Paintings for Cream Walls (page 26)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1,201 to 1,235 of 1,235.

Four women with pale, peach skin, wearing long white dresses, stand or sit on a sunny beach in this wide, horizontal painting. People and carriages are painted as hazy gray silhouettes spread along the beach in the distance.

Winslow Homer East Hampton Beach, Long Island, 1874 National Gallery of Art

A young woman plays a small pipe organ while a winged angel holds up a piece of sheet music in this horizontal painting. A strong light source illuminates the scene from our right, creating deep shadows in the dark background.

Orazio Gentileschi Saint Cecilia and an Angel, c. 1617/1618 and c. 1621/1627 National Gallery of Art

At the Café, Édouard Vuillard, c. 1897–99, oil on board, laid on cradled panel

Édouard Vuillard At the Café, c. 1897–99 Cleveland Museum of Art

Albert Gallatin, Gilbert Stuart, ca. 1803, oil on canvas

Gilbert Stuart Albert Gallatin, ca. 1803 The Met

Corn Fields, Félix Vallotton, 1900, oil on board

Félix Vallotton Corn Fields, 1900 Cleveland Museum of Art

Shown from the chest up, an older man with pale, peachy skin, wearing a high-collared black coat and a cream-white, ruffled collar, is shown against a deep wine-red background in this vertical portrait painting.

Gilbert Stuart George Washington (Vaughan-Sinclair portrait), 1795 National Gallery of Art

Shown from the knees up, a pale-skinned woman wearing an off-the-shoulder, black gown stands in front of a maroon-red wall in this vertical portrait painting. Her body is angled to our left, but she turns her round face to us.

Jean-Auguste-Dominique Ingres Madame Moitessier, 1851 National Gallery of Art

Worthington Whittredge, Emanuel Leutze, 1856, oil on canvas

Emanuel Leutze Worthington Whittredge, 1856 The Met

Horatio Gates, Gilbert Stuart, ca. 1793–94, oil on canvas

Gilbert Stuart Horatio Gates, ca. 1793–94 The Met

Luman Reed, Asher Brown Durand, 1835, oil on canvas

Asher Brown Durand Luman Reed, 1835 The Met

Mrs. Mary Arthur, Thomas Eakins, 1900, oil on canvas

Thomas Eakins Mrs. Mary Arthur, 1900 The Met

Egyptian Woman, John Singer Sargent, 1890–91, oil on canvas

John Singer Sargent Egyptian Woman, 1890–91 The Met

Newport Rocks, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Newport Rocks, 1872 The Met

A Peasant Girl Knitting, Jules Breton, ca. 1870, oil on canvas

Jules Breton A Peasant Girl Knitting, ca. 1870 The Met

Man with a Magnifying Glass, Rembrandt van Rijn, early 1660s, oil on canvas

Rembrandt van Rijn Man with a Magnifying Glass, early 1660s The Met

Shown from the knees up, a woman stands facing us as she turns her head to look off to our right in this vertical portrait painting. The woman has pale, peachy skin, deeply shadowed, hooded eyes, and a straight nose.

Camille Corot Agostina, 1866 National Gallery of Art

Portrait of a Man (Sir Ralph Sadler?), Hans Holbein the Younger, 1535, oil and gold on oak

Hans Holbein the Younger Portrait of a Man (Sir Ralph Sadler?), 1535 The Met

This painting is a portrait of a man from the waist up. He is positioned slightly to the left, with his head turned toward us. He has light skin, green eyes, a faint moustache, and a neutral expression.

Francisco de Goya The Duke of Wellington, c. 1812 National Gallery of Art

Shown from the chest up, a pale-skinned woman wears a black tricorn hat and a black cloak that covers her shoulders, chest, and much of her face in this vertical portrait painting.

Giovanni Battista Tiepolo Young Lady in a Tricorn Hat, c. 1755/1760 National Gallery of Art

The painting is of an older woman from the waist up, her body slightly turned to the left and her head facing us. She has pale skin with soft lines, rosy cheeks, deep-set eyes, thin eyebrows, and thin red lips in a neutral expression.

Robert Henri Elizabeth Virginia Laning Bradner Smith (Mrs. George Cotton Smith), 1908 National Gallery of Art

Shown from about the waist up, a light-skinned man with sagging jowls and a double chin wears a fur garment and hat, a large teardrop pearl earring, and gold chains in this vertical painting.

Rembrandt van Rijn A Polish Nobleman, 1637 National Gallery of Art

Joseph Sherburne, John Singleton Copley, ca. 1767–70, oil on canvas

John Singleton Copley Joseph Sherburne, ca. 1767–70 The Met

Shown from the waist up, a woman with light, peachy-yellow skin sits with her body facing us as she looks over her shoulder to our right in this loosely painted, vertical portrait.

Henri de Toulouse-Lautrec Carmen Gaudin, 1885 National Gallery of Art

Portrait of a Man, Jacopo Tintoretto, 1550s, oil on canvas

Jacopo Tintoretto Portrait of a Man, 1550s The Met

A young man and child, both with pale skin, are framed within the rectangular opening of a stone window in this vertical painting. At the center, the young man leans toward us over his forearms, which rest on the wide ledge.

Jean-Baptiste-Siméon Chardin Soap Bubbles, probably 1733/1734 National Gallery of Art

Thomas Wilmer Dewing Lady with a Lute, 1886 National Gallery of Art

Cottage Children (The Wood Gatherers), Thomas Gainsborough, 1787, oil on canvas

Thomas Gainsborough Cottage Children (The Wood Gatherers), 1787 The Met

A light-skinned man with thick black hair and a squared off black beard, dressed in a black jacket over a gray vest and gray trousers, sits facing us in this vertical portrait painting.

Paul Cézanne Antony Valabrègue, 1866 National Gallery of Art

Sunset, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Sunset, 1872 The Met

Anthony van Dyck The Prefect Raffaele Raggi, c. 1625 National Gallery of Art

Portrait of a Child, Camille Corot, ca. 1835, oil on wood

Camille Corot Portrait of a Child, ca. 1835 The Met

Shown from the knees up, a young man with pale, peachy skin, wearing a black uniform and cap, leans against the back of a chair in this vertical portrait painting. He looks at us with pale blue eyes under sloping brows.

Edgar Degas Achille De Gas in the Uniform of a Cadet, 1856/1857 National Gallery of Art

Portrait of man wearing voluminous black cloak, feathered hat, and gold medallion.

Rembrandt van Rijn Old Man with a Gold Chain, 1631 Art Institute of Chicago

The Chess Players, Thomas Eakins, 1876, oil on wood

Thomas Eakins The Chess Players, 1876 The Met

Shown from the waist up, a bearded man with a tanned, peachy complexion wears a turban and voluminous robes and looks out at us in this vertical portrait painting.

Rembrandt van Rijn Man in Oriental Costume, c. 1635 National Gallery of Art

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