Paintings for Dusty Rose Walls (page 5)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 193 to 240 of 377.

This painting shows three large peaches on a round white plate. The peaches are in shades of red, pink, and light yellow, and they cast dark shadows on the plate. The plate rests on a brown surface which fills the background of the image.

Henri Fantin-Latour Three Peaches on a Plate, 1868 National Gallery of Art

Herself, Robert Henri, 1913, oil on canvas

Robert Henri Herself, 1913 Art Institute of Chicago

Painting of woman, arms crossed on brown desk, staring at goldfish.

Henri Matisse Woman before an Aquarium, 1921–23 Art Institute of Chicago

Lukas Spielhausen, Lucas Cranach the Elder, 1532, oil and gold on beech

Lucas Cranach the Elder Lukas Spielhausen, 1532 The Met

A Calling, William-Adolphe Bouguereau, 1896, oil on fabric

William-Adolphe Bouguereau A Calling, 1896 Cleveland Museum of Art

October in the Marshes, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett October in the Marshes, 1872 The Met

Study for the Ceiling of the Marquand Music Room, Frederic Leighton, ca. 1886, oil and gold on canvas

Frederic Leighton Study for the Ceiling of the Marquand Music Room, ca. 1886 The Met

Painting of the Annunciation, dove flying above Mary with angel.

Jean Hey, The Annunciation, 1490–95 Art Institute of Chicago

This painting shows a woman standing outdoors, facing the left. She has pale skin, and her face is in shadow, obscured by a wide-brimmed flat white hat with a red stripe around the edge, tied with a black bow behind her head.

Eastman Johnson Lambs, Nantucket, 1874 National Gallery of Art

Farm near Duivendrecht, Piet Mondrian, c. 1916, oil on canvas

Piet Mondrian Farm near Duivendrecht, c. 1916 Art Institute of Chicago

A nearly nude, muscular man with pale, peachy skin sits in an underground cave among seven male and two female lions in this horizontal painting.

Peter Paul Rubens Daniel in the Lions' Den, c. 1614/1616 National Gallery of Art

The Sea, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett The Sea, 1872 The Met

The Annunciation, Sandro Botticelli, ca. 1490, tempera and gold on wood

Sandro Botticelli The Annunciation, ca. 1490 The Met

Shown from about the knees up, a woman, baby, and two angels crowd together in a narrow interior space pierced by three window openings.

Sandro Botticelli Madonna and Child with Angels, 1465/1470 National Gallery of Art

Shown from the chest up, a young woman faces us holding a nude baby in her arms in this vertical painting. They both have pale, peachy skin with pink cheeks.

Giovanni Battista Tiepolo Madonna of the Goldfinch, c. 1767/1770 National Gallery of Art

Portrait of My Daughter Alice, William Merritt Chase, c. 1895, oil on canvas

William Merritt Chase Portrait of My Daughter Alice, c. 1895 Cleveland Museum of Art

The Stolen Kiss, Jean-Honoré Fragonard, ca. 1760, oil on canvas

Jean-Honoré Fragonard The Stolen Kiss, ca. 1760 The Met

Peter Paul Rubens Head of One of the Three Kings: Melchior, The Assyrian King, c. 1618 National Gallery of Art

Catherine Brooks Hall, William Sidney Mount, ca. 1830, oil on canvas

William Sidney Mount Catherine Brooks Hall, ca. 1830 The Met

A lone wheat stack, in shadow, rests on a snow-covered field that is rendered in shades of white, blue, yellow, and purple. A house can be seen in the distance on the right against the blue hills beyond.

Claude Monet Stack of Wheat (Snow Effect, Overcast Day), 1890–91 Art Institute of Chicago

After the Bullfight, Mary Cassatt, 1873, oil on canvas

Mary Cassatt After the Bullfight, 1873 Art Institute of Chicago

Portrait of Franklin H. Delano, Eastman Johnson, c. 1881, oil on board

Eastman Johnson Portrait of Franklin H. Delano, c. 1881 Cleveland Museum of Art

Mrs. John Winthrop, John Singleton Copley, 1773, oil on canvas

John Singleton Copley Mrs. John Winthrop, 1773 The Met

At the Circus: The Bareback Rider (Au Cirque: Écuyère), Henri de Toulouse-Lautrec, 1888, oil on vellum

Henri de Toulouse-Lautrec At the Circus: The Bareback Rider (Au Cirque: Écuyère), 1888 Art Institute of Chicago

Painted dark colored portrait of man, hands in prayer.

Rogier van der Weyden Portrait of Jean Gros (recto); Coat of Arms of Jean Gros (verso), 1460–64 Art Institute of Chicago

Giovanni Battista Tiepolo Madonna of the Goldfinch, c. 1767/1770 National Gallery of Art

Newport Rocks, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Newport Rocks, 1872 The Met

Vétheuil, Claude Monet, 1901, oil on canvas

Claude Monet Vétheuil, 1901 Art Institute of Chicago

A Maid Asleep, Johannes Vermeer, ca. 1656–57, oil on canvas

Johannes Vermeer A Maid Asleep, ca. 1656–57 The Met

The Last Supper, Ugolino da Siena, ca. 1325, tempera and gold on wood

Ugolino da Siena The Last Supper, ca. 1325 The Met

Mrs. Jerathmael Bowers, John Singleton Copley, ca. 1763, oil on canvas

John Singleton Copley Mrs. Jerathmael Bowers, ca. 1763 The Met

This painting shows a man from the waist up, his body turned slightly to the right. He stands upright, looking at the viewer, holding a golf club or cane horizontally with both hands.

George Bellows Chester Dale, 1922 National Gallery of Art

This painting shows two women seated on yellow-gold chairs in a room. The woman on the left appears young, with short brown hair and light skin.

Édouard Vuillard Women Sewing, c. 1912 National Gallery of Art

Charles Rousseau Burney (1747–1819), Thomas Gainsborough, ca. 1780, oil on canvas

Thomas Gainsborough Charles Rousseau Burney (1747–1819), ca. 1780 The Met

The Love Song, Edward Burne-Jones, 1868–77, oil on canvas

Edward Burne-Jones The Love Song, 1868–77 The Met

Café Wepler, Édouard Vuillard, c. 1908–10, reworked in 1912, oil on fabric

Édouard Vuillard Café Wepler, c. 1908–10, reworked in 1912 Cleveland Museum of Art

Henri Fantin-Latour Duchess de Fitz-James, 1867 National Gallery of Art

Men and women line up to either side of a man seated on a throne in this long, horizontal painting.

Giovanni Bellini An Episode from the Life of Publius Cornelius Scipio, after 1506 National Gallery of Art

Camp Fire, Winslow Homer, 1880, oil on canvas

Winslow Homer Camp Fire, 1880 The Met

This painting shows a young boy sitting on a wooden rocking chair next to a dark metal stove. He is leaning forward with one arm extended towards the stove door, which is partially open, revealing bright orange light.

Eastman Johnson The Early Scholar, c. 1865 National Gallery of Art

The Penitent Magdalen, Georges de La Tour, ca. 1640, oil on canvas

Georges de La Tour The Penitent Magdalen, ca. 1640 The Met

Summer Flowers, Henri Fantin-Latour, 1880, oil on canvas

Henri Fantin-Latour Summer Flowers, 1880 The Met

This painting shows a portrait of a man. His head is turned to the left. He has light skin, a straight nose, a soft jawline, and pale lips in a neutral expression. He has closely cropped brown hair mostly covered by a black cap.

Andrea Mantegna Portrait of a Man, c. 1470 National Gallery of Art

Two women and a baby, all with pale skin, sit together on a gray, stone throne with patterned fabric hanging behind them and a patterned rug below in this narrow, vertical painting.

Gerard David The Saint Anne Altarpiece: Saint Anne with the Virgin and Child [middle panel], c. 1500/1520 National Gallery of Art

No te aha oe riri (Why Are You Angry?), Paul Gauguin, 1896, oil on jute canvas

Paul Gauguin No te aha oe riri (Why Are You Angry?), 1896 Art Institute of Chicago

A Bouquet of Flowers, Clara Peeters, ca. 1612, oil on wood

Clara Peeters A Bouquet of Flowers, ca. 1612 The Met

Abstract painting in various bright colors—yellow, blue, red, green, orange, pink—with lines indicating building-like structures as well as canons in the lower right corner.

Wassily Kandinsky Improvisation No. 30 (Cannons), 1913 Art Institute of Chicago

Sibylle, Camille Corot, ca. 1870, oil on canvas

Camille Corot Sibylle, ca. 1870 The Met

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