Paintings for Sand Walls (page 14)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 625 to 672 of 1,948.

Vase of Flowers, Odilon Redon, c. 1905, oil on fabric

Odilon Redon Vase of Flowers, c. 1905 Cleveland Museum of Art

Jo, La Belle Irlandaise, Gustave Courbet, 1865–66, oil on canvas

Gustave Courbet Jo, La Belle Irlandaise, 1865–66 The Met

Arab Horseman Attacked by a Lion, Eugène Delacroix, 1849–50, oil on paperboard

Eugène Delacroix Arab Horseman Attacked by a Lion, 1849–50 Art Institute of Chicago

Bacchante on a Panther, William-Adolphe Bouguereau, 1855, oil on fabric

William-Adolphe Bouguereau Bacchante on a Panther, 1855 Cleveland Museum of Art

This painting shows three large peaches on a round white plate. The peaches are in shades of red, pink, and light yellow, and they cast dark shadows on the plate. The plate rests on a brown surface which fills the background of the image.

Henri Fantin-Latour Three Peaches on a Plate, 1868 National Gallery of Art

Pompton Plains, New Jersey, Jasper Francis Cropsey, 1867, oil on canvas

Jasper Francis Cropsey Pompton Plains, New Jersey, 1867 The Met

Rest, William-Adolphe Bouguereau, 1879, oil on fabric

William-Adolphe Bouguereau Rest, 1879 Cleveland Museum of Art

Self-Portrait, Rembrandt van Rijn, 1660, oil on canvas

Rembrandt van Rijn Self-Portrait, 1660 The Met

People walk, sit, or stand on a plaza along a canal lined on the far side with buildings in this horizontal landscape painting.

Bernardo Bellotto The Campo di SS. Giovanni e Paolo, Venice, 1743/1747 National Gallery of Art

Arion on a Sea Horse, William-Adolphe Bouguereau, 1855, oil on fabric

William-Adolphe Bouguereau Arion on a Sea Horse, 1855 Cleveland Museum of Art

Wrestlers in a Circus, Ernst Ludwig Kirchner, 1909, oil on canvas

Ernst Ludwig Kirchner Wrestlers in a Circus, 1909 Cleveland Museum of Art

A band of several galloping horses and riders move across the center of this vertical painting. The color palette is dominated by blended earthy brown, green, and pale pink.

Edgar Degas Scene from the Steeplechase: The Fallen Jockey, 1866, reworked 1880-1881 and c. 1897 National Gallery of Art

Pillars of the Country, Yao Shou, Ming dynasty (1368–1644), 1494, handscroll; ink and color on paper

Yao Shou Pillars of the Country, Ming dynasty (1368–1644), 1494 Art Institute of Chicago

Long Island Farmhouses, William Sidney Mount, 1862–63, oil on canvas

William Sidney Mount Long Island Farmhouses, 1862–63 The Met

This painting shows a landscape seen from an elevated view. Fields dotted with small trees line a hill that reaches up towards the horizon, below a blue sky full of white, puffy clouds.

Édouard Vuillard Landscape of the Ile-de-France, c. 1894 National Gallery of Art

Paul Cézanne Man with Pipe, 1892/1896 National Gallery of Art

The Calm Sea, Gustave Courbet, 1869, oil on canvas

Gustave Courbet The Calm Sea, 1869 The Met

View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, Thomas Cole, 1836, oil on canvas

Thomas Cole View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm—The Oxbow, 1836 The Met

Bullfight, Édouard Manet, 1865–66, oil on canvas

Édouard Manet Bullfight, 1865–66 Art Institute of Chicago

The Source of the Loue, Gustave Courbet, 1864, oil on canvas

Gustave Courbet The Source of the Loue, 1864 The Met

On the Beach at Trouville, Eugène Boudin, 1863, oil on wood

Eugène Boudin On the Beach at Trouville, 1863 The Met

The Fishing Boat, Gustave Courbet, 1865, oil on canvas

Gustave Courbet The Fishing Boat, 1865 The Met

A large, dark sailing ship to our left is stranded near the shore, angled dramatically away from us, in choppy waves under a periwinkle-blue sky streaked with gray and copper-colored clouds in this horizontal painting.

Asher Brown Durand The Stranded Ship, 1844 National Gallery of Art

Twilight in the Cedars at Darien, Connecticut, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Twilight in the Cedars at Darien, Connecticut, 1872 The Met

Shown from the waist up, a pale-skinned, round-cheeked young boy wears a brocade red and gold garment and hat in this vertical portrait painting.

Hans Holbein the Younger Edward VI as a Child, probably 1538 National Gallery of Art

The Ford, Claude Lorrain, possibly 1636, oil on canvas

Claude Lorrain The Ford, possibly 1636 The Met

Landscape at Saint-André, Near Marseilles, Paul Guigou, c. 1865, oil on wood panel

Paul Guigou Landscape at Saint-André, Near Marseilles, c. 1865 Cleveland Museum of Art

Queen Henrietta Maria, Anthony van Dyck, 1636, oil on canvas

Anthony van Dyck Queen Henrietta Maria, 1636 The Met

A woman stands drinking from a tall glass as two men sit at a table in a courtyard enclosed by wood paneling and brick buildings in this vertical painting. The people all have pale, peachy skin.

Pieter de Hooch A Dutch Courtyard, 1658/1660 National Gallery of Art

William Fraser of Reelig (1784–1835), Henry Raeburn, 1801, oil on canvas

Henry Raeburn William Fraser of Reelig (1784–1835), 1801 The Met

John, 4th Earl of Darnley, Thomas Gainsborough, 1785, oil on canvas

Thomas Gainsborough John, 4th Earl of Darnley, 1785 National Gallery of Art

Painting of two fishermen in small wooden boat on rocky seas.

Winslow Homer The Herring Net, 1885 Art Institute of Chicago

The Sofa, Henri de Toulouse-Lautrec, ca. 1894–96, oil on cardboard

Henri de Toulouse-Lautrec The Sofa, ca. 1894–96 The Met

The Yellow Room, James McNeill Whistler, ca. 1883–84, watercolor and gouache on paperboard

James McNeill Whistler The Yellow Room, ca. 1883–84 The Met

Sunflowers, Vincent van Gogh, 1887, oil on canvas

Vincent van Gogh Sunflowers, 1887 The Met

A man and woman greet each other at the center of a group of about a dozen people set within a landscape in this horizontal painting. All the people have pale, peachy skin.

Peter Paul Rubens The Meeting of David and Abigail, c. 1630 National Gallery of Art

Pushing for Rail, Thomas Eakins, 1874, oil on canvas

Thomas Eakins Pushing for Rail, 1874 The Met

Shown from the shins up, a woman with pale skin, iron-gray hair, and wearing a high-collared, long-sleeved black dress, stands next to a table against a caramel-brown wall in this vertical portrait painting.

John Singer Sargent Eleanora O'Donnell Iselin (Mrs. Adrian Iselin), 1888 National Gallery of Art

Springtime, Théodore Rousseau, c. 1860, oil on panel

Théodore Rousseau Springtime, c. 1860 Art Institute of Chicago

Hulking mountains are mostly backlit against a watery blue sky edged with shell pink along the horizon, which comes about two-thirds of the way up this horizontal landscape painting.

Thomas Cole Sunrise in the Catskills, 1826 National Gallery of Art

This is a painting of four people outside of a circular stone wall that contains a statue and several trees. The four people are on the left, next to an opening in the curving wall.

Arnold Böcklin The Sanctuary of Hercules, 1884 National Gallery of Art

A pale-skinned woman wearing a long, rose-pink gown sits amid a lush landscape in this vertical portrait painting. The woman’s body is angled to our left, but she turns her head to look at us with green eyes under dark brows.

Thomas Gainsborough Mrs. Richard Brinsley Sheridan, 1785-1787 National Gallery of Art

Tivoli, Sanford Robinson Gifford, 1870, oil on canvas

Sanford Robinson Gifford Tivoli, 1870 The Met

Pope Pius VI Descending the Throne to Take Leave of the Doge in the Hall of Saints Giovanni e Paolo, 1782, Francesco Guardi, c. 1783, oil on canvas

Francesco Guardi Pope Pius VI Descending the Throne to Take Leave of the Doge in the Hall of Saints Giovanni e Paolo, 1782, c. 1783 Cleveland Museum of Art

Paul Lafond and Alphonse Cherfils Examining a Painting, Edgar Degas, c. 1878–80, oil on wood panel

Edgar Degas Paul Lafond and Alphonse Cherfils Examining a Painting, c. 1878–80 Cleveland Museum of Art

Jacques-Louis Leblanc (1774–1846), Jean-Auguste-Dominique Ingres, 1823, oil on canvas

Jean-Auguste-Dominique Ingres Jacques-Louis Leblanc (1774–1846), 1823 The Met

Sarah Shippen Lea (Mrs. Thomas Lea), Gilbert Stuart, c. 1798, oil on canvas

Gilbert Stuart Sarah Shippen Lea (Mrs. Thomas Lea), c. 1798 National Gallery of Art

A sinewy older man, his pale skin mostly exposed, sits on a stone low to the ground facing a table on our right in the center of this vertical painting. His gray hair is cropped short, and he has a graying, long beard.

Paolo Veronese Saint Jerome in the Wilderness, c. 1575/1585 National Gallery of Art

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