Paintings for Navy Walls (page 20)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 913 to 960 of 2,066.

Sunflowers, Vincent van Gogh, 1887, oil on canvas

Vincent van Gogh Sunflowers, 1887 The Met

Landscape at Saint-André, Near Marseilles, Paul Guigou, c. 1865, oil on wood panel

Paul Guigou Landscape at Saint-André, Near Marseilles, c. 1865 Cleveland Museum of Art

The Studio, Winslow Homer, 1867, oil on canvas

Winslow Homer The Studio, 1867 The Met

Edmond Cavé (1794–1852), Jean-Auguste-Dominique Ingres, 1844, oil on canvas

Jean-Auguste-Dominique Ingres Edmond Cavé (1794–1852), 1844 The Met

Painting depicting Christ anointed by a woman in yellow, seated centrally at a crowded table of guests with long thin grayish faces in colorful robes with strong white highlights.

El Greco The Feast in the House of Simon, c. 1608–14 Art Institute of Chicago

This painting is a portrait of a child seen from the waist up. The child is seated, with their body turned to the left but their head facing us.

Robert Henri Catharine, 1913 National Gallery of Art

Arab Horseman Attacked by a Lion, Eugène Delacroix, 1849–50, oil on paperboard

Eugène Delacroix Arab Horseman Attacked by a Lion, 1849–50 Art Institute of Chicago

Shown from the hips up, an elegantly dressed woman with smooth, pale skin and ash-brown hair piled high on her head looks off into the distance to our left in front of a loosely painted landscape in this vertical portrait.

Thomas Gainsborough The Hon. Mrs. Thomas Graham, c. 1775/1777 National Gallery of Art

Hagar in the Wilderness, Camille Corot, 1835, oil on canvas

Camille Corot Hagar in the Wilderness, 1835 The Met

A woman with pale white skin and her blond hair covered by a wide veil is shown from the waist up in this vertical portrait painting.

Rogier van der Weyden Portrait of a Lady, c. 1460 National Gallery of Art

Arion on a Sea Horse, William-Adolphe Bouguereau, 1855, oil on fabric

William-Adolphe Bouguereau Arion on a Sea Horse, 1855 Cleveland Museum of Art

Large painting of soldier asleep outdoors surrounded by two women and a cupid.

Giovanni Battista Tiepolo Armida Encounters the Sleeping Rinaldo, c. 1742–45 Art Institute of Chicago

This vertical portrait shows the head, shoulders, and chest of a young man with smooth, pale skin and shoulder-length, dark blond hair positioned behind a narrow gray, stone ledge.

Sandro Botticelli Portrait of a Youth, c. 1482/1485 National Gallery of Art

Mrs. Andrew Sigourney, Gilbert Stuart, Ca. 1820, oil on canvas

Gilbert Stuart Mrs. Andrew Sigourney, Ca. 1820 The Met

This painting shows a man standing upright, his body slightly turned to the right.

Francisco de Goya Charles IV of Spain as Huntsman, c. 1799/1800 National Gallery of Art

Jacques-Louis Leblanc (1774–1846), Jean-Auguste-Dominique Ingres, 1823, oil on canvas

Jean-Auguste-Dominique Ingres Jacques-Louis Leblanc (1774–1846), 1823 The Met

Mrs. Walter Rathbone Bacon (Virginia Purdy Barker, 1862–1919), Anders Zorn, 1897, oil on canvas

Anders Zorn Mrs. Walter Rathbone Bacon (Virginia Purdy Barker, 1862–1919), 1897 The Met

This painting shows a brown jug filled with pink roses and green leaves on a brown surface that looks like a suitcase on its side. To the right of the jug are some stacked books, which are a light green color.

Édouard Vuillard The Artist's Paint Box and Moss Roses, 1898 National Gallery of Art

Young Husband: First Marketing, Lilly Martin Spencer, 1854, oil on canvas

Lilly Martin Spencer Young Husband: First Marketing, 1854 The Met

An older woman wearing a long black dress sits reading a book in front of a younger woman wearing cream white, who sits on a couch just beyond, in this vertical portrait painting.

Berthe Morisot The Mother and Sister of the Artist, 1869/1870 National Gallery of Art

Rest, William-Adolphe Bouguereau, 1879, oil on fabric

William-Adolphe Bouguereau Rest, 1879 Cleveland Museum of Art

This painting shows a man depicted from two angles; on the left, he faces us, while on the right, his back is to us. In both views he wears the same clothes and is in the same position.

Eugène Delacroix Two Studies of a Standing Indian from Calcutta, c. 1823/1824 National Gallery of Art

Shown from the knees up, a pale-skinned woman wearing a voluminous, gold-trimmed, white satin gown and a black overdress stands holding a closed fan in this vertical portrait painting.

Anthony van Dyck Lady with a Fan, c. 1628 National Gallery of Art

Painting of two fishermen in small wooden boat on rocky seas.

Winslow Homer The Herring Net, 1885 Art Institute of Chicago

Roses in a Bowl, Henri Fantin-Latour, 1883, oil on canvas

Henri Fantin-Latour Roses in a Bowl, 1883 The Met

The image shows a full-body portrait of a young child standing indoors. The child faces forward with a neutral expression, looking directly at the viewer. They have neatly styled brown hair parted in the middle.

Joseph Goodhue Chandler Girl with Kitten, c. 1836/1838 National Gallery of Art

Apples, Henri Matisse, 1916, oil on canvas

Henri Matisse Apples, 1916 Art Institute of Chicago

Large painting of Holy Family: Mary in red, holding baby Jesus.

Peter Paul Rubens The Holy Family with Saints Elizabeth and John the Baptist, c. 1615 Art Institute of Chicago

Sparrow Hall, Winslow Homer, c. 1881-1882, oil on canvas

Winslow Homer Sparrow Hall, c. 1881-1882 National Gallery of Art

The painting displays the upper torso, head, and shoulders of a person wrapped in a light-colored fabric that covers their body and forms a hood around their head. The person appears to be seated, facing slightly towards the right.

Robert Henri Indian Girl in White Blanket, 1917 National Gallery of Art

Pushing for Rail, Thomas Eakins, 1874, oil on canvas

Thomas Eakins Pushing for Rail, 1874 The Met

Shown from the hips up, a pale-skinned young woman wearing a white dress sits smiling gently at us in this vertical portrait painting. Blended strokes of pearl white, cool green, and muted blue create an overall soft, almost blurred look.

Pierre-Auguste Renoir Madame Henriot, c. 1876 National Gallery of Art

Sheer, vertical, cliffs, brightly lit in cream white and rust orange by the low sun, tower over a band of people riding horses into the distance in this long, horizontal landscape painting.

Thomas Moran Green River Cliffs, Wyoming, 1881 National Gallery of Art

Against a distant, hazy, verdant forest, a petal-pink and amethyst-purple orchid grows from a mossy branch close to us, to our left, while three jewel-toned hummingbirds gather around a nest to our right in this horizontal painting.

Martin Johnson Heade Cattleya Orchid and Three Hummingbirds, 1871 National Gallery of Art

Shown from the lap up, a woman with peachy skin, wearing a white silk dress and feathered headpiece, sits facing and looking at us in a harvest-yellow, upholstered chair in this vertical portrait painting.

Jacques-Louis David Madame David, 1813 National Gallery of Art

Mrs. Grace Dalrymple Elliott (1754?–1823), Thomas Gainsborough, 1778, oil on canvas

Thomas Gainsborough Mrs. Grace Dalrymple Elliott (1754?–1823), 1778 The Met

The Adoration of the Magi, Gerard David, ca. 1520, oil on wood

Gerard David The Adoration of the Magi, ca. 1520 The Met

We look down onto a landscape where several laundry lines have been draped mostly with white sheets or cloth to dry in a flat, grassy yard in front of a rustic house and a distant town in this horizontal painting.

Berthe Morisot Hanging the Laundry out to Dry, 1875 National Gallery of Art

Petrus Scriverius (1576–1660), Frans Hals, 1626, oil on wood

Frans Hals Petrus Scriverius (1576–1660), 1626 The Met

A child and man stand facing away from us in this vertical painting. The scene is painted with visible dabs, stipples, and strokes of paint, and many details, especially in the distance, are indistinct.

Édouard Vuillard Child Wearing a Red Scarf, c. 1891 National Gallery of Art

The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge, Henri de Toulouse-Lautrec, 1892, oil on cardboard

Henri de Toulouse-Lautrec The Englishman (William Tom Warrener, 1861–1934) at the Moulin Rouge, 1892 The Met

A partially nude woman with pale, peachy skin sits to our left looking into a mirror held up by a nearly nude, winged child to our right in this vertical painting.

Titian Venus with a Mirror, c. 1555 National Gallery of Art

David Anderson, Henry Raeburn, 1790, oil on canvas

Henry Raeburn David Anderson, 1790 National Gallery of Art

Shown from the shins up, a woman with pale skin, iron-gray hair, and wearing a high-collared, long-sleeved black dress, stands next to a table against a caramel-brown wall in this vertical portrait painting.

John Singer Sargent Eleanora O'Donnell Iselin (Mrs. Adrian Iselin), 1888 National Gallery of Art

Water Lily Pond, Claude Monet, 1917–19, oil on canvas

Claude Monet Water Lily Pond, 1917–19 Art Institute of Chicago

George Bellows Little Girl in White (Queenie Burnett), 1907 National Gallery of Art

About a dozen women and men, all with pale or suntanned skin, work in a field harvesting grain in this horizontal painting. The women wear long skirts and aprons, and some wear cloths tied around their heads.

Jules Breton The Colza (Harvesting Rapeseed), 1860 National Gallery of Art

The Flowering Orchard, Vincent van Gogh, 1888, oil on canvas

Vincent van Gogh The Flowering Orchard, 1888 The Met

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