Paintings for Navy Walls (page 19)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 865 to 912 of 2,066.

We look slightly down across a sun-drenched plaza with people scattered among ruins, buildings, and around a free-standing column in this vertical landscape painting. The people we can see have light skin.

Canaletto English Landscape Capriccio with a Column, c. 1754 National Gallery of Art

Woman with Collie, John Singer Sargent, after 1890, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Woman with Collie, after 1890 The Met

This painting shows the upper half of a woman's body, focusing on her face, head, and large hat. The woman's body is slightly turned toward the right, but she is looking directly at us.

Édouard Vuillard Madame Bonnard, 1895/1900 National Gallery of Art

This painting depicts a landscape with several haystacks in the center, arranged in a line that cuts diagonally across a green field from left to right.

Georges Seurat Haystacks, c. 1882 National Gallery of Art

This is a painting of a seaside scene with people sitting on a sandy beach. In the center is a group of three women and one child. The women wear high-necked dresses and tall hats in shades of red, yellow, and pink.

Eugène Boudin On the Beach, Trouville, 1887 National Gallery of Art

Lieutenant General Duncan Campbell, Henry Raeburn, c. 1810, oil on canvas

Henry Raeburn Lieutenant General Duncan Campbell, c. 1810 Cleveland Museum of Art

Shown from the waist up, a pale-skinned, round-cheeked young boy wears a brocade red and gold garment and hat in this vertical portrait painting.

Hans Holbein the Younger Edward VI as a Child, probably 1538 National Gallery of Art

Self-Portrait, Rembrandt van Rijn, 1660, oil on canvas

Rembrandt van Rijn Self-Portrait, 1660 The Met

The French Comedians, Antoine Watteau, ca. 1720, oil on canvas

Antoine Watteau The French Comedians, ca. 1720 The Met

The Plate of Apples, Paul Cézanne, c. 1877, oil on canvas

Paul Cézanne The Plate of Apples, c. 1877 Art Institute of Chicago

Shown under an ornately carved stone arch, a young woman holds a baby on her lap as she sits on a curving gold chair flanked by two kneeling angels in this vertical painting. All of the people have pale skin.

Hans Memling Madonna and Child with Angels, after 1479 National Gallery of Art

Paul Cézanne Man with Pipe, 1892/1896 National Gallery of Art

This image depicts a snow-covered landscape with a high horizon line meeting a line of evergreen trees under a sky with blue and grayish clouds. The sky and treetops are textured with lively brushstrokes.

George Catlin La Salle Crossing Lake Michigan on the Ice. December 8, 1681, 1847/1848 National Gallery of Art

Three women stand on or next to a ladder picking olives in an orchard in this horizontal landscape painting. The women, trees, ground, and sky are all painted with long, parallel brushstrokes that curve and swirl over the canvas.

Vincent van Gogh The Olive Orchard, 1889 National Gallery of Art

Light pours over a woman floating in front of a bank of clouds, surrounded by ten mostly nude, toddler-like winged putti in this vertical painting. The woman, Mary, and the putti all have pale, peachy skin.

Anthony van Dyck The Virgin as Intercessor, 1628/1629 National Gallery of Art

Campo Sant'Angelo, Venice, Canaletto, 1730s, oil on canvas

Canaletto Campo Sant'Angelo, Venice, 1730s The Met

Mrs. Lewis Thomas Watson (Mary Elizabeth Milles, 1767–1818), Joshua Reynolds, 1789, oil on canvas

Joshua Reynolds Mrs. Lewis Thomas Watson (Mary Elizabeth Milles, 1767–1818), 1789 The Met

View of Florence, Thomas Cole, 1837, oil on canvas

Thomas Cole View of Florence, 1837 Cleveland Museum of Art

The Parthenon, Frederic Edwin Church, 1871, oil on canvas

Frederic Edwin Church The Parthenon, 1871 The Met

Bouquet of Chrysanthemums, Pierre-Auguste Renoir, 1881, oil on canvas

Pierre-Auguste Renoir Bouquet of Chrysanthemums, 1881 The Met

People walk, sit, or stand on a plaza along a canal lined on the far side with buildings in this horizontal landscape painting.

Bernardo Bellotto The Campo di SS. Giovanni e Paolo, Venice, 1743/1747 National Gallery of Art

View of Ornans, Gustave Courbet, probably mid-1850s, oil on canvas

Gustave Courbet View of Ornans, probably mid-1850s The Met

The image shows a wide expanse of land with a horizon featuring rolling hills or small mountains and sparse trees. In the foreground, a person in traditional indigenous attire is pulling on a rope tethered to a resisting horse.

George Catlin Catching Wild Horses - Pawnee, 1861/1869 National Gallery of Art

Dawn—Early Spring, Dwight William Tryon, 1894, oil on wood

Dwight William Tryon Dawn—Early Spring, 1894 The Met

Jo, La Belle Irlandaise, Gustave Courbet, 1865–66, oil on canvas

Gustave Courbet Jo, La Belle Irlandaise, 1865–66 The Met

Shown from about the waist up, a young woman wearing white sits in an armchair cuddling a brown and black striped cat in this vertical painting. The scene is painted with blended brushstrokes, giving it a soft look.

Pierre-Auguste Renoir Woman with a Cat, c. 1875 National Gallery of Art

Courtyard, Tétouan, Morocco, John Singer Sargent, 1879–80, oil on wood

John Singer Sargent Courtyard, Tétouan, Morocco, 1879–80 The Met

The Companions of Rinaldo, Nicolas Poussin, ca. 1633, oil on canvas

Nicolas Poussin The Companions of Rinaldo, ca. 1633 The Met

Seven men, women, and children with pale, peachy skin flank a woman surrounded by a halo of light, sitting on a throne and holding a nearly nude baby boy in her lap in this long, horizontal painting.

Jacopo Tintoretto Doge Alvise Mocenigo and Family before the Madonna and Child, c. 1575 National Gallery of Art

Portrait of Colonel Charles Heathcote, Joseph Wright of Derby, c. 1771–72, oil on canvas

Joseph Wright of Derby Portrait of Colonel Charles Heathcote, c. 1771–72 Cleveland Museum of Art

We look across an ochre-yellow field to a band of pearl-white buildings under an azure-blue sky in this horizontal landscape painting. Flecks of red in the lower right corner could be flowers.

Odilon Redon Breton Village, c. 1890 National Gallery of Art

A woman with pale skin holds a baby in the crook of her left arm, on our right, against a gold background in this vertical, arched wooden panel. The woman is shown from the waist up with her body angled slightly to our right.

Giotto di Bondone Madonna and Child, c. 1310/1315 National Gallery of Art

Against a deep, hilly landscape, a young woman sits facing us on a rocky ledge with a small child in her lap in this square painting. The woman and child, Mary and Jesus, both have pale skin and blond hair.

Gerard David The Rest on the Flight into Egypt, c. 1510 National Gallery of Art

Music and Dance and Cupids in Conspiracy, François Boucher, 1740s, oil on canvas

François Boucher Music and Dance and Cupids in Conspiracy, 1740s Cleveland Museum of Art

Archangel Gabriel; The Virgin Annunciate, Gerard David, ca. 1510, oil on oak panel

Gerard David Archangel Gabriel; The Virgin Annunciate, ca. 1510 The Met

Honfleur, Johan Barthold Jongkind, 1865, oil on canvas

Johan Barthold Jongkind Honfleur, 1865 The Met

Young Man in the Costume of a Majo, Édouard Manet, 1863, oil on canvas

Édouard Manet Young Man in the Costume of a Majo, 1863 The Met

Bullfight, Édouard Manet, 1865–66, oil on canvas

Édouard Manet Bullfight, 1865–66 Art Institute of Chicago

Sulking, Edgar Degas, ca. 1870, oil on canvas

Edgar Degas Sulking, ca. 1870 The Met

Portrait of a Woman with a Man at a Casement, Fra Filippo Lippi, ca. 1440, tempera on wood

Fra Filippo Lippi Portrait of a Woman with a Man at a Casement, ca. 1440 The Met

Lady Smith (Charlotte Delaval) and Her Children (George Henry, Louisa, and Charlotte), Joshua Reynolds, 1787, oil on canvas

Joshua Reynolds Lady Smith (Charlotte Delaval) and Her Children (George Henry, Louisa, and Charlotte), 1787 The Met

Twilight in the Cedars at Darien, Connecticut, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Twilight in the Cedars at Darien, Connecticut, 1872 The Met

This is a painting of four people outside of a circular stone wall that contains a statue and several trees. The four people are on the left, next to an opening in the curving wall.

Arnold Böcklin The Sanctuary of Hercules, 1884 National Gallery of Art

Blind Orion Searching for the Rising Sun, Nicolas Poussin, 1658, oil on canvas

Nicolas Poussin Blind Orion Searching for the Rising Sun, 1658 The Met

A View near Tivoli (Morning), Thomas Cole, 1832, oil on canvas

Thomas Cole A View near Tivoli (Morning), 1832 The Met

A Hunting Scene, Piero di Cosimo, ca. 1494–1500, tempera and oil transferred to Masonite

Piero di Cosimo A Hunting Scene, ca. 1494–1500 The Met

This is a painting of a woman who is depicted from the waist up. She is positioned sitting or leaning with her head turned to the right. She has pale-yellow skin, and her facial features include red lips and dark eyebrows.

Daniel Gardner The Hon. Mrs. Gray, c. 1785/1790 National Gallery of Art

A pale-skinned child wearing a short-sleeved red dress and a white bonnet stands before a shadowy green forest under dark clouds in this vertical portrait painting. The child’s over-large head is out of scale with the rest of her body.

Edward Hicks Portrait of a Child, c. 1840 National Gallery of Art

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