Paintings for Mustard Walls (page 10)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 433 to 480 of 832.

The painting depicts a rocky coastline dotted with color. The horizon is high in the scene, and a strip of pale-yellow sky is visible at the very top of the painting.

Henry Golden Dearth Flecks of Foam, c. 1911/1912 National Gallery of Art

The Glorification of the Eucharist, Peter Paul Rubens, ca. 1630–32, oil on wood

Peter Paul Rubens The Glorification of the Eucharist, ca. 1630–32 The Met

Mlle. Alexandrine-Julie de la Boutraye, Eugène Delacroix, c. 1832–34, oil on fabric

Eugène Delacroix Mlle. Alexandrine-Julie de la Boutraye, c. 1832–34 Cleveland Museum of Art

Landscape with Haywain, Worthington Whittredge, 1861, oil on canvas

Worthington Whittredge Landscape with Haywain, 1861 Cleveland Museum of Art

A River Landscape with Storks, Charles-François Daubigny, 1864, oil on wood

Charles-François Daubigny A River Landscape with Storks, 1864 The Met

Passing off of the Storm, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Passing off of the Storm, 1872 The Met

This painting image depicts a cherubic child in a garden setting. The child is standing with one foot in front of the other and has small wings on their back.

Jean-Honoré Fragonard Love the Sentinel, c. 1773/1776 National Gallery of Art

A Shaded Avenue, Jean-Honoré Fragonard, ca. 1775, oil on wood

Jean-Honoré Fragonard A Shaded Avenue, ca. 1775 The Met

Symbolic Head, Odilon Redon, c. 1890, oil on paper mounted on canvas

Odilon Redon Symbolic Head, c. 1890 Cleveland Museum of Art

Painted in muted lime green, plum purple, buttercup yellow, slate and royal blue, the head and shoulders of a man with peach-colored skin sitting in front of a window looks at us in this stylized, vertical portrait.

Paul Gauguin Self-Portrait Dedicated to Carrière, 1888 or 1889 National Gallery of Art

King Anushirwan and the Owls, from the Khamsa of Nizami, Islamic, Safavid dynasty (1501–1722), c.1535, ink, opaque watercolor, and gold on paper

Islamic King Anushirwan and the Owls, from the Khamsa of Nizami, Safavid dynasty (1501–1722), c.1535 Art Institute of Chicago

The Banks of the Oise, Charles-François Daubigny, 1863, oil on wood

Charles-François Daubigny The Banks of the Oise, 1863 The Met

Calling the Cows Home, Jean-François Millet, ca. 1872, oil on wood

Jean-François Millet Calling the Cows Home, ca. 1872 The Met

Lieutenant Colonel Paul Pechell (1724–1800), Thomas Gainsborough, 1768, oil on canvas

Thomas Gainsborough Lieutenant Colonel Paul Pechell (1724–1800), 1768 The Met

A woman with dark hair pulled up in a bun, wearing a long, muted lilac-purple silk dress, stands singing in front of woman playing a piano and a man playing a cello in a dimly lit room in this vertical painting.

Thomas Eakins Singing a Pathetic Song, 1881 National Gallery of Art

Shown from the knees up, a pale-skinned, bearded man dressed in black gazes at us in this vertical portrait painting. His body is angled to our left, and he looks at us from the corners of his hazel eyes under thick brows.

Jacopo Tintoretto Portrait of a Man with a Landscape View, 1552/1556 National Gallery of Art

This painting features a woman from the waist up, her body angled slightly to the right, looking out at us. She has pale skin with rosy cheeks, blue eyes, arched gray eyebrows, and pink lips that are slightly upturned.

Gilbert Stuart Henrietta Marchant Liston (Mrs. Robert Liston), 1800 National Gallery of Art

A woman kneels, angled to our left, and tips her face down toward a naked baby propped on a pillow against a pile of hay in a shed-like structure in this round painting.

Sandro Botticelli The Virgin Adoring the Child, 1480/1490 National Gallery of Art

Sunset near Arbonne, Théodore Rousseau, ca. 1860–65, oil on wood

Théodore Rousseau Sunset near Arbonne, ca. 1860–65 The Met

Bayside, New Rochelle, New York, Eastman Johnson, 1886, oil on canvas

Eastman Johnson Bayside, New Rochelle, New York, 1886 The Met

The Apotheosis of the Spanish Monarchy, Giovanni Battista Tiepolo, 1760s, oil on canvas

Giovanni Battista Tiepolo The Apotheosis of the Spanish Monarchy, 1760s The Met

A woman with pale skin and dark brown hair is swathed in silky fabric as she reclines along a gray couch in this horizontal painting. Her head rests along the backrest of the sofa to our left, so her body extends to our right.

John Singer Sargent Nonchaloir (Repose), 1911 National Gallery of Art

The image shows a full-body portrait of a young child standing indoors. The child faces forward with a neutral expression, looking directly at the viewer. They have neatly styled brown hair parted in the middle.

Joseph Goodhue Chandler Girl with Kitten, c. 1836/1838 National Gallery of Art

We look across a palm-tree lined river winding into the distance before a monumental, snow-covered mountain at the center of the composition in this horizontal landscape.

Frederic Edwin Church Tamaca Palms, 1854 National Gallery of Art

Harbor of Boston, with the City in the Distance, Fitz Henry Lane, c. 1846–47, oil on canvas

Fitz Henry Lane Harbor of Boston, with the City in the Distance, c. 1846–47 Cleveland Museum of Art

This painting shows a person seated at a table in a bright yellow chair, facing the right. The person has pale skin and gray hair, and they are wearing a loose-fitting light brown garment, similar to a long coat or dress.

Édouard Vuillard Breakfast, 1894 National Gallery of Art

The Italian Woman, Amedeo Modigliani, ca. 1918–19, oil on canvas

Amedeo Modigliani The Italian Woman, ca. 1918–19 The Met

Shown from about the hips up, a young, pale-skinned man with curly brown hair stands facing and looking at us, wearing a plum-purple coat under a golden yellow cape in this vertical portrait painting.

Anthony van Dyck Philip, Lord Wharton, 1632 National Gallery of Art

Painting depicting Christ anointed by a woman in yellow, seated centrally at a crowded table of guests with long thin grayish faces in colorful robes with strong white highlights.

El Greco The Feast in the House of Simon, c. 1608–14 Art Institute of Chicago

We look down onto nine pieces of fruit, a pitcher, a goblet, and a dish arranged on a rustic wood table in front of a floral curtain in this nearly square, loosely painted still life.

Paul Cézanne Still Life with Milk Jug and Fruit, c. 1900 National Gallery of Art

The Edge of the Woods, Narcisse Virgilio Díaz de la Peña, 1872, oil on wood

Narcisse Virgilio Díaz de la Peña The Edge of the Woods, 1872 The Met

Sunflowers, Vincent van Gogh, 1887, oil on canvas

Vincent van Gogh Sunflowers, 1887 The Met

A bearded and balding man with deeply tanned skin, dressed only in a strip of robin’s egg-blue fabric around his shoulders and hips, sits reading a book on a rock at the entrance to a craggy cave, in front of a landscape in this vertical…

Giovanni Bellini Saint Jerome Reading, 1505 National Gallery of Art

This painting shows a grand building with elaborate arches, columns, statues, and staircases, in front of which is a courtyard filled with people facing away from us.

Francesco Guardi Temporary Tribune in the Campo San Zanipolo, Venice, 1782 or after National Gallery of Art

Shown from about the knees up, a man with peachy skin, wearing a voluminous black cloak and a tall, brimmed hat, looks directly at us in this vertical portrait painting.

Rembrandt van Rijn Portrait of a Man in a Tall Hat, c. 1663 National Gallery of Art

This painting depicts a coastal scene overlooking a quiet shore. At the bottom of the painting, an open sandy expanse leads to blue waters.

Odilon Redon Village by the Sea in Brittany, c. 1880 National Gallery of Art

Landscape, Jean-Charles Cazin, after 1876, oil on canvas

Jean-Charles Cazin Landscape, after 1876 National Gallery of Art

Vibrant colored painting of beachscape with figures, structure, and ox pulled cart.

Wassily Kandinsky Painting with Troika, January 18, 1911 Art Institute of Chicago

Vase of Flowers (Pink Background), Odilon Redon, ca. 1906, oil on canvas

Odilon Redon Vase of Flowers (Pink Background), ca. 1906 The Met

Still Life with Roses and Fruit, Henri Fantin-Latour, 1863, oil on canvas

Henri Fantin-Latour Still Life with Roses and Fruit, 1863 The Met

About three dozen people gather in a grassy field to either side of a crumbling structure to kneel and pray before a woman and baby in the center of this horizontal painting.

Sandro Botticelli The Adoration of the Magi, c. 1478/1482 National Gallery of Art

Painting, heavy in tones of blue-green and burnt orange, depicting a bar scene at night. The men wear top hats and many are bearded; the women are dressed in voluminous gowns and decorative hats.

Henri de Toulouse-Lautrec At the Moulin Rouge, 1892–95 Art Institute of Chicago

Wheat Field with Cypresses, Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh Wheat Field with Cypresses, 1889 The Met

We look slightly down onto a group of people gathered along the bank of a river that winds around a copse of tall trees to our left, past a hill to our right, and into the deep distance in this horizontal landscape painting.

Claude Lorrain Landscape with Merchants, c. 1629 National Gallery of Art

The Hatch Family, Eastman Johnson, 1870–71, oil on canvas

Eastman Johnson The Hatch Family, 1870–71 The Met

Dense green vegetation surrounds a band of sun-dappled boulders that arc shallowly across this horizontal landscape painting. Just to our left of center and on our side of the boulders are several slender tree trunks.

Camille Corot Rocks in the Forest of Fontainebleau, 1860/1865 National Gallery of Art

Camouflaged Field in France, John Singer Sargent, 1918, watercolor, gouache, graphite, and wax crayon on white wove paper

John Singer Sargent Camouflaged Field in France, 1918 The Met

The Peaceable Kingdom, Edward Hicks, c. 1816–18, oil on canvas

Edward Hicks The Peaceable Kingdom, c. 1816–18 Cleveland Museum of Art

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