Paintings for Mustard Walls (page 12)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 529 to 576 of 832.

Wrestlers in a Circus, Ernst Ludwig Kirchner, 1909, oil on canvas

Ernst Ludwig Kirchner Wrestlers in a Circus, 1909 Cleveland Museum of Art

Judith Leyster Young Boy in Profile, c. 1630 National Gallery of Art

A sand-colored riverbank stretches in front of us to meet an arched bridge that spans a pale blue river to our right in this horizontal landscape painting. The scene is loosely painted so many details are indistinct.

Camille Corot Bridge on the Saône River at Mâcon, 1834 National Gallery of Art

Two women and a man in front of a column and arch nearly fill this vertical, oval painting. The two women have pale skin with round faces, wide-set eyes, and full pink lips.

Giovanni Battista Tiepolo Scene from Ancient History, c. 1750 National Gallery of Art

Cardinal Fernando Niño de Guevara (1541–1609), El Greco, ca. 1600, oil on canvas

El Greco Cardinal Fernando Niño de Guevara (1541–1609), ca. 1600 The Met

Copy after Delacroix's "Bark of Dante", Édouard Manet, ca. 1859, oil on canvas

Édouard Manet Copy after Delacroix's "Bark of Dante", ca. 1859 The Met

The image depicts a man from the waist up, positioned in a three-quarter view as he looks to his left. He has a fair complexion, a reddish-brown close-cropped beard, and medium brown hair cut at ear length.

Barthel Bruyn the Elder Portrait of a Man, c. 1530/1540 National Gallery of Art

Interior with a Young Couple, Pieter de Hooch, probably ca. 1662–65, oil on canvas

Pieter de Hooch Interior with a Young Couple, probably ca. 1662–65 The Met

This is a painting of a pastoral scene with animals, a watermill, and a bridge. The artwork features a rural landscape with lush greenery and a serene setting.

Charles Georges Dufresne Judgment of Paris, 1925 National Gallery of Art

The Farm at the Entrance of the Wood, Rosa Bonheur, 1860–80, oil on fabric

Rosa Bonheur The Farm at the Entrance of the Wood, 1860–80 Cleveland Museum of Art

Madame Roulin and Her Baby, Vincent van Gogh, 1888, oil on canvas

Vincent van Gogh Madame Roulin and Her Baby, 1888 The Met

Shown from the knees up, an older man sits in a rustic wooden chair and holds up a pocket watch for a young child who stands at his knees in this vertical portrait painting. They both have pale, peachy skin with flushed cheeks.

Henry Raeburn John Tait and His Grandson, c. 1793, with additions c. 1800 National Gallery of Art

The Adoration of the Shepherds, Andrea Mantegna, shortly after 1450, tempera on canvas, transferred from wood

Andrea Mantegna The Adoration of the Shepherds, shortly after 1450 The Met

We look across a waterlogged path at a line of rust-red and bronze-brown trees that nearly span the width of this horizontal landscape painting. The scene is loosely painted, which creates a blurred look.

Théodore Rousseau After the Rain, c. 1850 National Gallery of Art

A Goldsmith in his Shop, Petrus Christus, 1449, oil on oak panel

Petrus Christus A Goldsmith in his Shop, 1449 The Met

The painting depicts a man shown from the knees up, standing with his arms crossed over his chest and his head turned to the right. He has light skin, ruddy cheeks with a brown mole, a long nose, and small red lips in a neutral expression.

Joseph Wright of Derby Portrait of a Gentleman, c. 1770-1773 National Gallery of Art

Near a verdant riverbank against soaring, hazy cliffs, a nude, chubby baby sits in a golden boat on a bed of pink and white flowers in this horizontal painting.

Thomas Cole The Voyage of Life: Childhood, 1842 National Gallery of Art

Toussaint Lemaistre (1807/8–1888), Camille Corot, 1833, oil on canvas

Camille Corot Toussaint Lemaistre (1807/8–1888), 1833 The Met

Signora Gomez d'Arza, Thomas Eakins, 1901–2, oil on canvas

Thomas Eakins Signora Gomez d'Arza, 1901–2 The Met

Sulking, Edgar Degas, ca. 1870, oil on canvas

Edgar Degas Sulking, ca. 1870 The Met

A man and woman stand in a sunny field near a line of cone-shaped haystacks under a massive blue sky in this horizontal landscape painting. The scene is loosely painted with visible brushstrokes throughout.

Camille Pissarro Landscape, Ile-de-France, 1873 National Gallery of Art

A Home in the Wilderness, Sanford Robinson Gifford, 1866, oil on canvas

Sanford Robinson Gifford A Home in the Wilderness, 1866 Cleveland Museum of Art

A placid river winds past low hills with cows to fields blanketed with trees leading back to mountains lining the horizon in this hazy, horizontal, landscape painting.

Asher Brown Durand A Pastoral Scene, 1858 National Gallery of Art

A pale-skinned woman stands holding a spoon and egg, and bracing a long-handled pan in one elbow, in front of a wooden table near a fireplace mantle in this vertical painting.

Jean-Baptiste-Siméon Chardin The Attentive Nurse, 1747 National Gallery of Art

Shown from about the waist up, a woman with pale, peachy skin and dark hair holds a blond, light-skinned child on her lap at a table as they play with several small toys in this horizontal painting.

Pierre-Auguste Renoir Child with Toys - Gabrielle and the Artist's Son, Jean, 1895-1896 National Gallery of Art

Apple Blossoms, Martin Johnson Heade, 1873, oil on canvas

Martin Johnson Heade Apple Blossoms, 1873 Cleveland Museum of Art

Shown from the lap up, a pale-skinned woman with an oval face and long neck sits facing us in this vertical painting. The portrait is created with areas of mottled colors outlined with black lines.

Amedeo Modigliani Girl in a Green Blouse, 1917 National Gallery of Art

Camp Fire, Winslow Homer, 1880, oil on canvas

Winslow Homer Camp Fire, 1880 The Met

This painting depicts a vast landscape with a horizon line in the lower third of the painting. A range of dark brown and purple mountains or hills stretches across the width of the image.

Thomas Cole Study for "Catskill Creek", c. 1844/1845 National Gallery of Art

A vase holding mostly white flowers sits on a floral-patterned cloth in this vertical still life painting. The ice-blue vase has a narrow foot, tall, slightly tapering sides, round shoulders, and a long neck flanked by handles.

Paul Cézanne Vase of Flowers, 1900/1903 National Gallery of Art

Aristotle with a Bust of Homer, Rembrandt van Rijn, 1653, oil on canvas

Rembrandt van Rijn Aristotle with a Bust of Homer, 1653 The Met

Shown from the chest up, an older man with pale, peachy skin, wearing a high-collared black coat and a cream-white, ruffled collar, is shown against a deep wine-red background in this vertical portrait painting.

Gilbert Stuart George Washington (Vaughan portrait), 1795 National Gallery of Art

This oval painting shows a cherubic figure floating in mid-air with one leg bent and arms outstretched. The cherub has curly hair, a round face, and rosy cheeks, and they are smiling gently.

Jean-Honoré Fragonard Love as Folly, c. 1773/1776 National Gallery of Art

A large, dark sailing ship to our left is stranded near the shore, angled dramatically away from us, in choppy waves under a periwinkle-blue sky streaked with gray and copper-colored clouds in this horizontal painting.

Asher Brown Durand The Stranded Ship, 1844 National Gallery of Art

Two pale-skinned women sit facing each other on a long sofa centered on the wall across from us in a room warmly lit from the right in this horizontal painting. The scene is loosely painted so some details are indistinct.

William Merritt Chase A Friendly Call, 1895 National Gallery of Art

This painting shows a bowl of red raspberries resting on a surface. The bowl is pale blue with blue details on the rim, and it is surrounded by a pile of pale peaches and pears, red plums, and green and purple grapes.

Charles V. Bond Still Life: Fruit, Bird, and Dwarf Pear Tree, 1856 National Gallery of Art

Madonna and Child, Giovanni Bellini, ca. 1470, tempera, oil, and gold on wood

Giovanni Bellini Madonna and Child, ca. 1470 The Met

Sketch for The Copley Family, John Singleton Copley, 1776, oil on canvas

John Singleton Copley Sketch for The Copley Family, 1776 National Gallery of Art

Édouard Vuillard Woman Sitting by the Fireside, c. 1894 National Gallery of Art

Saint Andrew, El Greco, ca. 1610, oil on canvas

El Greco Saint Andrew, ca. 1610 The Met

Christmas-Time, The Blodgett Family, Eastman Johnson, 1864, oil on canvas

Eastman Johnson Christmas-Time, The Blodgett Family, 1864 The Met

Woman with a Pink, Rembrandt van Rijn, early 1660s, oil on canvas

Rembrandt van Rijn Woman with a Pink, early 1660s The Met

Burgomaster Jan van Duren (1613–1687), Gerard ter Borch, ca. 1666–67, oil on canvas

Gerard ter Borch Burgomaster Jan van Duren (1613–1687), ca. 1666–67 The Met

This painting shows a seaside view with a low horizon. A sandy beach is on the left, with ships and sailboats sailing on the water in the distance on the right.

John Constable Yarmouth Jetty, 1822 National Gallery of Art

The painting displays a dark green field stretching into the distance. A line of trees and small, indistinct structures can be seen near the center of the painting.

George Inness Harvest Moon, 1891 National Gallery of Art

We look across the gleaming, forest-green surface of a lake at the foot of tall, jagged mountains in this horizontal landscape painting.

Albert Bierstadt Mount Corcoran, c. 1876-1877 National Gallery of Art

Pierre-Auguste Renoir Head of a Young Girl, c. 1890 National Gallery of Art

Antoine Dominique Sauveur Aubert (born 1817), the Artist's Uncle, Paul Cézanne, 1866, oil on canvas

Paul Cézanne Antoine Dominique Sauveur Aubert (born 1817), the Artist's Uncle, 1866 The Met

Back to every group for mustard walls

Other wall colors