Paintings for Dusty Blue Walls (page 9)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 385 to 432 of 1,938.

Portrait of a Woman in Gray, Edgar Degas, ca. 1865, oil on canvas

Edgar Degas Portrait of a Woman in Gray, ca. 1865 The Met

The Companions of Rinaldo, Nicolas Poussin, ca. 1633, oil on canvas

Nicolas Poussin The Companions of Rinaldo, ca. 1633 The Met

Gold folded tall screen with red flowers, green maize plants.

Unknown artist Maize and Cockscombs, mid 17th century Art Institute of Chicago

This painting displays soft, rounded shapes and fragmented lines, creating an abstract portrayal of two people seated at a dark yellow table.

Édouard Vuillard Two Women Drinking Coffee, c. 1893 National Gallery of Art

Trees on a Rocky Hillside, Asher Brown Durand, c. 1849, oil on canvas

Asher Brown Durand Trees on a Rocky Hillside, c. 1849 Cleveland Museum of Art

Allegory of Autumn, François Boucher, 1753, oil on canvas

François Boucher Allegory of Autumn, 1753 The Met

The painting depicts a forest floor under tall trees, with a grassy path leading into the distance. The sky is obscured by dense green foliage and tree limbs.

Narcisse Virgilio Díaz de la Peña Forest Scene, 1874 National Gallery of Art

A seated woman with an infant on her lap and three children are clustered on a terrace overlooking green hills and a body of water in this square painting. They all have pale skin with flushed cheeks.

Peter Paul Rubens Deborah Kip, Wife of Sir Balthasar Gerbier, and Her Children, 1629/1630, reworked probably mid 1640s National Gallery of Art

Madonna and Child, Duccio di Buoninsegna, ca. 1290–1300, tempera and gold on wood

Duccio di Buoninsegna Madonna and Child, ca. 1290–1300 The Met

We look across the tops of trees down onto the roofs of a cluster of buildings and then a grassy expanse, a body of water, and rolling hills in this notably wide landscape painting. The trees are painted with shades of pine and olive green.

Théodore Rousseau Panoramic Landscape near the River Moselle, c. 1830 National Gallery of Art

The Third-Class Carriage, Honoré Daumier, 1864, oil on canvas

Honoré Daumier The Third-Class Carriage, 1864 The Met

Shown from the knees up, a young woman with pale skin and flushed cheeks looks at us, wearing a long, shimmering white dress partially draped with powder-blue fabric in this vertical portrait painting.

John Singer Sargent Mary Crowninshield Endicott Chamberlain (Mrs. Joseph Chamberlain), 1902 National Gallery of Art

Alice Gerson in Prospect Park, William Merritt Chase, 1886, oil on panel

William Merritt Chase Alice Gerson in Prospect Park, 1886 The Met

Apple Blossoms, Martin Johnson Heade, 1873, oil on canvas

Martin Johnson Heade Apple Blossoms, 1873 Cleveland Museum of Art

A woman holding a baby stands near a young boy who perches in the tipped-up end of a rowboat that has been pulled onto a sandy beach in this horizontal painting. All the people have light skin.

Winslow Homer Dad's Coming!, 1873 National Gallery of Art

Sketch for The Copley Family, John Singleton Copley, 1776, oil on canvas

John Singleton Copley Sketch for The Copley Family, 1776 National Gallery of Art

Saint Ursula and Her Maidens, Fra Angelico, ca. 1410, tempera and gold on wood

Fra Angelico Saint Ursula and Her Maidens, ca. 1410 The Met

About three dozen people gather in a grassy field to either side of a crumbling structure to kneel and pray before a woman and baby in the center of this horizontal painting.

Sandro Botticelli The Adoration of the Magi, c. 1478/1482 National Gallery of Art

Woman with a Water Pitcher, and a Man by a Bed, Pieter de Hooch, ca. 1667–70, oil on canvas

Pieter de Hooch Woman with a Water Pitcher, and a Man by a Bed, ca. 1667–70 The Met

Market Place, John Singer Sargent, 1890s, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Market Place, 1890s The Met

Joseph Gerrish, John Singleton Copley, 1770, oil on canvas

John Singleton Copley Joseph Gerrish, 1770 Art Institute of Chicago

Sunset, John Singer Sargent, 1905–6, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Sunset, 1905–6 The Met

Petrus Scriverius (1576–1660), Frans Hals, 1626, oil on wood

Frans Hals Petrus Scriverius (1576–1660), 1626 The Met

Dr. James Stuart; Mary Campbell Stuart, Gilbert Stuart, c. 1815, oil on wood

Gilbert Stuart Dr. James Stuart; Mary Campbell Stuart, c. 1815 Cleveland Museum of Art

The image displays a landscape with rolling plains and sloping hills in the background. A rider on a galloping horse is depicted aiming a firearm at birds in flight. The painting features detailed brushwork capturing movement.

George Catlin Ostrich Chase, Buenos Aires - Auca, 1854/1869 National Gallery of Art

Madame Edmond Cavé (Marie-Elisabeth Blavot, ca. 1806–1883), Jean-Auguste-Dominique Ingres, ca. 1831–34, oil on canvas

Jean-Auguste-Dominique Ingres Madame Edmond Cavé (Marie-Elisabeth Blavot, ca. 1806–1883), ca. 1831–34 The Met

Orchard, Édouard Vuillard, 1897, oil on board

Édouard Vuillard Orchard, 1897 Cleveland Museum of Art

Young Woman in White Holding a Bouquet, Alfred Stevens, c. 1865/1875, oil on wood

Alfred Stevens Young Woman in White Holding a Bouquet, c. 1865/1875 National Gallery of Art

Queen Henrietta Maria, Anthony van Dyck, 1636, oil on canvas

Anthony van Dyck Queen Henrietta Maria, 1636 The Met

This painting features a woman from the waist up, her body angled slightly to the right, looking out at us. She has pale skin with rosy cheeks, blue eyes, arched gray eyebrows, and pink lips that are slightly upturned.

Gilbert Stuart Henrietta Marchant Liston (Mrs. Robert Liston), 1800 National Gallery of Art

A butter-yellow sky fills the top two-thirds of this square landscape painting while in the bottom third, a brown structure is surrounded by golden yellow and pine-green forms like clouds.

Joseph Mallord William Turner The Evening of the Deluge, c. 1843 National Gallery of Art

October in the Marshes, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett October in the Marshes, 1872 The Met

A Young Girl with Daisies, Pierre-Auguste Renoir, 1889, oil on canvas

Pierre-Auguste Renoir A Young Girl with Daisies, 1889 The Met

The Holy Family with Saint John the Baptist, Nicolas Poussin, ca. 1627, oil on canvas

Nicolas Poussin The Holy Family with Saint John the Baptist, ca. 1627 The Met

A child and man stand facing away from us in this vertical painting. The scene is painted with visible dabs, stipples, and strokes of paint, and many details, especially in the distance, are indistinct.

Édouard Vuillard Child Wearing a Red Scarf, c. 1891 National Gallery of Art

Coronation of the Virgin, Giovanni di Paolo, ca. 1455, tempera on wood, gold ground

Giovanni di Paolo Coronation of the Virgin, ca. 1455 The Met

The Adoration of the Magi, Giotto di Bondone, possibly ca. 1320, tempera on wood, gold ground

Giotto di Bondone The Adoration of the Magi, possibly ca. 1320 The Met

A River in a Meadow, Théodore Rousseau, ca. 1840, oil on wood

Théodore Rousseau A River in a Meadow, ca. 1840 The Met

This painting shows a man seated in a wooden chair, facing slightly to the right with his hands resting on his lap. He has pale, wrinkled skin, a large nose, prominent cheekbones, a thin, closed mouth, and short dark hair.

Thomas Eakins Archbishop Diomede Falconio, 1905 National Gallery of Art

Shown from the knees up, a young pale-skinned woman sits looking at us in this vertical portrait painting. Her body is angled to our right, but she turns her face to gaze out with large brown eyes under dark brows.

Henri Fantin-Latour Portrait of Sonia, 1890 National Gallery of Art

Marie-Yolande de Fitz-James, Henri Fantin-Latour, 1867, oil on fabric

Henri Fantin-Latour Marie-Yolande de Fitz-James, 1867 Cleveland Museum of Art

Painted with wide strokes in almost geometric areas of mottled color, a woman wearing a long black dress stands at the side of a table in this stylized, vertical composition.

Édouard Vuillard Woman in Black, c. 1891 National Gallery of Art

Asters and Fruit on a Table, Henri Fantin-Latour, 1868, oil on canvas

Henri Fantin-Latour Asters and Fruit on a Table, 1868 The Met

We look out onto a sweeping, panoramic view with trees, their leaves fiery orange and red, framing a view of a distant body of water under a sun-streaked sky in this long, horizontal landscape painting.

Jasper Francis Cropsey Autumn - On the Hudson River, 1860 National Gallery of Art

The Virgin of Guadalupe with the Four Apparitions, Nicolás Enríquez, 1773, oil on copper

Nicolás Enríquez The Virgin of Guadalupe with the Four Apparitions, 1773 The Met

The Keeper of the Flock, Jean-François Millet, 1871–74, oil on canvas

Jean-François Millet The Keeper of the Flock, 1871–74 Art Institute of Chicago

A few pale brown buildings with terracotta red roofs are nestled among hills at the base of a towering, icy-blue mountain in this horizontal landscape painting.

Paul Cézanne Montagne Sainte-Victoire, from near Gardanne, c. 1887 National Gallery of Art

We look across an expanse of a flat, grassy lawn at the towering spire of a stone church outlined against billowing clouds in this horizontal landscape painting.

John Constable Salisbury Cathedral from Lower Marsh Close, 1820 National Gallery of Art

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