Cézanne, 1890, oil on fabric

Paul Cézanne The Pigeon Tower at Bellevue, 1890 Cleveland Museum of Art

Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carraux de Rosemond (1765–1788), Adélaïde Labille-Guiard, 1785, oil on canvas

Adélaïde Labille-Guiard Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carraux de Rosemond (1765–1788), 1785 The Met

The image shows a landscape with trees, hills, and mountains under a partly cloudy sky. In the foreground, there is a tipi surrounded by figures dressed in traditional attire interacting with a horse.

George Catlin The Cheyenne Brothers Starting on Their Fall Hunt, 1861/1869 National Gallery of Art

Painting of four women with blue shawls walking near red fence.

Paul Gauguin Arlésiennes (Mistral), 1888 Art Institute of Chicago

Monk Selling Ceremonial Tea Whisks, Katsushika Hokusai, c. 1802, ink and light color on paper

Katsushika Hokusai Monk Selling Ceremonial Tea Whisks, c. 1802 Art Institute of Chicago

A man with pale peach skin and dark hair wears a military uniform and stands in front of a desk in this vertical portrait painting. He nearly fills the composition so seems close to us, and he looks directly at us.

Jacques-Louis David The Emperor Napoleon in His Study at the Tuileries, 1812 National Gallery of Art

Joseph Rodefer DeCamp The Seamstress, 1916 National Gallery of Art

A rustic, arched, stone bridge spanning a shallow river nearly fills this horizontal landscape.

Hubert Robert The Ponte Salario, c. 1775 National Gallery of Art

Valley of the Sédelle at Pont Charraud: White Frost, Armand Guillaumin, c.1903–1911, oil on fabric

Armand Guillaumin Valley of the Sédelle at Pont Charraud: White Frost, c.1903–1911 Cleveland Museum of Art

Shown from the lap up, a pale-skinned woman looks off to the left in front of a vivid green background in this vertical portrait painting.

Lucas Cranach the Elder Portrait of a Woman, 1522 National Gallery of Art

Margaret of Austria, Jean Hey,, ca. 1490, oil on oak panel

Jean Hey, Margaret of Austria, ca. 1490 The Met

This painting depicts a sunlit forest with densely packed trees. Sunlight filters through the leaves, casting a warm glow and illuminating shades of green with hints of yellow and gold.

Henry Ward Ranger Spring Woods, c. 1910 National Gallery of Art

Painting of bearded, ruddy-faced man in eighteenth century style clothing.

Jean-Honoré Fragonard Portrait of a Man in Costume, c. 1767–68 Art Institute of Chicago

A man stands and a woman sits near a herd of seven cows under a light-drenched sky in this horizontal landscape painting. The herd gathers on a grassy rise just beyond some large boulders and twiggy branches.

Aelbert Cuyp Herdsmen Tending Cattle, 1655/1660 National Gallery of Art

Boy with a Lute, Frans Hals, ca. 1625, oil on canvas

Frans Hals Boy with a Lute, ca. 1625 The Met

Santa Maria della Salute, Francesco Guardi, mid- to late 1760s, oil on canvas

Francesco Guardi Santa Maria della Salute, mid- to late 1760s The Met

Portrait of My Daughter Alice, William Merritt Chase, c. 1895, oil on canvas

William Merritt Chase Portrait of My Daughter Alice, c. 1895 Cleveland Museum of Art

The Denial of Saint Peter, Caravaggio, 1610, oil on canvas

Caravaggio The Denial of Saint Peter, 1610 The Met

Summer Day on Conesus Lake, John Frederick Kensett, 1870, oil on canvas

John Frederick Kensett Summer Day on Conesus Lake, 1870 The Met

Bullfight, Édouard Manet, 1865–66, oil on canvas

Édouard Manet Bullfight, 1865–66 Art Institute of Chicago

From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape.

Thomas Gainsborough Seashore with Fishermen, c. 1781/1782 National Gallery of Art

Shown from the hips up, a young man with pale skin and wearing black clothing sits with his body angled to our right as he turns to look at us in this vertical portrait painting. He looks out with green eyes under hooded lids.

Rembrandt van Rijn A Young Man Seated at a Table (possibly Govaert Flinck), c. 1660 National Gallery of Art

Captain George K. H. Coussmaker (1759–1801), Joshua Reynolds, 1782, oil on canvas

Joshua Reynolds Captain George K. H. Coussmaker (1759–1801), 1782 The Met

Matthew Clarkson, Gilbert Stuart, ca. 1794, oil on canvas

Gilbert Stuart Matthew Clarkson, ca. 1794 The Met

Head of a Young Boy, Jean-Baptiste Greuze, 1763, oil on canvas

Jean-Baptiste Greuze Head of a Young Boy, 1763 The Met

Saint Teresa of Avila Interceding for Souls in Purgatory, Peter Paul Rubens, 1619, oil on wood

Peter Paul Rubens Saint Teresa of Avila Interceding for Souls in Purgatory, 1619 The Met

About three dozen men and women sit, stand, or stroll along a sandy beach beneath a sunset-streaked sky in this horizontal landscape painting.

Eugène Boudin The Beach at Villerville, 1864 National Gallery of Art

Margaret Strachan (Mrs. Thomas Harwood), Charles Willson Peale, ca. 1771, oil on canvas

Charles Willson Peale Margaret Strachan (Mrs. Thomas Harwood), ca. 1771 The Met

Gustave Boyer (b. 1840) in a Straw Hat, Paul Cézanne, 1870–71, oil on paper, laid down on canvas

Paul Cézanne Gustave Boyer (b. 1840) in a Straw Hat, 1870–71 The Met

The Gardener, Georges Seurat, 1882–83, oil on wood

Georges Seurat The Gardener, 1882–83 The Met

Head of a Girl, Anthony van Dyck, c. 1618–c. 1620, oil on panel

Anthony van Dyck Head of a Girl, c. 1618–c. 1620 Art Institute of Chicago

Lieven Willemsz van Coppenol (born about 1599, died 1671 or later), Rembrandt van Rijn, 1648, oil on oak

Rembrandt van Rijn Lieven Willemsz van Coppenol (born about 1599, died 1671 or later), 1648 The Met

Alfred Dedreux (1810–1860) as a Child, Théodore Géricault, ca. 1819–20, oil on canvas

Théodore Géricault Alfred Dedreux (1810–1860) as a Child, ca. 1819–20 The Met

The face of a young woman with pale, peachy skin materializes from a deeply shadowed background in this vertical portrait painting. Shown from the waist up, her body is angled to our right, and her face turns to look at us.

Rembrandt van Rijn Saskia van Uylenburgh, the Wife of the Artist, probably begun 1634/1635 and completed 1638/1640 National Gallery of Art

A group of three adults and four children are gathered on and around a couch in an interior space that opens out to a distant hilly landscape in this horizontal portrait painting.

John Singleton Copley The Copley Family, 1776/1777 National Gallery of Art

The image shows a landscape with a settlement surrounded by lush greenery and mountains in the distance. The mountains are partly covered by clouds. The painting technique is smooth and gentle, giving the scene a serene atmosphere.

George Catlin A Crow Village and the Salmon River Mountains, 1855/1869 National Gallery of Art

Three men and a woman sit around a wooden table on the right side of a dimly lit room in this horizontal painting. The scene is painted entirely in warm shades of bronze, golden yellow, and dark brown.

Rembrandt van Rijn Philemon and Baucis, 1658 National Gallery of Art

Pontifical Ceremony in Saints Giovanni e Paolo, Venice, 1782, Francesco Guardi, c. 1783, oil on canvas

Francesco Guardi Pontifical Ceremony in Saints Giovanni e Paolo, Venice, 1782, c. 1783 Cleveland Museum of Art

This painting shows a group of people engaged in various activities within a wide green landscape. In the background are distant white-and-blue mountains and a blue sky with soft gray clouds.

Francesco Guardi Erminia and the Shepherds, 1750/1755 National Gallery of Art

Portrait of white man dressed in all black with medallion and sword.

Jean-Auguste-Dominique Ingres Amédée-David, the Comte de Pastoret, 1823–26 Art Institute of Chicago

Sunrise, Claude Lorrain, possibly 1646–47, oil on canvas

Claude Lorrain Sunrise, possibly 1646–47 The Met

Lady Maitland (Catherine Connor, died 1865), Henry Raeburn, 1800, oil on canvas

Henry Raeburn Lady Maitland (Catherine Connor, died 1865), 1800 The Met

The painting shows a landscape with a large, dark blue mountain in the background. Below the mountain are blocks of color, suggesting fields and structures.

Alexej von Jawlensky Murnau, 1910 National Gallery of Art

Breton Brother and Sister, William-Adolphe Bouguereau, 1871, oil on canvas

William-Adolphe Bouguereau Breton Brother and Sister, 1871 The Met

Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, Joseph Wright of Derby, 1779, oil on canvas

Joseph Wright of Derby Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, 1779 The Met

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