Paintings for Sand Walls (page 16)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 721 to 768 of 1,948.

Midas Washing at the Source of the Pactolus, Nicolas Poussin, ca. 1627, oil on canvas

Nicolas Poussin Midas Washing at the Source of the Pactolus, ca. 1627 The Met

Wooded Upland Landscape, Thomas Gainsborough, probably 1783, oil on canvas

Thomas Gainsborough Wooded Upland Landscape, probably 1783 The Met

Return from the Fields, Jean-François Millet, c. 1846–47, oil on fabric

Jean-François Millet Return from the Fields, c. 1846–47 Cleveland Museum of Art

The Drummond Children, Henry Raeburn, ca. 1808–9, oil on canvas

Henry Raeburn The Drummond Children, ca. 1808–9 The Met

Far below us, a river winds through a valley lined with hazy mountains in this horizontal landscape painting.

Thomas Moran The Juniata, Evening, 1864 National Gallery of Art

U.S. Mail Boat, Leila T. Bauman, 1855 or later, oil on canvas

Leila T. Bauman U.S. Mail Boat, 1855 or later National Gallery of Art

Shown from the knees up, a young girl with pale skin, wearing a coral-peach dress, sits facing and looking at us in this loosely painted, vertical portrait. Her knees are angled slightly to our left, and her hands rest in her lap.

Berthe Morisot The Artist's Daughter with a Parakeet, 1890 National Gallery of Art

The image shows a person standing upright, facing slightly to the right. The person has indistinct facial features with a mustache and medium-length dark hair, wearing a dark overcoat and trousers with a white collar.

James McNeill Whistler Alexander Arnold Hannay, c. 1896 National Gallery of Art

Hagar in the Wilderness, Camille Corot, 1835, oil on canvas

Camille Corot Hagar in the Wilderness, 1835 The Met

A shaft of warm light from our left pierces a dark wood filled with tall trees in this horizontal landscape painting. The light falls on a stout white trunk and a portion of the moss-green forest floor near the center of the composition.

George Inness Sunset in the Woods, 1891 National Gallery of Art

Large painting of Holy Family: Mary in red, holding baby Jesus.

Peter Paul Rubens The Holy Family with Saints Elizabeth and John the Baptist, c. 1615 Art Institute of Chicago

Lady Maitland (Catherine Connor, died 1865), Henry Raeburn, 1800, oil on canvas

Henry Raeburn Lady Maitland (Catherine Connor, died 1865), 1800 The Met

Cider Making, William Sidney Mount, 1840–41, oil on canvas

William Sidney Mount Cider Making, 1840–41 The Met

The head and chest of a man with pale pink skin, a honey-blond beard, and curly, mahogany-brown hair around a receding hairline fills this vertical portrait painting.

Peter Paul Rubens Peter Paul Rubens, c. 1620 National Gallery of Art

The Camp Meeting, Worthington Whittredge, 1874, oil on canvas

Worthington Whittredge The Camp Meeting, 1874 The Met

About a dozen women and men, all with pale or suntanned skin, work in a field harvesting grain in this horizontal painting. The women wear long skirts and aprons, and some wear cloths tied around their heads.

Jules Breton The Colza (Harvesting Rapeseed), 1860 National Gallery of Art

A partially nude woman with pale, peachy skin sits to our left looking into a mirror held up by a nearly nude, winged child to our right in this vertical painting.

Titian Venus with a Mirror, c. 1555 National Gallery of Art

Mrs. Grace Dalrymple Elliott (1754?–1823), Thomas Gainsborough, 1778, oil on canvas

Thomas Gainsborough Mrs. Grace Dalrymple Elliott (1754?–1823), 1778 The Met

The head of a pale-skinned man nearly fills this shadowy, vertical portrait painting. His shoulders angle to our right, and his dark eyes cut back to look at us.

Édouard Vuillard Self-Portrait, Aged 21, 1889 National Gallery of Art

Four women with musical instruments lounge in a massive garden courtyard.

Carl Blechen The Interior of the Palm House on the Pfaueninsel Near Potsdam, 1834 Art Institute of Chicago

Madonna and Child, Giovanni Bellini, ca. 1470, tempera, oil, and gold on wood

Giovanni Bellini Madonna and Child, ca. 1470 The Met

Paying the Hostess, Pieter de Hooch, ca. 1670, oil on canvas

Pieter de Hooch Paying the Hostess, ca. 1670 The Met

Frieda Schiff (1876–1958), Later Mrs. Felix M. Warburg, Anders Zorn, 1894, oil on canvas

Anders Zorn Frieda Schiff (1876–1958), Later Mrs. Felix M. Warburg, 1894 The Met

Monte Pincio, Rome, Camille Corot, 1840–50, oil on canvas

Camille Corot Monte Pincio, Rome, 1840–50 Art Institute of Chicago

Still life painting of dead waterfowl and vegetables in windowsill.

Juan Sánchez Cotán Still Life with Game Fowl, c. 1600–3 Art Institute of Chicago

Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle", James McNeill Whistler, 1872–73, oil on canvas

James McNeill Whistler Study for "Arrangement in Grey and Black, No. 2: Portrait of Thomas Carlyle", 1872–73 Art Institute of Chicago

Young Husband: First Marketing, Lilly Martin Spencer, 1854, oil on canvas

Lilly Martin Spencer Young Husband: First Marketing, 1854 The Met

Variations in Violet and Grey—Market Place, Dieppe, James McNeill Whistler, 1885, gouache and watercolor on off-white wove paper, mounted on academy board

James McNeill Whistler Variations in Violet and Grey—Market Place, Dieppe, 1885 The Met

The Studio, Winslow Homer, 1867, oil on canvas

Winslow Homer The Studio, 1867 The Met

Albert (René) Grenier (1858–1925), Henri de Toulouse-Lautrec, 1887, oil on wood

Henri de Toulouse-Lautrec Albert (René) Grenier (1858–1925), 1887 The Met

An older, pale-skinned man wearing a richly brocaded robe and bishop’s mitre stands under a rounded arch in front of a deep landscape in this tall, narrow, vertical painting.

Gerard David The Saint Anne Altarpiece: Saint Nicholas [left panel], c. 1500/1520 National Gallery of Art

Portrait of Mme Lisle and Mme Loubens, Edgar Degas, c. 1867, oil on canvas

Edgar Degas Portrait of Mme Lisle and Mme Loubens, c. 1867 Art Institute of Chicago

A woman with dark hair pulled up in a bun, wearing a long, muted lilac-purple silk dress, stands singing in front of woman playing a piano and a man playing a cello in a dimly lit room in this vertical painting.

Thomas Eakins Singing a Pathetic Song, 1881 National Gallery of Art

A young, smiling boy in a ruffled collar, hat, and cumberbun rides outdoors on a brown ram, a small whip held aloft in his hand.

Francisco de Goya Boy on a Ram, 1786–87 Art Institute of Chicago

Portrait of the Jester Calabazas, Diego Velázquez, c. 1631–32, oil on canvas

Diego Velázquez Portrait of the Jester Calabazas, c. 1631–32 Cleveland Museum of Art

A woman sits in the center of this vertical panel painting and gazes down at a baby lying across her lap while two winged angels hold up a red, gold, and black brocade-like patterned cloth behind her.

Fra Angelico The Madonna of Humility, c. 1430 National Gallery of Art

Cliffs at Deir el Bahri, Egypt, John Singer Sargent, 1890–91, oil on canvas

John Singer Sargent Cliffs at Deir el Bahri, Egypt, 1890–91 The Met

This painting shows a green landscape from an elevated viewpoint. In the distance, light blue water meets a pale-yellow sky, and the sun casts a golden glow over the landscape.

George Inness Lake Albano, Sunset, c. 1874 National Gallery of Art

Vibrant colored painting of beachscape with figures, structure, and ox pulled cart.

Wassily Kandinsky Painting with Troika, January 18, 1911 Art Institute of Chicago

This painting depicts a seated woman facing the left. She has a pale complexion, rosy cheeks, arched eyebrows, and thin red lips set in a neutral expression. Her hands are resting on her lap.

Joshua Reynolds Lady Cornewall, c. 1785-1786 National Gallery of Art

A young, light-skinned, rosy-cheeked child stands against a landscape of trees and rolling hills in this vertical portrait painting. Some areas are loosely painted, especially in the background, giving the portrait a soft look.

Thomas Gainsborough Master John Heathcote, c. 1771/1772 National Gallery of Art

The Glorification of the Barbaro Family, Giovanni Battista Tiepolo, ca. 1750, oil on canvas

Giovanni Battista Tiepolo The Glorification of the Barbaro Family, ca. 1750 The Met

Painting of bearded, ruddy-faced man in eighteenth century style clothing.

Jean-Honoré Fragonard Portrait of a Man in Costume, c. 1767–68 Art Institute of Chicago

A Forest at Dawn with a Deer Hunt, Peter Paul Rubens, ca. 1635, oil on wood

Peter Paul Rubens A Forest at Dawn with a Deer Hunt, ca. 1635 The Met

Eight cows bathed in warm sunlight stand and lie on a riverbank carpeted in mossy green in this horizontal painting. The cows are amber, ginger, or tawny brown, bone white, or black, and all have short, curving horns.

Aelbert Cuyp River Landscape with Cows, 1645/1650 National Gallery of Art

We look slightly down onto a stage, at a woman who dances at the center of this square painting. The pale, white skin on her face is tinged with slate-blue shadows and heightened noticeably with pink blush at the cheekbones.

Henri de Toulouse-Lautrec Marcelle Lender Dancing the Bolero in "Chilpéric", 1895-1896 National Gallery of Art

The image shows a man in a portrait from the waist up. He has fair skin, curly light-colored hair, and wears a dark navy coat with gold buttons and a vibrant red collar.

Thomas Gainsborough William Yelverton Davenport, c. 1785/1788 National Gallery of Art

Shown from the knees up, an older man sits in a rustic wooden chair and holds up a pocket watch for a young child who stands at his knees in this vertical portrait painting. They both have pale, peachy skin with flushed cheeks.

Henry Raeburn John Tait and His Grandson, c. 1793, with additions c. 1800 National Gallery of Art

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