Paintings for Powder Blue Walls (page 41)

Contrasts with your wall

Paintings built around the opposite color, which stand out against this wall. The truest opposites come first. Showing 1,921 to 1,950 of 1,950.

Man with a Magnifying Glass, Rembrandt van Rijn, early 1660s, oil on canvas

Rembrandt van Rijn Man with a Magnifying Glass, early 1660s The Met

Worthington Whittredge, Emanuel Leutze, 1856, oil on canvas

Emanuel Leutze Worthington Whittredge, 1856 The Met

We look slightly down onto the surface of a river in which three narrow canoes, each paddled by a single person, are being rowed toward us in this horizontal landscape painting.

Gustave Caillebotte Skiffs, 1877 National Gallery of Art

Fir Trees and Storm Clouds, Albert Bierstadt, c. 1870, oil on paper mounted on canvas

Albert Bierstadt Fir Trees and Storm Clouds, c. 1870 Cleveland Museum of Art

Berthe Morisot Young Woman with a Straw Hat, 1884 National Gallery of Art

A tall, thin, pale-skinned young man stands in a dimly lit room, nearly filling the height of this portrait painting. He faces us with his body turned slightly to our left, and he wears a charcoal-gray suit and black shoes.

James McNeill Whistler George W. Vanderbilt, 1897/1903 National Gallery of Art

Seated Peasant, Paul Cézanne, ca. 1892–96, oil on canvas

Paul Cézanne Seated Peasant, ca. 1892–96 The Met

Landscape with a Windmill, Jacob van Ruisdael, 1646, oil on wood

Jacob van Ruisdael Landscape with a Windmill, 1646 Cleveland Museum of Art

We look onto two black-headed ducks twisting and flailing midair against a slate-gray landscape in this horizontal painting. The silvery white body of the bird to our left faces us as its neck twists to our left, its black wings extended.

Winslow Homer Right and Left, 1909 National Gallery of Art

Shown from the chest up, a young boy wearing an aquamarine-blue jacket sits facing us in this vertical portrait painting. His body is slightly angled to our right and he looks just over our right shoulder. He has close-cropped, dark hair.

Paul Cézanne Louis Guillaume, 1879-1890 National Gallery of Art

Hampstead Heath, Looking Toward Harrow, John Constable, c. 1821, oil on paper, mounted on canvas

John Constable Hampstead Heath, Looking Toward Harrow, c. 1821 Cleveland Museum of Art

This painting shows a young girl standing and facing forward. She is holding an open, dark-colored parasol with one hand and a small, indistinct object with the other hand.

George Bellows Anne with a Japanese Parasol, 1917 National Gallery of Art

Still Life with a Ginger Jar and Eggplants, Paul Cézanne, 1893–94, oil on canvas

Paul Cézanne Still Life with a Ginger Jar and Eggplants, 1893–94 The Met

Moonlight, Wood Island Light, Winslow Homer, 1894, oil on canvas

Winslow Homer Moonlight, Wood Island Light, 1894 The Met

Shown from the knees up, a woman stands facing us as she turns her head to look off to our right in this vertical portrait painting. The woman has pale, peachy skin, deeply shadowed, hooded eyes, and a straight nose.

Camille Corot Agostina, 1866 National Gallery of Art

Six jockeys wearing colorful silks sit astride brown and black horses on a grassy field in this horizontal painting. Two more riders wearing top hats sit a bit farther back from the group, and two horses run on a grass track behind that.

Edgar Degas The Races, 1871-1872 National Gallery of Art

David Sears, Jr., Gilbert Stuart, ca. 1815, oil on canvas

Gilbert Stuart David Sears, Jr., ca. 1815 The Met

Portrait of a Man, Frans Hals, early 1650s, oil on canvas

Frans Hals Portrait of a Man, early 1650s The Met

A nude man holding a book in one hand and a rock down by his other side kneels at the opening of a rocky cave in this vertical painting. The man’s body and the shadowy cave opening nearly fill the composition.

El Greco Saint Jerome, c. 1610/1614 National Gallery of Art

Portrait of a Seated Man, Gerard ter Borch, late 1650s or early 1660s, oil on wood

Gerard ter Borch Portrait of a Seated Man, late 1650s or early 1660s The Met

Arques-la-Bataille, John Henry Twachtman, ca. 1884, oil on canvas

John Henry Twachtman Arques-la-Bataille, ca. 1884 The Met

Jalais Hill, Pontoise, Camille Pissarro, 1867, oil on canvas

Camille Pissarro Jalais Hill, Pontoise, 1867 The Met

Corn Fields, Félix Vallotton, 1900, oil on board

Félix Vallotton Corn Fields, 1900 Cleveland Museum of Art

Shown from about the knees up, a pale, smooth-skinned woman in a fur-lined yellow jacket looks out at us as she sits writing at a table in this vertical painting. The woman’s body faces the table to our left.

Johannes Vermeer A Lady Writing, c. 1665 National Gallery of Art

Luman Reed, Asher Brown Durand, 1835, oil on canvas

Asher Brown Durand Luman Reed, 1835 The Met

Edward R. Bacon (1846–1915), Anders Zorn, 1897, oil on canvas

Anders Zorn Edward R. Bacon (1846–1915), 1897 The Met

The Funding Bill, Eastman Johnson, 1881, oil on canvas

Eastman Johnson The Funding Bill, 1881 The Met

Edward Guthrie Kennedy, James McNeill Whistler, 1893–95, oil on wood

James McNeill Whistler Edward Guthrie Kennedy, 1893–95 The Met

Thomas Wilmer Dewing Lady with a Lute, 1886 National Gallery of Art

This painting depicts a collection of large green lily pads and blooming lotus flowers. The flowers are primarily white and pink, resting on the ends of long stems.

Theodore Wores Buddha's Flowers: Lotus, Tokyo, 1894 National Gallery of Art

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