Paintings for Olive Walls (page 12)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 529 to 576 of 606.

The top three-quarters of this horizontal landscape painting is filled with roiling, deeply shadowed clouds that tower over a line of buffalo crossing a grassy meadow below.

Albert Bierstadt Buffalo Trail: The Impending Storm, 1869 National Gallery of Art

Portrait of a Young Man, Agnolo Bronzino, 1530s, oil on wood

Agnolo Bronzino Portrait of a Young Man, 1530s The Met

Still Life with Apples and Pitcher, Camille Pissarro, 1872, oil on canvas

Camille Pissarro Still Life with Apples and Pitcher, 1872 The Met

This is a landscape painting depicting a body of water surrounded by greenery, with tall green and purple mountains in the background under a sky full of dark pink clouds and a strip of bright blue-green.

John La Farge The Entrance to the Tautira River, Tahiti. Fisherman Spearing a Fish, c. 1895 National Gallery of Art

A Peasant Girl Knitting, Jules Breton, ca. 1870, oil on canvas

Jules Breton A Peasant Girl Knitting, ca. 1870 The Met

This painting shows a maritime scene from the water, with a coastline in the distance marked by small, colorful buildings and distant green hills.

A. Hashagen Ship "Arkansas" Leaving Havana, 1847 National Gallery of Art

Close to us, a woman and a winged, child-like putto float on clouds above a clean-shaven young man in a forest setting in this horizontal painting. All three people have smooth, pale skin, rosy cheeks, and ash-blond hair.

Jean-Honoré Fragonard Diana and Endymion, c. 1753/1756 National Gallery of Art

A man with pale skin, wearing a gold-embroidered amber-yellow jacket and tomato-red pants, stands in front of a rocky outcropping with a distant view beyond in this vertical portrait painting.

Anthony van Dyck Henri II de Lorraine, c. 1634 National Gallery of Art

Woman in a Garden, Berthe Morisot, 1882–83, oil on canvas

Berthe Morisot Woman in a Garden, 1882–83 Art Institute of Chicago

A wide river cuts through a loosely painted, sunlit landscape in this almost square painting.

Alfred Sisley The Banks of the Oise, 1877/1878 National Gallery of Art

We look down onto a wide, bustling, tree-lined avenue filled with buildings, people, and horse-drawn carriages in this horizontal painting.

Camille Pissarro Boulevard des Italiens, Morning, Sunlight, 1897 National Gallery of Art

Entrance to a Village, Meindert Hobbema, ca. 1665, oil on wood

Meindert Hobbema Entrance to a Village, ca. 1665 The Met

A glass bottle, a glass carafe, a stemmed glass, several pieces of fruit, and white and blue cloths are arranged on a wooden table in this horizontal still life. The bottle and carafe are at the center of this composition.

Paul Cézanne The Peppermint Bottle, 1893/1895 National Gallery of Art

A young woman with flushed, peachy skin stands on a rocky shoreline with a fishing net slung over one shoulder in this horizontal painting. Her body faces us, and she looks off and down to our right.

Winslow Homer A Light on the Sea, 1897 National Gallery of Art

Luman Reed, Asher Brown Durand, 1835, oil on canvas

Asher Brown Durand Luman Reed, 1835 The Met

Pansies, Henri Fantin-Latour, 1903, oil on canvas

Henri Fantin-Latour Pansies, 1903 The Met

In a verdant green landscape, a stone castle sits on a tree-lined hill in the distance in front of a high, craggy mountain peak while eighteen armored knights ride toward us along a bridge and path in this horizontal painting.

Thomas Cole The Departure, 1837 National Gallery of Art

Alfred Dedreux (1810–1860) as a Child, Théodore Géricault, ca. 1819–20, oil on canvas

Théodore Géricault Alfred Dedreux (1810–1860) as a Child, ca. 1819–20 The Met

Vase of Flowers (Pink Background), Odilon Redon, ca. 1906, oil on canvas

Odilon Redon Vase of Flowers (Pink Background), ca. 1906 The Met

We look across a waterlogged path at a line of rust-red and bronze-brown trees that nearly span the width of this horizontal landscape painting. The scene is loosely painted, which creates a blurred look.

Théodore Rousseau After the Rain, c. 1850 National Gallery of Art

The Adoration of the Magi, Gerard David, ca. 1520, oil on wood

Gerard David The Adoration of the Magi, ca. 1520 The Met

The Forest at Pontaubert, Georges Seurat, 1881, oil on canvas

Georges Seurat The Forest at Pontaubert, 1881 The Met

The painting features a large slice of yellow cake, a halved lemon, a glass of pale-yellow liquid with a slice of lemon and a straw in it, and a white plate filled with red raspberries.

John Frederick Peto Still Life with Cake, Lemon, Strawberries, and Glass, 1890 National Gallery of Art

Shown from the knees up, a pale-skinned woman stands close to us with a red schoolhouse in the distance under a sunset sky in this vertical painting.

Winslow Homer The Red School House, 1873 National Gallery of Art

Peaceable Kingdom, Edward Hicks, ca. 1830–32, oil on canvas

Edward Hicks Peaceable Kingdom, ca. 1830–32 The Met

High Point: Shandaken Mountains, Asher Brown Durand, 1853, oil on canvas

Asher Brown Durand High Point: Shandaken Mountains, 1853 The Met

Seven people with cream-white skin crowd together, sitting at or standing among tables in an interior space in this vertical painting. The composition is dominated by shades of blue and pale green.

Henri de Toulouse-Lautrec A Corner of the Moulin de la Galette, 1892 National Gallery of Art

We look out across a band of broad, craggy boulders at an ocean bay dotted with boats in this horizontal landscape painting. The tops of the flat boulders are caramel brown in the sunlight and darker, rust-brown shadows down the sides.

William Stanley Haseltine Narragansett Bay, 1864 National Gallery of Art

Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left.

Thomas Gainsborough Mrs. Paul Cobb Methuen, c. 1776/1777 National Gallery of Art

This painting shows a woman standing outdoors, facing the left. She has pale skin, and her face is in shadow, obscured by a wide-brimmed flat white hat with a red stripe around the edge, tied with a black bow behind her head.

Eastman Johnson Lambs, Nantucket, 1874 National Gallery of Art

Landscape, Jean-Charles Cazin, after 1876, oil on canvas

Jean-Charles Cazin Landscape, after 1876 National Gallery of Art

Moorish Buildings in Sunlight, John Singer Sargent, 1879–80, oil on wood

John Singer Sargent Moorish Buildings in Sunlight, 1879–80 The Met

Seated Peasant, Paul Cézanne, ca. 1892–96, oil on canvas

Paul Cézanne Seated Peasant, ca. 1892–96 The Met

We look across a body of water at two houses, some smaller outbuildings, and a houseboat along the far bank in this abstracted, horizontal landscape painting.

Paul Cézanne At the Water's Edge, c. 1890 National Gallery of Art

The Source of the Loue, Gustave Courbet, 1864, oil on canvas

Gustave Courbet The Source of the Loue, 1864 The Met

Thomas Wilmer Dewing Lady with a Lute, 1886 National Gallery of Art

Landscape painting featuring a wavy tree tree in the foreground and a watermill with a red roof adjacent to a river at right. Colors are subdued earth tones, the foliage a dark green and the river a muddy brown.

Meindert Hobbema The Watermill with the Great Red Roof, c. 1665 Art Institute of Chicago

A pale-skinned woman sits at a table leaning over an open book in a brightly lit room in this loosely painted, horizontal scene.

Camille Corot Woman Reading in the Studio, c. 1868 National Gallery of Art

This painting depicts a large bull standing in a grassy plain. The bull is seen from the side, facing the right. Its head is a rich brown color, while its body and legs are swirled with patches of white and brown.

H. Call Prize Bull, 1876 National Gallery of Art

Sun drenches a landscape with trees, grassy hills, and rocky cliffs in this horizonal painting.

Jean-Victor Bertin Shepherd with His Flock, c. 1820 National Gallery of Art

Still Life with a Ginger Jar and Eggplants, Paul Cézanne, 1893–94, oil on canvas

Paul Cézanne Still Life with a Ginger Jar and Eggplants, 1893–94 The Met

Several people sit, stand, or stroll along a dirt road that winds from the lower left corner of this horizontal landscape painting into the distance, past trees and cottages under a vivid blue sky.

Meindert Hobbema A View on a High Road, 1665 National Gallery of Art

George Sand's Garden at Nohant, Eugène Delacroix, ca. 1842–43, oil on canvas

Eugène Delacroix George Sand's Garden at Nohant, ca. 1842–43 The Met

Set on a strip of land under a cloud-filled sky and in front of a stormy sea, a nude, light-skinned satyr reclines to our right as a nude, pale-skinned, blond child crouches over some objects on the dirt ground to our left in this vertical…

Lorenzo Lotto Allegory of Virtue and Vice, 1505 National Gallery of Art

The painting depicts an elevated viewpoint of a grand waterfall surrounded by a landscape filled with people and canoes. The horizon is high in the composition, marked by a line of trees and the flowing waterfall.

George Catlin Portage Around the Falls of Niagara at Table Rock, 1847/1848 National Gallery of Art

This painting depicts a seated woman facing the left. She has a pale complexion, rosy cheeks, arched eyebrows, and thin red lips set in a neutral expression. Her hands are resting on her lap.

Joshua Reynolds Lady Cornewall, c. 1785-1786 National Gallery of Art

Mount Washington, Winslow Homer, 1869, oil on canvas

Winslow Homer Mount Washington, 1869 Art Institute of Chicago

Lormes: Goat-Girl Sitting Beside a Stream in a Forest, Camille Corot, 1842, oil on fabric

Camille Corot Lormes: Goat-Girl Sitting Beside a Stream in a Forest, 1842 Cleveland Museum of Art

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