Paintings for Mustard Walls (page 7)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 289 to 336 of 832.

This horizontal, rectangular painting is created entirely with dots and touches of sky and royal blue, butter and sunshine yellow, and spring green.

Georges Seurat Seascape (Gravelines), 1890 National Gallery of Art

Arion on a Sea Horse, William-Adolphe Bouguereau, 1855, oil on fabric

William-Adolphe Bouguereau Arion on a Sea Horse, 1855 Cleveland Museum of Art

Near Squam Lake, New Hampshire, Eastman Johnson, 1856, oil on canvas

Eastman Johnson Near Squam Lake, New Hampshire, 1856 The Met

David Anderson, Henry Raeburn, 1790, oil on canvas

Henry Raeburn David Anderson, 1790 National Gallery of Art

A band of indigenous Americans ride horses toward and through a herd of buffalo, which spreads along a river that winds through plains to mountains in the deep distance in this horizontal landscape painting.

Albert Bierstadt The Last of the Buffalo, 1888-1889 National Gallery of Art

A Dog Feast - Sioux, George Catlin, 1861/1869, oil on card mounted on paperboard

George Catlin A Dog Feast - Sioux, 1861/1869 National Gallery of Art

The image shows an upper-body portrait of a man facing forward with his body tilted slightly to the left. He wears a brown coat over a teal waistcoat and a white ruffled shirt is visible at the cuffs and neckline.

Jeremiah Theus Mr. Motte, c. 1760 National Gallery of Art

We look across a river and slightly up at a pair of tall, leafy trees framed by steely-gray clouds against a a vivid blue sky in this nearly square landscape painting.

Jacob van Ruisdael Landscape, c. 1670 National Gallery of Art

The Wheat Field, George Inness, c. 1875–77, oil on canvas

George Inness The Wheat Field, c. 1875–77 Cleveland Museum of Art

This is a painting of a woman depicted from the waist up. She is seated in a red armchair with gold details, slightly turned to the right, with her hands resting in her lap.

Gilbert Stuart Catherine Yates Pollock (Mrs. George Pollock), 1793/1794 National Gallery of Art

Evening at Medfield, Massachusetts, George Inness, 1875, oil on canvas

George Inness Evening at Medfield, Massachusetts, 1875 The Met

Peasant Woman Cooking by a Fireplace, Vincent van Gogh, 1885, oil on canvas

Vincent van Gogh Peasant Woman Cooking by a Fireplace, 1885 The Met

Twelve people and one child stand, sit, or kneel along a riverbank in this horizontal painting. All the people have pale or tanned skin, and are muscular.

Nicolas Poussin The Baptism of Christ, 1641/1642 National Gallery of Art

Charlotte Morton Dexter (Mrs. Andrew Dexter), Gilbert Stuart, 1808/c. 1825, oil on wood

Gilbert Stuart Charlotte Morton Dexter (Mrs. Andrew Dexter), 1808/c. 1825 National Gallery of Art

This painting shows a landscape with tall, blue, snow-capped mountains in the distance. There are blue and purple clouds in the yellow sky.

Jasper Francis Cropsey View of Mt. Washington, 1881 National Gallery of Art

This painting shows two people. A woman is seen from the knees up in the center, standing partially in front of the man next to her, her body facing the left and her head turned back towards us.

Jean-Louis Forain Behind the Scenes, c. 1880 National Gallery of Art

Beggar with a Duffle Coat (Philosopher), Édouard Manet, 1865–67, oil on canvas

Édouard Manet Beggar with a Duffle Coat (Philosopher), 1865–67 Art Institute of Chicago

Shown from the knees up, a young girl with pale skin, wearing a coral-peach dress, sits facing and looking at us in this loosely painted, vertical portrait. Her knees are angled slightly to our left, and her hands rest in her lap.

Berthe Morisot The Artist's Daughter with a Parakeet, 1890 National Gallery of Art

Cool light filters through a thick, verdant forest in this vertical landscape painting. Most of the trees have high canopies with celery, matcha, and olive-green leaves.

Asher Brown Durand Forest in the Morning Light, c. 1855 National Gallery of Art

Autumn Landscape with a Flock of Turkeys, Jean-François Millet, 1872–73, oil on canvas

Jean-François Millet Autumn Landscape with a Flock of Turkeys, 1872–73 The Met

The Little Shepherdess, Jean-François Millet, 1868–72, oil on panel

Jean-François Millet The Little Shepherdess, 1868–72 Art Institute of Chicago

Saltash with the Water Ferry, Cornwall, Joseph Mallord William Turner, 1811, oil on canvas

Joseph Mallord William Turner Saltash with the Water Ferry, Cornwall, 1811 The Met

Peace and Plenty, George Inness, 1865, oil on canvas

George Inness Peace and Plenty, 1865 The Met

New England Scenery, Thomas Cole, 1839, oil on canvas

Thomas Cole New England Scenery, 1839 Art Institute of Chicago

Saints Bartholomew and Simon, Master of Saint Francis, ca. 1272, tempera on wood, gold ground

Master of Saint Francis Saints Bartholomew and Simon, ca. 1272 The Met

An orange and the bodies of a large fowl and two rabbits on a brown ledge nearly span the width of this square still life painting. The face of the ledge takes up the bottom quarter of the composition.

Jean-Baptiste-Siméon Chardin Still Life with Game, probably 1750s National Gallery of Art

George Sand's Garden at Nohant, Eugène Delacroix, ca. 1842–43, oil on canvas

Eugène Delacroix George Sand's Garden at Nohant, ca. 1842–43 The Met

The Fortune-Teller, Georges de La Tour, probably 1630s, oil on canvas

Georges de La Tour The Fortune-Teller, probably 1630s The Met

A woman wearing a breastplate and helmet over a toga stands to our left on a platform, gesturing with one arm extended to a group of about a dozen soldiers gathered around her in this horizontal painting.

Giovanni Battista Tiepolo Queen Zenobia Addressing Her Soldiers, 1725/1730 National Gallery of Art

St. Albert of Louvain, Peter Paul Rubens, 1620, oil on panel

Peter Paul Rubens St. Albert of Louvain, 1620 Art Institute of Chicago

A tired-looking brown and white cow lies down on a patch of dry earth, a dark-brown bull and cow standing behind her against an overcast sky.

Paulus Potter Two Cows and a Young Bull beside a Fence in a Meadow, 1647 Art Institute of Chicago

Sun pours across a landscape with trees and plants growing around and on an arched stone ruin, a bridge and river, and, in the distance, buildings along a flat-topped hill carpeted with grass in this vertical painting.

Canaletto English Landscape Capriccio with a Palace, c. 1754 National Gallery of Art

Shown from the waist up, an elderly man with pale, peachy skin, wavy, silvery-gray hair, and a long beard stands facing our right, almost filling this vertical painting.

Peter Paul Rubens Saint Peter, c. 1616/1618 National Gallery of Art

George Stubbs White Poodle in a Punt, c. 1780 National Gallery of Art

Saint Andrew, Simone Martini, ca. 1326, tempera on wood, gold ground

Simone Martini Saint Andrew, ca. 1326 The Met

Saint Lawrence Enthroned with Saints and Donors, Fra Filippo Lippi, 1440s, tempera on wood, gold ground

Fra Filippo Lippi Saint Lawrence Enthroned with Saints and Donors, 1440s The Met

Across a short stretch of sand in front of us, waves of bottle-green water break over two boulders on the shoreline, with sailboats in the water beyond, in this wide, horizontal painting.

Martin Johnson Heade Rio de Janeiro Bay, 1864 National Gallery of Art

A young, pale-skinned boy wearing a brilliant blue toga sits on a rock and holds a gold pitcher in a landscape in this vertical painting.

Giovanni Bellini The Infant Bacchus, probably 1505/1510 National Gallery of Art

Greek Cavalry Men Resting in Forest, Eugène Delacroix, 1858, oil on fabric

Eugène Delacroix Greek Cavalry Men Resting in Forest, 1858 Cleveland Museum of Art

A group of four people gather around a person in a bed, seen through an open doorway to our left, while a man and woman stand near a second doorway of a beige building in this horizontal painting. All the people have pale skin.

Fra Angelico The Healing of Palladia by Saint Cosmas and Saint Damian, c. 1438/1440 National Gallery of Art

Shown from the lap up against a dark background, a pale-skinned woman wearing a black dress looks out at us in this vertical portrait.

Rembrandt van Rijn A Woman Holding a Pink, 1656 National Gallery of Art

Madonna and Child with Saints, Giovanni Bellini, ca. 1505–10, tempera and oil on wood

Giovanni Bellini Madonna and Child with Saints, ca. 1505–10 The Met

Jean-Auguste-Dominique Ingres Ulysses, 1827 National Gallery of Art

Vase of Flowers, Odilon Redon, c. 1905, oil on fabric

Odilon Redon Vase of Flowers, c. 1905 Cleveland Museum of Art

This painting depicts a coastal scene with a large group of people with light skin dressed in draping fabric in shades of red, yellow, blue, and purple.

Benjamin West Telemachus and Calypso, c. 1809 National Gallery of Art

This drawing shows the faint outline of a domed building. The representation is minimalistic, with few details of the building shown besides the dome and vertical lines that might suggest columns.

Thomas Cole Sketch for Ohio State Capitol Design, c. 1838 National Gallery of Art

The image shows a winter scene with an icy river and activity on the shore. A rocky cliff partially covered in snow is on the right, with evergreen trees.

George Catlin The Expedition Encamped below the Falls of Niagara. January 20, 1679, 1847/1848 National Gallery of Art

The Love Letter, Jean-Honoré Fragonard, early 1770s, oil on canvas

Jean-Honoré Fragonard The Love Letter, early 1770s The Met

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