Paintings for Mustard Walls (page 5)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 193 to 240 of 832.

Thomas Willing, Charles Willson Peale, 1782, oil on canvas

Charles Willson Peale Thomas Willing, 1782 The Met

Kitchen Scene, Diego Velázquez, 1618–20, oil on canvas

Diego Velázquez Kitchen Scene, 1618–20 Art Institute of Chicago

We look out onto a sweeping, panoramic view with trees, their leaves fiery orange and red, framing a view of a distant body of water under a sun-streaked sky in this long, horizontal landscape painting.

Jasper Francis Cropsey Autumn - On the Hudson River, 1860 National Gallery of Art

In this painting, short, angular brushstrokes suggest a person in motion. The person is bent over, facing the left, raising a large, thin object over one shoulder.

Georges Seurat The Stone Breaker, c. 1882 National Gallery of Art

This vertical portrait shows the head, shoulders, and chest of a young man with smooth, pale skin and shoulder-length, dark blond hair positioned behind a narrow gray, stone ledge.

Sandro Botticelli Portrait of a Youth, c. 1482/1485 National Gallery of Art

This painting depicts a vast countryside from an elevated point of view. At the bottom of the painting is a wide brown and green field that appears to be growing wheat or a similar crop.

George Inness Harvest Scene in the Delaware Valley, 1867 National Gallery of Art

This painting depicts a landscape with an open green field stretching out into the distance. At the bottom of the painting, there is a rocky area with sparse vegetation and yellow, sun-bleached grass.

Théodore Rousseau Countryside in Picardy, 1860 National Gallery of Art

Mrs. Robert Blencowe, Thomas Lawrence, c. 1792, oil on canvas

Thomas Lawrence Mrs. Robert Blencowe, c. 1792 National Gallery of Art

Women Working in a Field, Winslow Homer, 1867, oil on wood

Winslow Homer Women Working in a Field, 1867 Cleveland Museum of Art

Portrait of a Man, Possibly an Architect or Geographer, Peter Paul Rubens, 1597, oil on copper

Peter Paul Rubens Portrait of a Man, Possibly an Architect or Geographer, 1597 The Met

The Harvesters, Pieter Bruegel the Elder, 1565, oil on oak

Pieter Bruegel the Elder The Harvesters, 1565 The Met

Landscape (The Lock), John Constable, c. 1820–25, oil on canvas

John Constable Landscape (The Lock), c. 1820–25 Art Institute of Chicago

Saint Alexander, Fra Angelico, ca. 1425, tempera on wood, gold ground

Fra Angelico Saint Alexander, ca. 1425 The Met

Portrait of Dora Wheeler, William Merritt Chase, 1882–83, oil on canvas

William Merritt Chase Portrait of Dora Wheeler, 1882–83 Cleveland Museum of Art

Papers with Japanese text hang from a tree bearing red and gold leaves.

Tosa Mitsuoki Autumn Maples with Poem Slips, c. 1675 Art Institute of Chicago

Head of Jean-Baptiste Faure (1830–1914), Édouard Manet, 1882–83, oil on canvas

Édouard Manet Head of Jean-Baptiste Faure (1830–1914), 1882–83 The Met

Shown from the waist up, a cleanshaven man with pale, peachy skin, wearing a black cap and a voluminous fur-lined, black cloak, is positioned behind a crimson-red ledge or tabletop in this vertical portrait painting.

Hans Holbein the Younger Sir Brian Tuke, c. 1527/1528 or c. 1532/1534 National Gallery of Art

Tivoli, Sanford Robinson Gifford, 1870, oil on canvas

Sanford Robinson Gifford Tivoli, 1870 The Met

Nine oranges and lemons sit in a shallow basket with dark green, spiky branches behind and a pair of cobalt-blue gloves in front in this horizontal still life painting.

Vincent van Gogh Still Life of Oranges and Lemons with Blue Gloves, 1889 National Gallery of Art

Imaginary Landscape with the Palatine Hill from Campo Vaccino, François Boucher, early 1730s, oil on canvas

François Boucher Imaginary Landscape with the Palatine Hill from Campo Vaccino, early 1730s The Met

View of Schroon Mountain, Essex County, New York, After a Storm, Thomas Cole, 1838, oil on canvas

Thomas Cole View of Schroon Mountain, Essex County, New York, After a Storm, 1838 Cleveland Museum of Art

A bearded man with copper-blond hair and flushed, peachy skin stands on a stone-gray pedestal and gestures toward a group of five more men gathered before him in this square painting. Some of the men are light-skinned, others are tan.

Peter Paul Rubens Decius Mus Addressing the Legions, probably 1616 National Gallery of Art

The Meeting of Antony and Cleopatra, Giovanni Battista Tiepolo, ca. 1745–47, oil on canvas

Giovanni Battista Tiepolo The Meeting of Antony and Cleopatra, ca. 1745–47 The Met

Roses in a Bowl, Henri Fantin-Latour, 1883, oil on canvas

Henri Fantin-Latour Roses in a Bowl, 1883 The Met

The Triumph of Henry IV, Peter Paul Rubens, ca. 1630, oil on wood

Peter Paul Rubens The Triumph of Henry IV, ca. 1630 The Met

John Barker (1707–1787), Joshua Reynolds, 1786, oil on canvas

Joshua Reynolds John Barker (1707–1787), 1786 The Met

This painting shows three apples on a flat, gray surface. Two of the apples in the center are large, while one to the left is much smaller. The apples are glossy, covered in uneven patches of bright red and light green.

William Rickarby Miller Study of Apples from Nature, 1863 National Gallery of Art

A view across a wide, brightly lit field scattered with broken pieces of stone is framed to the left and right by crumbling stone temples in this horizontal painting.

Sanford Robinson Gifford Ruins of the Parthenon, 1880 National Gallery of Art

The Wedding of Stephen Beckingham and Mary Cox, William Hogarth, 1729, oil on canvas

William Hogarth The Wedding of Stephen Beckingham and Mary Cox, 1729 The Met

The Adoration of the Magi, Gerard David, ca. 1520, oil on wood

Gerard David The Adoration of the Magi, ca. 1520 The Met

An older girl and a younger child, both with pale skin, bend toward each other as they look at a book spread open on a wooden cupboard in this nearly square painting.

Jean-Baptiste-Siméon Chardin The Little Schoolmistress, after 1740 National Gallery of Art

Sunset on the Sea, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Sunset on the Sea, 1872 The Met

Painting of a vast autumn scene with two very small figures in Indigenous clothing standing on a cliff overlooking a massive waterfall in the distance.

Thomas Cole Distant View of Niagara Falls, 1830 Art Institute of Chicago

The Laundress, Honoré Daumier, 186[3?], oil on oak

Honoré Daumier The Laundress, 186[3?] The Met

Dance in a Subterranean Roundhouse at Clear Lake, California, Jules Tavernier, 1878, oil on canvas

Jules Tavernier Dance in a Subterranean Roundhouse at Clear Lake, California, 1878 The Met

George Capel, Viscount Malden (1757–1839), and Lady Elizabeth Capel (1755–1834), Joshua Reynolds, 1768, oil on canvas

Joshua Reynolds George Capel, Viscount Malden (1757–1839), and Lady Elizabeth Capel (1755–1834), 1768 The Met

The head and shoulders of a young woman with gold-tinted, pale skin looks out over our right shoulder from against a tomato-red background in this vertical painting.

James McNeill Whistler Alice Butt, c. 1895 National Gallery of Art

Portrait of George Pitt, First Baron Rivers, Thomas Gainsborough, 1769, oil on canvas

Thomas Gainsborough Portrait of George Pitt, First Baron Rivers, 1769 Cleveland Museum of Art

Tall, billowing, lavender-purple and shell-pink clouds line the distant horizon over a vast plain of flat grassy land in this horizontal landscape painting.

Martin Johnson Heade Sunlight and Shadow: The Newbury Marshes, c. 1871/1875 National Gallery of Art

St. George on white horse, piercing green, gold dragon

Bernat Martorell Saint George and the Dragon, 1434–35 Art Institute of Chicago

Landscape at Saint-André, Near Marseilles, Paul Guigou, c. 1865, oil on wood panel

Paul Guigou Landscape at Saint-André, Near Marseilles, c. 1865 Cleveland Museum of Art

Still Life with Apples and Pears, Paul Cézanne, ca. 1891–92, oil on canvas

Paul Cézanne Still Life with Apples and Pears, ca. 1891–92 The Met

The Windmill, Jules Dupré, late 1850s, oil on fabric

Jules Dupré The Windmill, late 1850s Cleveland Museum of Art

Shown from the waist up, an older man with pale, peachy skin looks out at us with deep-set, gray eyes under a furrowed brow, in front of a sable-brown background in this vertical portrait painting.

Rembrandt van Rijn Self-Portrait, 1659 National Gallery of Art

A smiling young child holds the latch of an open wooden door as she looks toward a woman to our right in this almost square painting. The woman and child both have pale skin and stand in a bedroom.

Pieter de Hooch The Bedroom, 1658/1660 National Gallery of Art

Monsieur Suisse, Gustave Courbet, 1861, oil on canvas

Gustave Courbet Monsieur Suisse, 1861 The Met

A white path and gray stone wall wind through ochre and harvest-yellow fields beneath a brilliant, turquoise sky in this stylized, horizontal landscape painting. The scene is created with long, visible brushstrokes of vivid color.

Vincent van Gogh Farmhouse in Provence, 1888 National Gallery of Art

Apples, Henri Matisse, 1916, oil on canvas

Henri Matisse Apples, 1916 Art Institute of Chicago

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