Paintings for Sand Walls (page 22)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1,009 to 1,056 of 1,948.

Separated by a vertical, column-like partition, a woman to our right kneels opposite a winged angel to our left, who also kneels and holds the stem of a long white lily propped against one shoulder in this horizontal painting.

Fra Filippo Lippi The Annunciation, c. 1435/1440 National Gallery of Art

Daniel Crommelin Verplanck, John Singleton Copley, 1771, oil on canvas

John Singleton Copley Daniel Crommelin Verplanck, 1771 The Met

James Stuart (1612–1655), Duke of Richmond and Lennox, Anthony van Dyck, ca. 1633–35, oil on canvas

Anthony van Dyck James Stuart (1612–1655), Duke of Richmond and Lennox, ca. 1633–35 The Met

Portrait of Hugh Hope, Henry Raeburn, c. 1810, oil on canvas

Henry Raeburn Portrait of Hugh Hope, c. 1810 Cleveland Museum of Art

Fruit, Julian Alden Weir, ca. 1888, oil on canvas

Julian Alden Weir Fruit, ca. 1888 The Met

Anna Maria Brodeau Thornton (Mrs. William Thornton), Gilbert Stuart, 1804, oil on canvas

Gilbert Stuart Anna Maria Brodeau Thornton (Mrs. William Thornton), 1804 National Gallery of Art

Roman Interior, Jean-Honoré Fragonard, ca. 1760, oil on canvas

Jean-Honoré Fragonard Roman Interior, ca. 1760 The Met

On the Beach, Sunset, Eugène Boudin, 1865, oil on wood

Eugène Boudin On the Beach, Sunset, 1865 The Met

George Bellows Little Girl in White (Queenie Burnett), 1907 National Gallery of Art

We look slightly down at a woman with pale skin and two men with ruddy complexions sitting at a table near a railing overlooking a boat-clogged waterway in this horizontal painting.

James McNeill Whistler Wapping, 1860-1864 National Gallery of Art

A young girl with medium skin wears a striking dress of black and white stripes with a short lace collar. Behind her is backdrop featuring symbols and native figures. Mangos sit beside her.

Paul Gauguin Merahi metua no Tehamana (Tehamana Has Many Parents or The Ancestors of Tehamana), 1893 Art Institute of Chicago

Merrymakers at Shrovetide, Frans Hals, ca. 1616–17, oil on canvas

Frans Hals Merrymakers at Shrovetide, ca. 1616–17 The Met

The Large Plane Trees (Road Menders at Saint-Rémy), Vincent van Gogh, 1889, oil on fabric

Vincent van Gogh The Large Plane Trees (Road Menders at Saint-Rémy), 1889 Cleveland Museum of Art

Green Door, Santa Maria della Salute, John Singer Sargent, ca. 1904, watercolor, graphite, gouache, and wax crayon on white wove paper

John Singer Sargent Green Door, Santa Maria della Salute, ca. 1904 The Met

Jeanne Hébuterne, Amedeo Modigliani, 1919, oil on canvas

Amedeo Modigliani Jeanne Hébuterne, 1919 The Met

Madame X (Virginie Amélie Avegno Gautreau), John Singer Sargent, 1883–84, oil on canvas

John Singer Sargent Madame X (Virginie Amélie Avegno Gautreau), 1883–84 The Met

Harriet Hubbard Ayer, Eastman Johnson, 1881, oil on canvas

Eastman Johnson Harriet Hubbard Ayer, 1881 National Gallery of Art

Small painting of woman in pink and black sitting on park bench.

William Merritt Chase A City Park, c. 1887 Art Institute of Chicago

A bearded man with light skin, wearing a black costume and holding a plumed hat, stands in front of mottled brown background in this vertical portrait painting.

Édouard Manet The Tragic Actor (Rouvière as Hamlet), 1866 National Gallery of Art

Our Lady of Valvanera, Unknown artist, ca. 1770–80, oil and gold on canvas

Unknown artist Our Lady of Valvanera, ca. 1770–80 The Met

Three Miracles of Saint Zenobius, Sandro Botticelli, ca. 1500, tempera on wood

Sandro Botticelli Three Miracles of Saint Zenobius, ca. 1500 The Met

This painting shows two large pears on a white tablecloth. The pear on the left is a pinkish color and sits directly on the cloth. The pear on the right is yellow, and it rests on a white plate next to a small knife.

Sanford Robinson Gifford Two Pears on a Tabletop, c. 1866 National Gallery of Art

Gathering Storm on Long Island Sound, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Gathering Storm on Long Island Sound, 1872 The Met

We look across a river at a long, flat bridge that runs parallel to a hazy, city skyline in the distance in this horizontal painting.

Camille Pissarro Charing Cross Bridge, London, 1890 National Gallery of Art

Equestrian Portrait of Cornelis (1639–1680) and Michiel Pompe van Meerdervoort (1638–1653) with Their Tutor and Coachman, Aelbert Cuyp, ca. 1652–53, oil on canvas

Aelbert Cuyp Equestrian Portrait of Cornelis (1639–1680) and Michiel Pompe van Meerdervoort (1638–1653) with Their Tutor and Coachman, ca. 1652–53 The Met

A six-story, narrow building stands alone in an otherwise unoccupied lot under the deck of a high bridge, with a river and cityscape in the background in this horizontal painting.

George Bellows The Lone Tenement, 1909 National Gallery of Art

Saint John the Baptist Bearing Witness, Annibale Carracci, ca. 1600, oil on copper

Annibale Carracci Saint John the Baptist Bearing Witness, ca. 1600 The Met

A rustic, arched, stone bridge spanning a shallow river nearly fills this horizontal landscape.

Hubert Robert The Ponte Salario, c. 1775 National Gallery of Art

In saturated, vivid tones of mint green, marigold orange, dandelion yellow, sky blue, and rose pink, a long building stretches away from us along a walkway.

Ernst Ludwig Kirchner Dance Hall Bellevue [obverse], 1909/1910 National Gallery of Art

Shown from about the waist up, a young woman wearing white sits in an armchair cuddling a brown and black striped cat in this vertical painting. The scene is painted with blended brushstrokes, giving it a soft look.

Pierre-Auguste Renoir Woman with a Cat, c. 1875 National Gallery of Art

Two pale-skinned women are shown from the waist up behind a counter in an interior space in this nearly square painting.

Édouard Vuillard Woman in a Striped Dress, 1895 National Gallery of Art

This painting shows a grand, domed cathedral by a busy waterway. The dome and the surrounding white buildings are silhouetted against a blue sky with thin white and gray clouds.

Francesco Guardi Santa Maria della Salute, c. 1770 National Gallery of Art

Pierre-Auguste Renoir Girl with a Basket of Oranges, c. 1889 National Gallery of Art

George Harley Drummond (1783–1855), Henry Raeburn, ca. 1808–9, oil on canvas

Henry Raeburn George Harley Drummond (1783–1855), ca. 1808–9 The Met

Evening in the Woods, Worthington Whittredge, 1876, oil on canvas

Worthington Whittredge Evening in the Woods, 1876 The Met

This painting is a portrait of a man standing, seen from the knees up, his torso and head slightly turned to the left.

Thomas Gainsborough Francis Basset, Lord de Dunstanville, c. 1786 National Gallery of Art

A man and woman, both with pale, peachy skin, sit on opposite sides of a burgundy-red, low-backed sofa in a room wallpapered with a striped, floral pattern in this vertical painting.

Edgar Degas Edmondo and Thérèse Morbilli, c. 1865 National Gallery of Art

From a distance, we look slightly down into a lush park filled pairs and groups of elegantly dressed, light-skinned adults and children frolicking and socializing in this vertical painting.

Jean-Honoré Fragonard Blindman's Buff, c. 1775/1780 National Gallery of Art

A tall woman with pale white skin and a shorter man with brown skin stand on a terrace in this vertical, full-length portrait.

Anthony van Dyck Marchesa Elena Grimaldi Cattaneo, 1623 National Gallery of Art

Shown from the knees up, a light-skinned man and woman are seated side-by-side on grassy rise in a landscape in this horizontal portrait painting.

Charles Willson Peale Benjamin and Eleanor Ridgely Laming, 1788 National Gallery of Art

Upon first glance, the shapes and colors in this painting are hard to distinguish. After closer inspection, three women become visible, all with pale skin, light hair, and indistinct facial features.

Edgar Degas The Loge, c. 1883 National Gallery of Art

The Pont Neuf, Johan Barthold Jongkind, 1849–50, oil on canvas

Johan Barthold Jongkind The Pont Neuf, 1849–50 The Met

A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), Edgar Degas, 1865, oil on canvas

Edgar Degas A Woman Seated beside a Vase of Flowers (Madame Paul Valpinçon?), 1865 The Met

Greek Cavalry Men Resting in Forest, Eugène Delacroix, 1858, oil on fabric

Eugène Delacroix Greek Cavalry Men Resting in Forest, 1858 Cleveland Museum of Art

Shown from the chest up against a black background, a man with peachy skin wears a gold and rose-pink cloak in this vertical portrait painting.

Giovanni Bellini Giovanni Emo, c. 1475/1480 National Gallery of Art

Virgin and Child with Saint Catherine of Alexandria, Anthony van Dyck, ca. 1630, oil on canvas

Anthony van Dyck Virgin and Child with Saint Catherine of Alexandria, ca. 1630 The Met

A bearded man with wrinkled, peachy skin and reddened cheeks sits and smokes a pipe on a wooden box in a landscape in this vertical painting. The man’s body faces us, and he peers at us with dark eyes under heavy, bushy white brows.

George Caleb Bingham Mississippi Boatman, 1850 National Gallery of Art

Virgin and Child with Saints Dominic and Hyacinth, Giovanni Battista Tiepolo, 1730–35, oil on canvas

Giovanni Battista Tiepolo Virgin and Child with Saints Dominic and Hyacinth, 1730–35 Art Institute of Chicago

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