Paintings for Mustard Walls (page 13)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 577 to 624 of 832.

James Johnston of Straiton (died 1841), Henry Raeburn, 1800, oil on canvas

Henry Raeburn James Johnston of Straiton (died 1841), 1800 The Met

A Calling, William-Adolphe Bouguereau, 1896, oil on fabric

William-Adolphe Bouguereau A Calling, 1896 Cleveland Museum of Art

An Early Summer Morning in the Forest of Fontainebleau, Théodore Rousseau, probably 1861, oil on wood

Théodore Rousseau An Early Summer Morning in the Forest of Fontainebleau, probably 1861 The Met

Still Life with Flowers and Fruit, Henri Fantin-Latour, 1866, oil on canvas

Henri Fantin-Latour Still Life with Flowers and Fruit, 1866 The Met

The Yellow Room, James McNeill Whistler, ca. 1883–84, watercolor and gouache on paperboard

James McNeill Whistler The Yellow Room, ca. 1883–84 The Met

Two women and a baby, all with pale skin, sit together on a gray, stone throne with patterned fabric hanging behind them and a patterned rug below in this narrow, vertical painting.

Gerard David The Saint Anne Altarpiece: Saint Anne with the Virgin and Child [middle panel], c. 1500/1520 National Gallery of Art

Open Valley, Dolomites, John Singer Sargent, ca. 1913–14, watercolor and gouache on white wove paper

John Singer Sargent Open Valley, Dolomites, ca. 1913–14 The Met

Pansies, Henri Fantin-Latour, 1903, oil on canvas

Henri Fantin-Latour Pansies, 1903 The Met

Portrait of a Man, Gustave Courbet, probably ca. 1862, oil on canvas

Gustave Courbet Portrait of a Man, probably ca. 1862 The Met

A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), Edgar Degas, 1865, oil on canvas

Edgar Degas A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), 1865 The Met

View of Benjamin Reber's Farm, Charles C. Hofmann, 1872, oil on canvas

Charles C. Hofmann View of Benjamin Reber's Farm, 1872 National Gallery of Art

Shown from the chest up, a pale-skinned, clean-shaven man looks off to our left against a moss-green background in this vertical portrait painting.

Albrecht Dürer Portrait of a Clergyman (Johann Dorsch?), 1516 National Gallery of Art

A woman stands drinking from a tall glass as two men sit at a table in a courtyard enclosed by wood paneling and brick buildings in this vertical painting. The people all have pale, peachy skin.

Pieter de Hooch A Dutch Courtyard, 1658/1660 National Gallery of Art

Madonna and Child with Seraphim and Cherubim, Andrea Mantegna, ca. 1454, tempera and gold on wood

Andrea Mantegna Madonna and Child with Seraphim and Cherubim, ca. 1454 The Met

A seated woman with an infant on her lap and three children are clustered on a terrace overlooking green hills and a body of water in this square painting. They all have pale skin with flushed cheeks.

Peter Paul Rubens Deborah Kip, Wife of Sir Balthasar Gerbier, and Her Children, 1629/1630, reworked probably mid 1640s National Gallery of Art

Study of Palm Trees, Jean-Léon Gérôme, 1855/56, oil on canvas, laid down on board

Jean-Léon Gérôme Study of Palm Trees, 1855/56 The Met

A pale-skinned woman is shown from the waist up within an oval opening in this vertical portrait painting. The woman’s body is angled to our right, but she turns her face to look off to our left with gray eyes.

Thomas Gainsborough Mrs. John Taylor, c. 1778 National Gallery of Art

Portrait of Mme Lisle and Mme Loubens, Edgar Degas, c. 1867, oil on canvas

Edgar Degas Portrait of Mme Lisle and Mme Loubens, c. 1867 Art Institute of Chicago

Painting of four women with blue shawls walking near red fence.

Paul Gauguin Arlésiennes (Mistral), 1888 Art Institute of Chicago

Shoes, Vincent van Gogh, 1888, oil on canvas

Vincent van Gogh Shoes, 1888 The Met

A young girl with light skin, round, rosy cheeks, and blond hair holds an apple and wears a full, ankle-length, silvery white dress with puffy sleeves in this vertical portrait painting.

Anthony van Dyck Maddalena Cattaneo, 1623 National Gallery of Art

Monk Selling Ceremonial Tea Whisks, Katsushika Hokusai, c. 1802, ink and light color on paper

Katsushika Hokusai Monk Selling Ceremonial Tea Whisks, c. 1802 Art Institute of Chicago

Shown from about the knees up, an older, bearded, pale-skinned man sits at a desk with his head in one hand in a shadowy room in this vertical painting. His body is angled to our right, and he sits in a heavy wooden armchair next to a desk.

Rembrandt van Rijn The Apostle Paul, c. 1657 National Gallery of Art

A young, smiling boy in a ruffled collar, hat, and cumberbun rides outdoors on a brown ram, a small whip held aloft in his hand.

Francisco de Goya Boy on a Ram, 1786–87 Art Institute of Chicago

Joseph Rodefer DeCamp The Seamstress, 1916 National Gallery of Art

Shown from the lap up, a pale-skinned woman looks off to the left in front of a vivid green background in this vertical portrait painting.

Lucas Cranach the Elder Portrait of a Woman, 1522 National Gallery of Art

Two thick, twisting, splintered tree trunks with broken branches stripped of leaves are set against a dark, wooded landscape beneath a nearly black sky in this horizontal landscape painting.

Thomas Cole Tornado in an American Forest, 1831 National Gallery of Art

The Denial of Saint Peter, Caravaggio, 1610, oil on canvas

Caravaggio The Denial of Saint Peter, 1610 The Met

Two people are depicted in this painting. The person on the left is standing with their hands on a wooden chair. They have light skin, close-cut hair, and wear a long, black, high-necked dress.

Édouard Vuillard The Conversation, 1891 National Gallery of Art

Portrait of a Woman with a Man at a Casement, Fra Filippo Lippi, ca. 1440, tempera on wood

Fra Filippo Lippi Portrait of a Woman with a Man at a Casement, ca. 1440 The Met

A sinewy older man, his pale skin mostly exposed, sits on a stone low to the ground facing a table on our right in the center of this vertical painting. His gray hair is cropped short, and he has a graying, long beard.

Paolo Veronese Saint Jerome in the Wilderness, c. 1575/1585 National Gallery of Art

Sawmill, Outskirts of Paris, Henri Rousseau, c. 1893/95, oil on canvas

Henri Rousseau Sawmill, Outskirts of Paris, c. 1893/95 Art Institute of Chicago

The Standard Bearer (probably Floris Soop, 1604–1657), Rembrandt van Rijn, 1654, oil on canvas

Rembrandt van Rijn The Standard Bearer (probably Floris Soop, 1604–1657), 1654 The Met

The painting depicts a landscape with a field, trees, and a dramatic cloudy sky. Grass, rocks, and a group of large trees are visible in the center of the composition.

Jules Dupré The Old Oak, c. 1870 National Gallery of Art

Gustave Boyer (b. 1840) in a Straw Hat, Paul Cézanne, 1870–71, oil on paper, laid down on canvas

Paul Cézanne Gustave Boyer (b. 1840) in a Straw Hat, 1870–71 The Met

Woman at a Balcony, Jean-Léon Gérôme, 1887–88, oil on canvas

Jean-Léon Gérôme Woman at a Balcony, 1887–88 The Met

The image shows three individuals against a natural background. On the left, a man is seated on the ground, his body wrapped in a beige cloth. He has long, dark hair and a solemn expression, holding a long pipe.

George Catlin Old Menomonie Chief with Two Young Beaux, 1861/1869 National Gallery of Art

The Gardener, Georges Seurat, 1882–83, oil on wood

Georges Seurat The Gardener, 1882–83 The Met

Ruin by the Sea, Arnold Böcklin, 1881, oil on fabric

Arnold Böcklin Ruin by the Sea, 1881 Cleveland Museum of Art

Madonna and Child, Benvenuto di Giovanni, ca. 1475–85, tempera on wood, gold ground

Benvenuto di Giovanni Madonna and Child, ca. 1475–85 The Met

Mrs. Andrew Sigourney, Gilbert Stuart, Ca. 1820, oil on canvas

Gilbert Stuart Mrs. Andrew Sigourney, Ca. 1820 The Met

A group of three adults and four children are gathered on and around a couch in an interior space that opens out to a distant hilly landscape in this horizontal portrait painting.

John Singleton Copley The Copley Family, 1776/1777 National Gallery of Art

Landscape—Scene from "Thanatopsis", Asher Brown Durand, 1850, oil on canvas

Asher Brown Durand Landscape—Scene from "Thanatopsis", 1850 The Met

Lion, Unknown artist, after 1200, fresco, mounted on canvas

Unknown artist Lion, after 1200 The Met

The image shows a group of individuals on horseback in a landscape with hills in the distance. The perspective is from above, providing a panoramic view of the scene.

George Catlin Camanchee Horsemanship, 1861/1869 National Gallery of Art

Shown from the hips up, a woman sits facing our left as she cradles a child in her lap in this vertical painting. A ginger-brown parapet spanning the lower edge of the composition separates them from us, and they have pale skin.

Giovanni Bellini Madonna and Child in a Landscape, c. 1490/1500 National Gallery of Art

The image shows a landscape with a settlement surrounded by lush greenery and mountains in the distance. The mountains are partly covered by clouds. The painting technique is smooth and gentle, giving the scene a serene atmosphere.

George Catlin A Crow Village and the Salmon River Mountains, 1855/1869 National Gallery of Art

Two women with pale skin look out at us from the other side of a rectangular window opening with a shadowy interior behind them in this vertical painting.

Bartolomé Esteban Murillo Two Women at a Window, c. 1655/1660 National Gallery of Art

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