Paintings for Dusty Rose Walls (page 7)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 289 to 336 of 377.

Shown from the lap up, a cleanshaven man with black hair and dark clothes faces us as he sits with his hands resting together in his lap in this stylized, vertical portrait painting.

Amedeo Modigliani Chaim Soutine, 1918 National Gallery of Art

Lady Lee (Margaret Wyatt, born about 1509), Hans Holbein the Younger, early 1540s, oil and gold on oak

Hans Holbein the Younger Lady Lee (Margaret Wyatt, born about 1509), early 1540s The Met

Cylindrical, C-shaped, and triangular forms are painted with flat areas of vivid pink, purple, navy, royal, and light blue, turquoise, white, black, and gray in this abstract, horizontal painting.

Patrick Henry Bruce Peinture/Nature Morte, c. 1924 National Gallery of Art

A long-haired, small white dog with tawny-brown ears and spots sits on a garnet-red cushion in this loosely painted vertical portrait. The dog looks just to our left with large, round, black eyes under perked eyebrows.

Édouard Manet A King Charles Spaniel, c. 1866 National Gallery of Art

The Return of the Holy Family to Nazareth, Nicolas Poussin, c. 1627, oil on canvas

Nicolas Poussin The Return of the Holy Family to Nazareth, c. 1627 Cleveland Museum of Art

Madam Pompadour, Amedeo Modigliani, 1915, oil on canvas

Amedeo Modigliani Madam Pompadour, 1915 Art Institute of Chicago

Pierre-Auguste Renoir Young Girl Reading, c. 1888 National Gallery of Art

A sinewy older man, his pale skin mostly exposed, sits on a stone low to the ground facing a table on our right in the center of this vertical painting. His gray hair is cropped short, and he has a graying, long beard.

Paolo Veronese Saint Jerome in the Wilderness, c. 1575/1585 National Gallery of Art

Shown from the chest up, a clean shaven, young man with pale, rosy skin and curly, mahogany-red hair, looks at or toward us against a black background in this vertical portrait painting.

Antonello da Messina Portrait of a Young Man, c. 1475/1479 National Gallery of Art

José Costa y Bonells (died l870), Called Pepito, Francisco de Goya, ca. 1810, oil on canvas

Francisco de Goya José Costa y Bonells (died l870), Called Pepito, ca. 1810 The Met

We look beyond a cluster of flags hanging from the side of one tall building onto a wide street at a row of buildings across from us in this vertical painting.

Childe Hassam Allies Day, May 1917, 1917 National Gallery of Art

Berthe Morisot The Artist's Sister at a Window, 1869 National Gallery of Art

The Vase of Tulips, Paul Cézanne, c. 1890, oil on canvas

Paul Cézanne The Vase of Tulips, c. 1890 Art Institute of Chicago

Three Miracles of Saint Zenobius, Sandro Botticelli, ca. 1500, tempera on wood

Sandro Botticelli Three Miracles of Saint Zenobius, ca. 1500 The Met

The Brierwood Pipe, Winslow Homer, 1864, oil on canvas

Winslow Homer The Brierwood Pipe, 1864 Cleveland Museum of Art

The Violin Player, James McNeill Whistler, c. 1890–94, oil on canvas

James McNeill Whistler The Violin Player, c. 1890–94 Cleveland Museum of Art

The Immaculate Conception, Guido Reni, 1627, oil on canvas

Guido Reni The Immaculate Conception, 1627 The Met

Madonna and Child, Simone Martini, ca. 1326, tempera on wood, gold ground

Simone Martini Madonna and Child, ca. 1326 The Met

The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, Page from a Manuscript of the Akbarnama, Basawan, Mughal dynasty (1526-1857), c. 1590-1595, opaque watercolor and gold on paper

Basawan The Young Emperor Akbar Arrests the Insolent Shah Abu’l-Maali, Page from a Manuscript of the Akbarnama, Mughal dynasty (1526-1857), c. 1590-1595 Art Institute of Chicago

In the center of this painting is a blue vase filled with a variety of flowers in different sizes and colors. The flowers are in shades of orange, pink, yellow, and blue, with green leaves surrounding the blossoms.

Odilon Redon Large Vase with Flowers, c. 1912 National Gallery of Art

George Harley Drummond (1783–1855), Henry Raeburn, ca. 1808–9, oil on canvas

Henry Raeburn George Harley Drummond (1783–1855), ca. 1808–9 The Met

Large painting, standing man blue turtleneck, sitting woman with white collar.

Amedeo Modigliani Jacques and Berthe Lipchitz, 1916 Art Institute of Chicago

Two people are depicted in this painting. The person on the left is standing with their hands on a wooden chair. They have light skin, close-cut hair, and wear a long, black, high-necked dress.

Édouard Vuillard The Conversation, 1891 National Gallery of Art

A flatboat with eight light-skinned men floats toward us down a wide river in this horizontal painting. The boat nearly spans the width of the composition and has low sides and a shallowly arched, low cabin upon which the men gather.

George Caleb Bingham The Jolly Flatboatmen, 1846 National Gallery of Art

Shown from the lap up, a person with peach-colored skin sits facing us as he looks down and to our left in this vertical, stylized, portrait painting.

Amedeo Modigliani Monsieur Deleu, 1916 National Gallery of Art

The Young Virgin, Francisco de Zurbarán, ca. 1632–33, oil on canvas

Francisco de Zurbarán The Young Virgin, ca. 1632–33 The Met

Fruits of the Midi, Pierre-Auguste Renoir, 1881, oil on canvas

Pierre-Auguste Renoir Fruits of the Midi, 1881 Art Institute of Chicago

Still Life with Apples and Pitcher, Camille Pissarro, 1872, oil on canvas

Camille Pissarro Still Life with Apples and Pitcher, 1872 The Met

Stage Fort across Gloucester Harbor, Fitz Henry Lane, 1862, oil on canvas

Fitz Henry Lane Stage Fort across Gloucester Harbor, 1862 The Met

Shown from the knees up, a woman with peach-colored skin and dark hair sits facing us and holding a baby in this stylized, vertical portrait painting.

Amedeo Modigliani Roma Woman with Baby, 1919 National Gallery of Art

Against a distant, hazy, verdant forest, a petal-pink and amethyst-purple orchid grows from a mossy branch close to us, to our left, while three jewel-toned hummingbirds gather around a nest to our right in this horizontal painting.

Martin Johnson Heade Cattleya Orchid and Three Hummingbirds, 1871 National Gallery of Art

Manuel Osorio Manrique de Zuñiga (1784–1792), Francisco de Goya, 1787–88, oil on canvas

Francisco de Goya Manuel Osorio Manrique de Zuñiga (1784–1792), 1787–88 The Met

A Monumental Portrait of a Monkey, India, c. 1705–1710, opaque watercolor and gold on paper

India A Monumental Portrait of a Monkey, c. 1705–1710 Art Institute of Chicago

Madonna Adoring the Child, Sandro Botticelli, ca. 1490–95, tempera and gold on wood

Sandro Botticelli Madonna Adoring the Child, ca. 1490–95 The Met

Shown from the thighs up, a boy wearing a crimson-red waistcoat stands against swags of fabric painted with visible strokes in white, sky blue, harvest yellow, and sage green in this loosely painted, vertical portrait.

Paul Cézanne Boy in a Red Waistcoat, 1888-1890 National Gallery of Art

We look across rolling, bright green pastures and honey-brown farmland to a cluster of buildings nestled beyond a copse of trees, along the horizon in this horizontal, stylized landscape painting.

Paul Gauguin Landscape at Le Pouldu, 1890 National Gallery of Art

At the Café, Édouard Vuillard, c. 1897–99, oil on board, laid on cradled panel

Édouard Vuillard At the Café, c. 1897–99 Cleveland Museum of Art

Impressionist painting of two girls on balcony, bright flower hat, knitting basket.

Pierre-Auguste Renoir Two Sisters (On the Terrace), 1881 Art Institute of Chicago

Two Men Contemplating the Moon, Caspar David Friedrich, ca. 1825–30, oil on canvas

Caspar David Friedrich Two Men Contemplating the Moon, ca. 1825–30 The Met

Lucia, Frederic Leighton, possibly late 1870s, oil on canvas

Frederic Leighton Lucia, possibly late 1870s The Met

Large painting, woman in pink dress in front of classical sculpture, shrine.

Joshua Reynolds Lady Sarah Bunbury Sacrificing to the Graces, 1763–65 Art Institute of Chicago

Derick Berck of Cologne, Hans Holbein the Younger, 1536, oil on canvas, transferred from wood

Hans Holbein the Younger Derick Berck of Cologne, 1536 The Met

Fur Traders Descending the Missouri, George Caleb Bingham, 1845, oil on canvas

George Caleb Bingham Fur Traders Descending the Missouri, 1845 The Met

Margaret Strachan (Mrs. Thomas Harwood), Charles Willson Peale, ca. 1771, oil on canvas

Charles Willson Peale Margaret Strachan (Mrs. Thomas Harwood), ca. 1771 The Met

Portrait of a Young Woman, Hans Holbein the Younger, ca. 1540–45, oil and gold on oak

Hans Holbein the Younger Portrait of a Young Woman, ca. 1540–45 The Met

Painting of a performance inside a circus ring. A man wearing a suit holds a whip in his hand and looks towards a woman with red hair riding a gray horse and wearing a green dress.

Henri de Toulouse-Lautrec Equestrienne (At the Cirque Fernando), 1887–88 Art Institute of Chicago

Portrait of General José Manuel Romero, Francisco de Goya, c. 1810, oil on canvas

Francisco de Goya Portrait of General José Manuel Romero, c. 1810 Art Institute of Chicago

This painting depicts three individuals in a colorful interior. A man on the left is standing on steps that are coming up from below. He wears a green suit with a white shirt underneath it and holds a hat.

Ernst Ludwig Kirchner The Visit - Couple and Newcomer, 1922 National Gallery of Art

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