Paintings for Olive Walls (page 13)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 577 to 606 of 606.

This painting shows a grand, domed cathedral by a busy waterway. The dome and the surrounding white buildings are silhouetted against a blue sky with thin white and gray clouds.

Francesco Guardi Santa Maria della Salute, c. 1770 National Gallery of Art

Paul Cézanne Man with Pipe, 1892/1896 National Gallery of Art

The Marsh, Charles-François Daubigny, 1871, oil on panel

Charles-François Daubigny The Marsh, 1871 Art Institute of Chicago

The Antechamber of the Sala del Maggior Consiglio, Francesco Guardi, ca. 1765–68, oil on canvas

Francesco Guardi The Antechamber of the Sala del Maggior Consiglio, ca. 1765–68 The Met

A Shaded Avenue, Jean-Honoré Fragonard, ca. 1775, oil on wood

Jean-Honoré Fragonard A Shaded Avenue, ca. 1775 The Met

Christ on the Cross, El Greco, c. 1600–1610, oil on canvas

El Greco Christ on the Cross, c. 1600–1610 Cleveland Museum of Art

This painting depicts a snowy forest scene with a path running through tall, leafless trees.

Eastman Johnson On Their Way to Camp, 1873 National Gallery of Art

Portrait of a Man, possibly Matteo di Sebastiano di Bernardino Gozzadini, Unknown artist, 1494(?), tempera on wood

Unknown artist Portrait of a Man, possibly Matteo di Sebastiano di Bernardino Gozzadini, 1494(?) The Met

Still Life with Pansies, Henri Fantin-Latour, 1874, oil on canvas

Henri Fantin-Latour Still Life with Pansies, 1874 The Met

Corn Fields, Félix Vallotton, 1900, oil on board

Félix Vallotton Corn Fields, 1900 Cleveland Museum of Art

A woman and child stand in an enclosed courtyard in this vertical painting.

Pieter de Hooch Woman and Child in a Courtyard, 1658/1660 National Gallery of Art

Scene on the Mersey, James McNeill Whistler, 1869, watercolor and gouache on white wove paper

James McNeill Whistler Scene on the Mersey, 1869 The Met

The Collector of Prints, Edgar Degas, 1866, oil on canvas

Edgar Degas The Collector of Prints, 1866 The Met

Girl in a Sailor's Blouse, Amedeo Modigliani, 1918, oil on canvas

Amedeo Modigliani Girl in a Sailor's Blouse, 1918 The Met

This image depicts a snow-covered landscape with a high horizon line meeting a line of evergreen trees under a sky with blue and grayish clouds. The sky and treetops are textured with lively brushstrokes.

George Catlin La Salle Crossing Lake Michigan on the Ice. December 8, 1681, 1847/1848 National Gallery of Art

This painting shows a man's head and shoulders in a portrait. He is turned slightly to the left, looking out towards us. The left half of his face and torso are in shadow.

Henri Fantin-Latour Self-Portrait, 1858 National Gallery of Art

Six women, eight men, two satyrs, and one child gather in pairs and trios in a loose row that spans the width of this nearly square painting. They are set within a landscape with craggy rocks, cliffs, and trees.

Giovanni Bellini The Feast of the Gods, 1514/1529 National Gallery of Art

Rest, William-Adolphe Bouguereau, 1879, oil on fabric

William-Adolphe Bouguereau Rest, 1879 Cleveland Museum of Art

Madame Roulin Rocking the Cradle (La berceuse), Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh Madame Roulin Rocking the Cradle (La berceuse), 1889 Art Institute of Chicago

Shown from the waist up, a light-skinned man sits sideways in a wooden chair so the arm closer to us rests along the chair’s back in this vertical portrait painting. Brushstrokes are visible throughout, especially in the clothing and hair.

Frans Hals Willem Coymans, 1645 National Gallery of Art

Landscape at Saint-André, Near Marseilles, Paul Guigou, c. 1865, oil on wood panel

Paul Guigou Landscape at Saint-André, Near Marseilles, c. 1865 Cleveland Museum of Art

Shown from about the knees up, a pale, smooth-skinned woman in a fur-lined yellow jacket looks out at us as she sits writing at a table in this vertical painting. The woman’s body faces the table to our left.

Johannes Vermeer A Lady Writing, c. 1665 National Gallery of Art

Composition with Red, Yellow, and Blue, Piet Mondrian, 1927, oil on canvas

Piet Mondrian Composition with Red, Yellow, and Blue, 1927 Cleveland Museum of Art

Shown from the waist up, a clean-shaven man with pale, peachy skin is dressed in black and burgundy red in this vertical portrait painting.

Lucas Cranach the Elder Portrait of a Man, 1522 National Gallery of Art

Kitchen Scene, Diego Velázquez, 1618–20, oil on canvas

Diego Velázquez Kitchen Scene, 1618–20 Art Institute of Chicago

The Veteran in a New Field, Winslow Homer, 1865, oil on canvas

Winslow Homer The Veteran in a New Field, 1865 The Met

We look across a shaded field of snow, through a screen of loosely spaced trees at a cobalt-blue mountain that dominates this square landscape painting. The scene is painted with visible brushstrokes throughout.

Abbott Handerson Thayer Mount Monadnock, probably 1911/1914 National Gallery of Art

Apples, Henri Matisse, 1916, oil on canvas

Henri Matisse Apples, 1916 Art Institute of Chicago

This painting depicts a collection of large green lily pads and blooming lotus flowers. The flowers are primarily white and pink, resting on the ends of long stems.

Theodore Wores Buddha's Flowers: Lotus, Tokyo, 1894 National Gallery of Art

Passing off of the Storm, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Passing off of the Storm, 1872 The Met

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