Paintings for Navy Walls (page 18)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 817 to 864 of 2,066.

The Farm at the Entrance of the Wood, Rosa Bonheur, 1860–80, oil on fabric

Rosa Bonheur The Farm at the Entrance of the Wood, 1860–80 Cleveland Museum of Art

A Boy in a Red-Lined Cloak, Jean-Honoré Fragonard, 1780s, oil on wood

Jean-Honoré Fragonard A Boy in a Red-Lined Cloak, 1780s Cleveland Museum of Art

Campo Santa Maria Zobenigo, Venice, Canaletto, 1730s, oil on canvas

Canaletto Campo Santa Maria Zobenigo, Venice, 1730s The Met

Cupids in Conspiracy, François Boucher, 1740s, oil on canvas

François Boucher Cupids in Conspiracy, 1740s Cleveland Museum of Art

The Wheat Field, George Inness, c. 1875–77, oil on canvas

George Inness The Wheat Field, c. 1875–77 Cleveland Museum of Art

The Agony in the Garden, Raphael, ca. 1504, oil on wood

Raphael The Agony in the Garden, ca. 1504 The Met

Landscape with Ducks, Charles-François Daubigny, 1872, oil on wood

Charles-François Daubigny Landscape with Ducks, 1872 The Met

A balding man with peach-colored skin and a drooping white mustache is surrounded by flowers floating in a blue sky with apricot-colored clouds in this vertical painting. He is shown from the waist up facing us at the bottom center.

Odilon Redon Evocation of Roussel, c. 1912 National Gallery of Art

We look through shadowed trees at a river winding into the distance in this horizontal landscape painting.

Annibale Carracci River Landscape, c. 1590 National Gallery of Art

Vividly colored painting of Virgin Mary with baby Jesus and baby John the Baptist.

Correggio Virgin and Child with the Young Saint John the Baptist, c. 1515 Art Institute of Chicago

Landscape with Haywain, Worthington Whittredge, 1861, oil on canvas

Worthington Whittredge Landscape with Haywain, 1861 Cleveland Museum of Art

A barefoot man wearing tattered clothing, with his hands clasped at his chest, kneels at the feet of an old, bearded man in this almost square painting. The pair is flanked by five people on our right and a man, boy, and calf on our left.

Bartolomé Esteban Murillo The Return of the Prodigal Son, 1667/1670 National Gallery of Art

Portrait of a Child, Camille Corot, ca. 1835, oil on wood

Camille Corot Portrait of a Child, ca. 1835 The Met

A River Landscape with Storks, Charles-François Daubigny, 1864, oil on wood

Charles-François Daubigny A River Landscape with Storks, 1864 The Met

This painting shows a seated woman, her head turned slightly to the right. She has fair skin with rosy cheeks, pale eyebrows, a long nose, and thin pink lips in a neutral expression.

Benjamin West Maria Hamilton Beckford (Mrs. William Beckford), 1799 National Gallery of Art

Springtime, Théodore Rousseau, c. 1860, oil on panel

Théodore Rousseau Springtime, c. 1860 Art Institute of Chicago

Portrait of a Woman, probably Aeltje Dircksdr. Pater, Frans Hals, 1638, oil on canvas

Frans Hals Portrait of a Woman, probably Aeltje Dircksdr. Pater, 1638 Cleveland Museum of Art

Sea Cove, Albert Bierstadt, ca. 1880–90, oil on wood

Albert Bierstadt Sea Cove, ca. 1880–90 The Met

Reapers Resting in a Wheat Field, John Singer Sargent, 1885, oil on canvas

John Singer Sargent Reapers Resting in a Wheat Field, 1885 The Met

Hulking mountains are mostly backlit against a watery blue sky edged with shell pink along the horizon, which comes about two-thirds of the way up this horizontal landscape painting.

Thomas Cole Sunrise in the Catskills, 1826 National Gallery of Art

The Adoration of the Magi, Giotto di Bondone, possibly ca. 1320, tempera on wood, gold ground

Giotto di Bondone The Adoration of the Magi, possibly ca. 1320 The Met

Two people, perhaps a woman and man, and a baby sit at a table in a courtyard surrounded by vine-covered walls in this square painting. The scene is loosely painted with visible dabs, dashes, or smudges. The table is to the left of center.

Édouard Vuillard Repast in a Garden, 1898 National Gallery of Art

Frieda Schiff (1876–1958), Later Mrs. Felix M. Warburg, Anders Zorn, 1894, oil on canvas

Anders Zorn Frieda Schiff (1876–1958), Later Mrs. Felix M. Warburg, 1894 The Met

Untitled (Cracked Watermelon), Charles Ethan Porter, ca. 1890, oil on canvas

Charles Ethan Porter Untitled (Cracked Watermelon), ca. 1890 The Met

Portrait of a light-skinned woman with dark curly hair and to her right a small, blond child. Both are elegantly dressed, the woman in a dark, short-sleeved dress with gathered bodice and the child in a short-sleeved white dress.

Joshua Johnson Elizabeth Grant Bankson Beatty (Mrs. James Beatty) and Her Daughter Susan, c. 1805 Art Institute of Chicago

Gray Weather, Grande Jatte, Georges Seurat, ca. 1886–88, oil on canvas

Georges Seurat Gray Weather, Grande Jatte, ca. 1886–88 The Met

William Fraser of Reelig (1784–1835), Henry Raeburn, 1801, oil on canvas

Henry Raeburn William Fraser of Reelig (1784–1835), 1801 The Met

Rinaldo and Armida in Her Garden, Giovanni Battista Tiepolo, c. 1742–45, oil on canvas

Giovanni Battista Tiepolo Rinaldo and Armida in Her Garden, c. 1742–45 Art Institute of Chicago

A Farm in Brittany, Paul Gauguin, ca. 1894, oil on canvas

Paul Gauguin A Farm in Brittany, ca. 1894 The Met

Glaucus and Nydia, Lawrence Alma-Tadema, 1867, oil on wood panel

Lawrence Alma-Tadema Glaucus and Nydia, 1867 Cleveland Museum of Art

Study Head of an Old Man with a White Beard, Anthony van Dyck, ca. 1617–20, oil on wood

Anthony van Dyck Study Head of an Old Man with a White Beard, ca. 1617–20 The Met

We look slightly down onto a stage, at a woman who dances at the center of this square painting. The pale, white skin on her face is tinged with slate-blue shadows and heightened noticeably with pink blush at the cheekbones.

Henri de Toulouse-Lautrec Marcelle Lender Dancing the Bolero in "Chilpéric", 1895-1896 National Gallery of Art

House and Courtyard, John Singer Sargent, 1895–1903 (?), watercolor and gouache on white wove paper

John Singer Sargent House and Courtyard, 1895–1903 (?) The Met

Pierre-Auguste Renoir Girl with a Basket of Oranges, c. 1889 National Gallery of Art

Vase of Flowers, Odilon Redon, c. 1905, oil on fabric

Odilon Redon Vase of Flowers, c. 1905 Cleveland Museum of Art

This painting shows two people. A woman is seen from the knees up in the center, standing partially in front of the man next to her, her body facing the left and her head turned back towards us.

Jean-Louis Forain Behind the Scenes, c. 1880 National Gallery of Art

The Laundress, Honoré Daumier, 186[3?], oil on oak

Honoré Daumier The Laundress, 186[3?] The Met

The rounded, feathery canopies of trees are mirrored in the placid surface of a river in this horizontal landscape painting. The scene is loosely painted with visible dashes and strokes. The largest tree is to our right of center.

Claude Monet The Seine at Giverny, 1897 National Gallery of Art

The painting depicts a rural scene with a wide, cloudy blue sky over a riverbank. On the right there are tall, dark green trees that stretch up to the top of the painting.

Camille Corot River View, 1868/1872 National Gallery of Art

The Little Shepherdess, Jean-François Millet, 1868–72, oil on panel

Jean-François Millet The Little Shepherdess, 1868–72 Art Institute of Chicago

A Young Girl with Daisies, Pierre-Auguste Renoir, 1889, oil on canvas

Pierre-Auguste Renoir A Young Girl with Daisies, 1889 The Met

A sinewy older man, his pale skin mostly exposed, sits on a stone low to the ground facing a table on our right in the center of this vertical painting. His gray hair is cropped short, and he has a graying, long beard.

Paolo Veronese Saint Jerome in the Wilderness, c. 1575/1585 National Gallery of Art

We look slightly down at a woman with pale skin and two men with ruddy complexions sitting at a table near a railing overlooking a boat-clogged waterway in this horizontal painting.

James McNeill Whistler Wapping, 1860-1864 National Gallery of Art

The image shows an upper-body portrait of a man facing forward with his body tilted slightly to the left. He wears a brown coat over a teal waistcoat and a white ruffled shirt is visible at the cuffs and neckline.

Jeremiah Theus Mr. Motte, c. 1760 National Gallery of Art

The Supper at Emmaus, Diego Velázquez, 1622–23, oil on canvas

Diego Velázquez The Supper at Emmaus, 1622–23 The Met

Portrait of a Woman in Gray, Edgar Degas, ca. 1865, oil on canvas

Edgar Degas Portrait of a Woman in Gray, ca. 1865 The Met

Warm sunlight bathes a scene with a herd of five golden tan, ivory, or chocolate-brown cows lying or standing on a low hill near four people on foot and on horseback in this horizontal landscape painting.

Aelbert Cuyp Landscape with Herdsmen, mid 1650s National Gallery of Art

Souvenir of the Environs of Lake Nemi, Camille Corot, 1865, oil on canvas

Camille Corot Souvenir of the Environs of Lake Nemi, 1865 Art Institute of Chicago

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