Paintings for Dusty Blue Walls (page 6)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 241 to 288 of 1,938.

Matthew Clarkson, Gilbert Stuart, ca. 1794, oil on canvas

Gilbert Stuart Matthew Clarkson, ca. 1794 The Met

Large painting of ancient arch ruins, statues, humans are small in comparison.

Hubert Robert The Fountains, 1787–88 Art Institute of Chicago

The Falls of Niagara, Edward Hicks, ca. 1825, oil on canvas

Edward Hicks The Falls of Niagara, ca. 1825 The Met

Sunset near Arbonne, Théodore Rousseau, ca. 1860–65, oil on wood

Théodore Rousseau Sunset near Arbonne, ca. 1860–65 The Met

This painting depicts a vast landscape with a horizon line in the lower third of the painting. A range of dark brown and purple mountains or hills stretches across the width of the image.

Thomas Cole Study for "Catskill Creek", c. 1844/1845 National Gallery of Art

We look onto the side of a rowboat crowded with nine men trying to save a pale, nude young man who flails in the water in front of us as a shark approaches, mouth agape, from our right in this horizontal painting.

John Singleton Copley Watson and the Shark, 1778 National Gallery of Art

A man stands on a rocky, tan-colored outcropping and gestures to two men in a rowboat, all against a gold background in this square painting. The men’s pale skin is tinged with gray but they have rosy cheeks, and all three have beards.

Duccio di Buoninsegna The Calling of the Apostles Peter and Andrew, 1308-1311 National Gallery of Art

Corn Husking at Nantucket, Eastman Johnson, ca. 1875, oil on canvas

Eastman Johnson Corn Husking at Nantucket, ca. 1875 The Met

Delaware Water Gap, George Inness, 1861, oil on canvas

George Inness Delaware Water Gap, 1861 The Met

Friar Pedro Clubs El Maragato with the Butt of the Gun, Francisco de Goya, c. 1806, oil on panel

Francisco de Goya Friar Pedro Clubs El Maragato with the Butt of the Gun, c. 1806 Art Institute of Chicago

View of Schroon Mountain, Essex County, New York, After a Storm, Thomas Cole, 1838, oil on canvas

Thomas Cole View of Schroon Mountain, Essex County, New York, After a Storm, 1838 Cleveland Museum of Art

A Dog Feast - Sioux, George Catlin, 1861/1869, oil on card mounted on paperboard

George Catlin A Dog Feast - Sioux, 1861/1869 National Gallery of Art

Sunset on the Sea, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Sunset on the Sea, 1872 The Met

The Cascade, Jean-Honoré Fragonard, ca. 1775, oil on wood

Jean-Honoré Fragonard The Cascade, ca. 1775 The Met

A middle-aged, light-skinned man stands facing and looking at us, leaning on one arm propped on a tall rock in a landscape in this vertical portrait painting. The man looks out with dark blue eyes under curved black brows.

Charles Willson Peale John Beale Bordley, 1770 National Gallery of Art

Madame Théodore Gobillard (Yves Morisot, 1838–1893), Edgar Degas, 1869, oil on canvas

Edgar Degas Madame Théodore Gobillard (Yves Morisot, 1838–1893), 1869 The Met

We look across churning waves at four sailing ships and a wooden rowboat with four men aboard in this horizontal painting. Dark, iron-gray and tawny-brown clouds approaching from the right fill the top two-thirds of the composition.

Joseph Mallord William Turner The Junction of the Thames and the Medway, 1807 National Gallery of Art

An elegantly dressed young woman, a little boy, girl, and a dog are gathered on a veranda in front of a sun-dappled landscape in this vertical portrait painting. All three people have pale skin with rosy cheeks.

Joshua Reynolds Lady Elizabeth Delmé and Her Children, 1777-1779 National Gallery of Art

A young man with a peachy, ruddy complexion lies on his stomach in a wooden rowboat on a river, reaching forward to grasp the horn of a stag almost completely submerged in the rippling water with one hand.

Winslow Homer Hound and Hunter, 1892 National Gallery of Art

Weary Wayfarers, Jean-Charles Cazin, 1888, oil on canvas

Jean-Charles Cazin Weary Wayfarers, 1888 National Gallery of Art

Long Island Farmhouses, William Sidney Mount, 1862–63, oil on canvas

William Sidney Mount Long Island Farmhouses, 1862–63 The Met

Queen Charlotte, Thomas Gainsborough, 1768, oil on canvas

Thomas Gainsborough Queen Charlotte, 1768 The Met

Autumn, a Wood Path, Sanford Robinson Gifford, 1876, oil on canvas

Sanford Robinson Gifford Autumn, a Wood Path, 1876 Cleveland Museum of Art

This painting depicts a coastal scene with a perspective from the water. There are dark, billowing gray clouds above the horizon, and the sky is pale orange.

Thomas Chambers Threatening Sky, Bay of New York, mid 19th century National Gallery of Art

Peace and Plenty, George Inness, 1865, oil on canvas

George Inness Peace and Plenty, 1865 The Met

Virgin and Child in a Niche, Jan van Eyck, ca. 1440–50, oil on wood

Jan van Eyck Virgin and Child in a Niche, ca. 1440–50 The Met

The image shows a still life of round fruits, such as grapes and peaches, placed on a white plate. The color scheme consists of warm browns, muted greens, and deep reds. The fruits have a natural sheen.

Henri Fantin-Latour Still Life with Peaches and Grapes, 1896 National Gallery of Art

The painting depicts a landscape scene with a body of water, trees, reflections, and a house in the distance. The composition shows a low horizon line with trees arching across the scene and soft reflections on the water's surface.

Charles-François Daubigny Sunset on the River, 1874 National Gallery of Art

Portrait of a Carthusian, Petrus Christus, 1446, oil on oak

Petrus Christus Portrait of a Carthusian, 1446 The Met

The Two Disciples at the Tomb, Henry Ossawa Tanner, c. 1906, oil on canvas

Henry Ossawa Tanner The Two Disciples at the Tomb, c. 1906 Art Institute of Chicago

Shown from about the waist up, a woman with pale, peachy skin and dark hair holds a blond, light-skinned child on her lap at a table as they play with several small toys in this horizontal painting.

Pierre-Auguste Renoir Child with Toys - Gabrielle and the Artist's Son, Jean, 1895-1896 National Gallery of Art

Lieutenant General Duncan Campbell, Henry Raeburn, c. 1810, oil on canvas

Henry Raeburn Lieutenant General Duncan Campbell, c. 1810 Cleveland Museum of Art

Dominated by tones of red and fire orange, this nearly square painting shows a seated woman leaning forward in a high-backed chair, holding a round, flat, leaf-shaped fan.

Edgar Degas Madame Camus, 1869/1870 National Gallery of Art

We look through a tropical forest lining a hazy, wide, placid river in this horizontal landscape painting. Densely packed trees, bushes, and plants create shadowed, thickly forested banks along both sides of the river.

Frederic Edwin Church El Rio de Luz (The River of Light), 1877 National Gallery of Art

Gnarled, ash-brown roots woven through a muddy, rocky bank and sprays of dark green leaves fill this loosely painted, horizontal landscape. Touches of spring green in the lower right corner suggest ground cover.

John Singer Sargent Wild Olive Tree Roots, Valldemosa, Majorca, 1908 National Gallery of Art

Large painting of young woman in white dress sitting next to crib.

Jacques-Louis David Madame de Pastoret and Her Son, 1791–92 Art Institute of Chicago

Still Life—Violin and Music, William Michael Harnett, 1888, oil on canvas

William Michael Harnett Still Life—Violin and Music, 1888 The Met

Dark portrait of older woman in black dress with lace collar, flowers.

Gustave Courbet Mère Grégoire, 1855, reworked 1857–59 Art Institute of Chicago

This painting shows a man from the chest up, positioned facing the right, gazing into the distance. The male has pale skin, a long nose, and deep-set eyes. He has dark, wavy hair, a pointed beard, and a mustache that hides his mouth.

Thomas Eakins Louis Husson, 1899 National Gallery of Art

This painting shows two large pears on a white tablecloth. The pear on the left is a pinkish color and sits directly on the cloth. The pear on the right is yellow, and it rests on a white plate next to a small knife.

Sanford Robinson Gifford Two Pears on a Tabletop, c. 1866 National Gallery of Art

Wyoming Valley, Pennsylvania, Jasper Francis Cropsey, 1864, oil on canvas

Jasper Francis Cropsey Wyoming Valley, Pennsylvania, 1864 The Met

Summer Flowers, Henri Fantin-Latour, 1880, oil on canvas

Henri Fantin-Latour Summer Flowers, 1880 The Met

Still Life with Pansies, Henri Fantin-Latour, 1874, oil on canvas

Henri Fantin-Latour Still Life with Pansies, 1874 The Met

The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families, Giovanni di ser Giovanni Guidi, ca. 1449, tempera, silver, and gold on wood

Giovanni di ser Giovanni Guidi The Triumph of Fame; (reverse) Impresa of the Medici Family and Arms of the Medici and Tornabuoni Families, ca. 1449 The Met

The painting depicts a tranquil lake scene with a low horizon line showing a pale green hill in the background under a pale, cloudy sky. Closer to us, on the right, there is a large, textured rock surrounded by greenery and red flowers.

John Frederick Kensett Landing at Sabbath Day Point, c. 1853 National Gallery of Art

Three Miracles of Saint Zenobius, Sandro Botticelli, ca. 1500, tempera on wood

Sandro Botticelli Three Miracles of Saint Zenobius, ca. 1500 The Met

A sinewy older man, his pale skin mostly exposed, sits on a stone low to the ground facing a table on our right in the center of this vertical painting. His gray hair is cropped short, and he has a graying, long beard.

Paolo Veronese Saint Jerome in the Wilderness, c. 1575/1585 National Gallery of Art

This painting shows the upper body of a woman seated in a chair. She is wearing a white bonnet with ruffled edges, covering her wavy, light brown hair. Her facial features include fair skin, thin lips, a long nose, and a pointed chin.

Gilbert Stuart Sarah Homes Tappan (Mrs. Benjamin Tappan), 1814 National Gallery of Art

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