Paintings for Cream Walls (page 25)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1,153 to 1,200 of 1,235.

The Love Song, Edward Burne-Jones, 1868–77, oil on canvas

Edward Burne-Jones The Love Song, 1868–77 The Met

The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, Page from a Manuscript of the Akbarnama, Basawan, Mughal dynasty (1526-1857), c. 1590-1595, opaque watercolor and gold on paper

Basawan The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, Page from a Manuscript of the Akbarnama, Mughal dynasty (1526-1857), c. 1590-1595 Art Institute of Chicago

Facing away from us against a cherry-red background, the head and shoulders of a light-skinned woman wearing strawberry red, with her copper-brown hair piled atop her head, fills this vertical painting.

Carolus-Duran Study of Lilia, 1887 National Gallery of Art

Harvest Time, George Inness, 1864, oil on canvas

George Inness Harvest Time, 1864 Cleveland Museum of Art

The image is a portrait showing the upper body of a woman seated next to a wooden table. She is positioned facing slightly to the right, with her arm resting on the table and holding a small pink rose in her left hand.

Charles Peale Polk Hannah Lemmon Corcoran (Mrs. Thomas Corcoran), c. 1802/1810 National Gallery of Art

Elie Williams, Charles Willson Peale, 1789, oil on canvas

Charles Willson Peale Elie Williams, 1789 The Met

Seated Peasant, Paul Cézanne, ca. 1892–96, oil on canvas

Paul Cézanne Seated Peasant, ca. 1892–96 The Met

Café Singer, Edgar Degas, 1879, oil on canvas

Edgar Degas Café Singer, 1879 Art Institute of Chicago

Christ Asleep during the Tempest, Eugène Delacroix, ca. 1853, oil on canvas

Eugène Delacroix Christ Asleep during the Tempest, ca. 1853 The Met

The Monastery of San Pedro (Our Lady of the Snows), Frederic Edwin Church, 1879, oil on canvas

Frederic Edwin Church The Monastery of San Pedro (Our Lady of the Snows), 1879 Cleveland Museum of Art

This is a painting of various people gathered in a pastoral setting. The scene features a group of nude and partially-clothed people of different ages, including an elderly man who is seated on the left, gesturing to the others around him.

Pierre Puvis de Chavannes Rest, c. 1863 National Gallery of Art

Madame Grand (Noël Catherine Vorlée, 1761–1835), Élisabeth Louise Vigée Le Brun, 1783, oil on canvas

Élisabeth Louise Vigée Le Brun Madame Grand (Noël Catherine Vorlée, 1761–1835), 1783 The Met

Dozens of men, women, and a few children gather in groups amid a grassy landscape with a mountain in the distance in this horizontal painting. All of the people have pale or ruddy skin and wear flowing cloaks over long tunics or gowns.

Jacopo Tintoretto The Worship of the Golden Calf, c. 1594 National Gallery of Art

Shown from about the waist up, a man with pale, peachy skin, wearing a marine-blue greatcoat over several layers of clothing, looks out at us in this vertical portrait painting.

Jean-Auguste-Dominique Ingres Marcotte d'Argenteuil, 1810 National Gallery of Art

Watercolor of man with golden halo on horse, green background.

Ghasi Maharana Bhim Singh in Procession, c. 1820 Art Institute of Chicago

A woman with pale skin, wearing a sheer, lace shawl over a high-necked, ink-black dress sits in an upholstered chair in front of a dark, cranberry-red curtain in this vertical portrait painting.

John Singer Sargent Ellen Peabody Endicott (Mrs. William Crowninshield Endicott), 1901 National Gallery of Art

Still Life with a Ginger Jar and Eggplants, Paul Cézanne, 1893–94, oil on canvas

Paul Cézanne Still Life with a Ginger Jar and Eggplants, 1893–94 The Met

Madame Henri François Riesener (Félicité Longrois, 1786–1847), Eugène Delacroix, 1835, oil on canvas

Eugène Delacroix Madame Henri François Riesener (Félicité Longrois, 1786–1847), 1835 The Met

Shown from the shins up, a pale-skinned, balding, bearded man wearing a voluminous rust-red robe lined with black-speckled white fur looks out at us in this vertical portrait painting.

Jacopo Tintoretto A Procurator of Saint Mark's, c. 1575/1585 National Gallery of Art

Twilight in the Wilderness, Frederic Edwin Church, 1860, oil on canvas

Frederic Edwin Church Twilight in the Wilderness, 1860 Cleveland Museum of Art

A balding, older man sits in a golden boat guided by a winged angel away from craggy rocks to calm waters, toward a shaft of light piercing a billowing bank of clouds in this horizontal landscape painting.

Thomas Cole The Voyage of Life: Old Age, 1842 National Gallery of Art

This painting shows a harbor with sailing ships displaying countless colorful flags. The ships stretch across the painting horizontally, floating on clear, reflective water.

Eugène Boudin Yacht Basin at Trouville-Deauville, probably 1895/1896 National Gallery of Art

Gideon Tucker, William Sidney Mount, 1830, oil on canvas

William Sidney Mount Gideon Tucker, 1830 The Met

A woman with a pale, peachy skin stands wearing a voluminous rose-pink, silk dress and holding a wreath of pink and white roses and greenery in this vertical portrait painting.

Anthony van Dyck Catherine Howard, Lady d'Aubigny, c. 1638 National Gallery of Art

Clouds hunker over a water-logged street that separates us from the end of a row of buildings in this horizontal painting. The scene is loosely painted, especially in the sky and water.

Alfred Sisley Flood at Port-Marly, 1872 National Gallery of Art

The Writing Master, Thomas Eakins, 1882, oil on canvas

Thomas Eakins The Writing Master, 1882 The Met

Virgin and Child, Bartolomé Esteban Murillo, 1670s, oil on canvas

Bartolomé Esteban Murillo Virgin and Child, 1670s The Met

The Repast of the Lion, Henri Rousseau, ca. 1907, oil on canvas

Henri Rousseau The Repast of the Lion, ca. 1907 The Met

Asters and Fruit on a Table, Henri Fantin-Latour, 1868, oil on canvas

Henri Fantin-Latour Asters and Fruit on a Table, 1868 The Met

A child and man stand facing away from us in this vertical painting. The scene is painted with visible dabs, stipples, and strokes of paint, and many details, especially in the distance, are indistinct.

Édouard Vuillard Child Wearing a Red Scarf, c. 1891 National Gallery of Art

Herself, Robert Henri, 1913, oil on canvas

Robert Henri Herself, 1913 Art Institute of Chicago

Portrait of a Young Woman, Hans Holbein the Younger, ca. 1540–45, oil and gold on oak

Hans Holbein the Younger Portrait of a Young Woman, ca. 1540–45 The Met

Figure in Turkish Costume, Eugène Delacroix, c. 1856–1863, oil on paper, glued to canvas

Eugène Delacroix Figure in Turkish Costume, c. 1856–1863 Cleveland Museum of Art

We look across a dark, aquamarine-blue body of water at a bulky, stony outcropping to our right in this horizontal landscape painting.

John Frederick Kensett Beacon Rock, Newport Harbor, 1857 National Gallery of Art

In shades of mint, laurel, and eucalyptus green, the head and shoulders of a chubby baby fill this vertical portrait painting.

Vincent van Gogh Roulin's Baby, 1888 National Gallery of Art

Shown from the thighs up, an older, balding man with a long white beard stands wearing a full suit of armor draped in a burgundy-red cloak in this vertical portrait painting.

Titian Vincenzo Cappello, c. 1550/1560 National Gallery of Art

A young boy with pale skin, wearing a black suit with densely pattered gold trim and decoration, stands holding an open book in front of a brown background in this vertical portrait painting.

Francisco de Goya Victor Guye, 1810 National Gallery of Art

Edward VI (1537–1553), When Duke of Cornwall, Hans Holbein the Younger, ca. 1545; reworked 1547 or later, oil and gold on oak

Hans Holbein the Younger Edward VI (1537–1553), When Duke of Cornwall, ca. 1545; reworked 1547 or later The Met

A plucked chicken, a few stray feathers remaining, hangs upside-down by one foot, illuminated. Behind it the metal hinges and wood panels of a door are visible.

William Michael Harnett For Sunday's Dinner, 1888 Art Institute of Chicago

Shown from the waist up, a clean-shaven man with pale, peachy skin is dressed in black and burgundy red in this vertical portrait painting.

Lucas Cranach the Elder Portrait of a Man, 1522 National Gallery of Art

Open Doorway, Morocco, John Singer Sargent, 1879–80, oil on wood

John Singer Sargent Open Doorway, Morocco, 1879–80 The Met

Sellar Alp, Dolomites, John Singer Sargent, ca. 1913–14, watercolor and gouache on white wove paper

John Singer Sargent Sellar Alp, Dolomites, ca. 1913–14 The Met

Shown from the knees up, a pale-skinned, clean-shaven man stands looking off to our right in this vertical portrait painting.

Jean-François Millet Leconte de Lisle, c. 1840/1841 National Gallery of Art

A young man with smooth, pale peachy skin and long blond hair looks over his right shoulder at us in this vertical portrait painting. He has light green eyes, a straight nose, full pink lips, and a narrow chin.

Raphael Bindo Altoviti, c. 1515 National Gallery of Art

A square white tile, rotated 90 degrees, crossed by black lines intersecting at 90-degree angles. A few of the shapes thus formed—some partial squares, some rectangles—are colored in a single shade of yellow, blue, black, or red.

Piet Mondrian Lozenge Composition with Yellow, Black, Blue, Red, and Gray, 1921 Art Institute of Chicago

Henry Rice, Gilbert Stuart, ca. 1815, oil on wood

Gilbert Stuart Henry Rice, ca. 1815 The Met

A Monumental Portrait of a Monkey, India, c. 1705–1710, opaque watercolor and gold on paper

India A Monumental Portrait of a Monkey, c. 1705–1710 Art Institute of Chicago

Bouquet in a Chinese Vase, Odilon Redon, ca. 1912–14, oil on canvas

Odilon Redon Bouquet in a Chinese Vase, ca. 1912–14 The Met

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