Paintings for Sand Walls (page 21)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 961 to 1,008 of 1,948.

Man in a Green Coat, Gilbert Stuart, ca. 1779–85, oil on canvas

Gilbert Stuart Man in a Green Coat, ca. 1779–85 The Met

The Return of the Holy Family to Nazareth, Nicolas Poussin, c. 1627, oil on canvas

Nicolas Poussin The Return of the Holy Family to Nazareth, c. 1627 Cleveland Museum of Art

The Afternoon Meal (La Merienda), Luis Meléndez, ca. 1772, oil on canvas

Luis Meléndez The Afternoon Meal (La Merienda), ca. 1772 The Met

Still Life with Apples and Pears, Paul Cézanne, ca. 1891–92, oil on canvas

Paul Cézanne Still Life with Apples and Pears, ca. 1891–92 The Met

The Trojan Women Setting Fire to Their Fleet, Claude Lorrain, ca. 1643, oil on canvas

Claude Lorrain The Trojan Women Setting Fire to Their Fleet, ca. 1643 The Met

The painting depicts a landscape with a field, trees, and a dramatic cloudy sky. Grass, rocks, and a group of large trees are visible in the center of the composition.

Jules Dupré The Old Oak, c. 1870 National Gallery of Art

Shown from the lap up against a dark background, a pale-skinned woman wearing a black dress looks out at us in this vertical portrait.

Rembrandt van Rijn A Woman Holding a Pink, 1656 National Gallery of Art

A Woman Reading, Camille Corot, 1869 and 1870, oil on canvas

Camille Corot A Woman Reading, 1869 and 1870 The Met

John Gray (1731–1811) of Newholm, Henry Raeburn, 1800, oil on canvas

Henry Raeburn John Gray (1731–1811) of Newholm, 1800 The Met

Oedipus and the Sphinx, Gustave Moreau, 1864, oil on canvas

Gustave Moreau Oedipus and the Sphinx, 1864 The Met

Six elegantly dressed, light-skinned women, a man with dark brown skin, and a person of short stature gather around a nude baby boy in front of a landscape with a town in the distance in this vertical painting.

Paolo Veronese The Finding of Moses, c. 1581/1582 National Gallery of Art

Sulking, Edgar Degas, ca. 1870, oil on canvas

Edgar Degas Sulking, ca. 1870 The Met

Mrs. George Swinton (Elizabeth Ebsworth), John Singer Sargent, 1897, oil on canvas

John Singer Sargent Mrs. George Swinton (Elizabeth Ebsworth), 1897 Art Institute of Chicago

Doge Andrea Gritti (1455–1538), Titian, 1542, oil on canvas

Titian Doge Andrea Gritti (1455–1538), 1542 The Met

Three women, one man, and a winged child gather near a cave opening within a vast, distant landscape in this horizontal painting. The people are small in scale, taking up the lower left quadrant of the composition, and all have pale skin.

Claude Lorrain The Judgment of Paris, 1645/1646 National Gallery of Art

A long haired, bearded man holds a whip and stands in the middle of a crowd of about two dozen people who stand or twist, all in a building with columns and arches in this horizontal painting.

El Greco Christ Cleansing the Temple, probably before 1570 National Gallery of Art

Newburyport Meadows, Martin Johnson Heade, ca. 1876–81, oil on canvas

Martin Johnson Heade Newburyport Meadows, ca. 1876–81 The Met

View of Genoa, Camille Corot, 1834, oil on paper, mounted on canvas

Camille Corot View of Genoa, 1834 Art Institute of Chicago

Valley of the Sédelle at Pont Charraud: White Frost, Armand Guillaumin, c.1903–1911, oil on fabric

Armand Guillaumin Valley of the Sédelle at Pont Charraud: White Frost, c.1903–1911 Cleveland Museum of Art

Ecuadorian landscape with people, palm trees, waterfall, and volcano in background.

Frederic Edwin Church View of Cotopaxi, 1857 Art Institute of Chicago

Repose, John White Alexander, 1895, oil on canvas

John White Alexander Repose, 1895 The Met

Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678), Peter Paul Rubens, ca. 1635, oil on wood

Peter Paul Rubens Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678), ca. 1635 The Met

Young Ladies of the Village, Gustave Courbet, 1851–52, oil on canvas

Gustave Courbet Young Ladies of the Village, 1851–52 The Met

An Alpine Scene, Gustave Courbet, 1874, oil on canvas

Gustave Courbet An Alpine Scene, 1874 Art Institute of Chicago

Shown from the knees up, a young woman with pale skin and flushed cheeks looks at us, wearing a long, shimmering white dress partially draped with powder-blue fabric in this vertical portrait painting.

John Singer Sargent Mary Crowninshield Endicott Chamberlain (Mrs. Joseph Chamberlain), 1902 National Gallery of Art

The Coronation of the Virgin, Annibale Carracci, after 1595, oil on canvas

Annibale Carracci The Coronation of the Virgin, after 1595 The Met

Six women, eight men, two satyrs, and one child gather in pairs and trios in a loose row that spans the width of this nearly square painting. They are set within a landscape with craggy rocks, cliffs, and trees.

Giovanni Bellini The Feast of the Gods, 1514/1529 National Gallery of Art

Young Man in the Costume of a Majo, Édouard Manet, 1863, oil on canvas

Édouard Manet Young Man in the Costume of a Majo, 1863 The Met

We look slightly down onto a balding, bearded man with pale, peachy skin and wearing a three-piece suit, seated in a wooden armchair behind an L-shaped desk, in this loosely painted vertical portrait.

Édouard Vuillard Théodore Duret, 1912 National Gallery of Art

A balding man with peach-colored skin and a drooping white mustache is surrounded by flowers floating in a blue sky with apricot-colored clouds in this vertical painting. He is shown from the waist up facing us at the bottom center.

Odilon Redon Evocation of Roussel, c. 1912 National Gallery of Art

A man with pale peach skin and dark hair wears a military uniform and stands in front of a desk in this vertical portrait painting. He nearly fills the composition so seems close to us, and he looks directly at us.

Jacques-Louis David The Emperor Napoleon in His Study at the Tuileries, 1812 National Gallery of Art

Evening at Medfield, Massachusetts, George Inness, 1875, oil on canvas

George Inness Evening at Medfield, Massachusetts, 1875 The Met

The Virgin of Guadalupe with the Four Apparitions, Nicolás Enríquez, 1773, oil on copper

Nicolás Enríquez The Virgin of Guadalupe with the Four Apparitions, 1773 The Met

Charlotte Morton Dexter (Mrs. Andrew Dexter), Gilbert Stuart, 1808/c. 1825, oil on wood

Gilbert Stuart Charlotte Morton Dexter (Mrs. Andrew Dexter), 1808/c. 1825 National Gallery of Art

Painting depicting Christ anointed by a woman in yellow, seated centrally at a crowded table of guests with long thin grayish faces in colorful robes with strong white highlights.

El Greco The Feast in the House of Simon, c. 1608–14 Art Institute of Chicago

Water Lily Pond, Claude Monet, 1917–19, oil on canvas

Claude Monet Water Lily Pond, 1917–19 Art Institute of Chicago

We look across a dark, aquamarine-blue body of water at a bulky, stony outcropping to our right in this horizontal landscape painting.

John Frederick Kensett Beacon Rock, Newport Harbor, 1857 National Gallery of Art

Nine oranges and lemons sit in a shallow basket with dark green, spiky branches behind and a pair of cobalt-blue gloves in front in this horizontal still life painting.

Vincent van Gogh Still Life of Oranges and Lemons with Blue Gloves, 1889 National Gallery of Art

This painting shows a seated woman, her head turned slightly to the right. She has fair skin with rosy cheeks, pale eyebrows, a long nose, and thin pink lips in a neutral expression.

Benjamin West Maria Hamilton Beckford (Mrs. William Beckford), 1799 National Gallery of Art

This painting shows a woman standing outdoors, facing the left. She has pale skin, and her face is in shadow, obscured by a wide-brimmed flat white hat with a red stripe around the edge, tied with a black bow behind her head.

Eastman Johnson Lambs, Nantucket, 1874 National Gallery of Art

Still life of sensuously detailed painting of four white magnolias lying on blue velvet cloth.

Martin Johnson Heade Magnolias on Light Blue Velvet Cloth, 1885–95 Art Institute of Chicago

This painting shows the upper body of a woman seated in a chair. She is wearing a white bonnet with ruffled edges, covering her wavy, light brown hair. Her facial features include fair skin, thin lips, a long nose, and a pointed chin.

Gilbert Stuart Sarah Homes Tappan (Mrs. Benjamin Tappan), 1814 National Gallery of Art

Madonna and Child with Seraphim and Cherubim, Andrea Mantegna, ca. 1454, tempera and gold on wood

Andrea Mantegna Madonna and Child with Seraphim and Cherubim, ca. 1454 The Met

Tall, billowing, lavender-purple and shell-pink clouds line the distant horizon over a vast plain of flat grassy land in this horizontal landscape painting.

Martin Johnson Heade Sunlight and Shadow: The Newbury Marshes, c. 1871/1875 National Gallery of Art

Josef de Jaudenes y Nebot, Gilbert Stuart, 1794, oil on canvas

Gilbert Stuart Josef de Jaudenes y Nebot, 1794 The Met

The Brierwood Pipe, Winslow Homer, 1864, oil on canvas

Winslow Homer The Brierwood Pipe, 1864 Cleveland Museum of Art

A Farm in Brittany, Paul Gauguin, ca. 1894, oil on canvas

Paul Gauguin A Farm in Brittany, ca. 1894 The Met

Portrait of the Ladies Amabel and Mary Jemima Yorke, Joshua Reynolds, c. 1761, oil on canvas

Joshua Reynolds Portrait of the Ladies Amabel and Mary Jemima Yorke, c. 1761 Cleveland Museum of Art

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