Paintings for Sand Walls (page 35)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1,633 to 1,680 of 1,948.

Painting of a placid-looking, light-skinned woman in a maroon dress, seated in a chair with yellow upholstery, hands folded.

Paul Cézanne Madame Cezanne in a Yellow Chair, 1888–90 Art Institute of Chicago

The Denial of Saint Peter, Caravaggio, 1610, oil on canvas

Caravaggio The Denial of Saint Peter, 1610 The Met

A cleanshaven man in a saffron-yellow cloak runs and points to a nude woman whose fingers are turning into leafy tree branches in this horizontal painting.

Giovanni Battista Tiepolo Apollo Pursuing Daphne, c. 1755/1760 National Gallery of Art

Harvest Time, George Inness, 1864, oil on canvas

George Inness Harvest Time, 1864 Cleveland Museum of Art

Hills around the Bay of Moulin Huet, Guernsey, Pierre-Auguste Renoir, 1883, oil on canvas

Pierre-Auguste Renoir Hills around the Bay of Moulin Huet, Guernsey, 1883 The Met

Market Place, John Singer Sargent, 1890s, watercolor, gouache, and graphite on white wove paper

John Singer Sargent Market Place, 1890s The Met

A plucked chicken, a few stray feathers remaining, hangs upside-down by one foot, illuminated. Behind it the metal hinges and wood panels of a door are visible.

William Michael Harnett For Sunday's Dinner, 1888 Art Institute of Chicago

Landscape with Cattle at Limousin, Jules Dupré, 1837, oil on canvas

Jules Dupré Landscape with Cattle at Limousin, 1837 The Met

The Loire, Alfred Sisley, 1896, oil on canvas

Alfred Sisley The Loire, 1896 Art Institute of Chicago

Filippo Archinto (born about 1500, died 1558), Archbishop of Milan, Titian, mid-1550s, oil on canvas

Titian Filippo Archinto (born about 1500, died 1558), Archbishop of Milan, mid-1550s The Met

Spring Flowers, Claude Monet, 1864, oil on canvas

Claude Monet Spring Flowers, 1864 Cleveland Museum of Art

Dark moody painting of crumbling castle tower and walls amidst river and forest.

Jacob van Ruisdael Landscape with the Ruins of the Castle of Egmond, 1650–55 Art Institute of Chicago

This painting shows a man seated in a wooden chair, facing slightly to the right with his hands resting on his lap. He has pale, wrinkled skin, a large nose, prominent cheekbones, a thin, closed mouth, and short dark hair.

Thomas Eakins Archbishop Diomede Falconio, 1905 National Gallery of Art

Branch Hill Pond, Hampstead, John Constable, 1828, oil on canvas

John Constable Branch Hill Pond, Hampstead, 1828 Cleveland Museum of Art

Boys in a Dory, Winslow Homer, 1873, watercolor washes and gouache over graphite underdrawing on medium rough textured white wove paper

Winslow Homer Boys in a Dory, 1873 The Met

Dominated by tones of red and fire orange, this nearly square painting shows a seated woman leaning forward in a high-backed chair, holding a round, flat, leaf-shaped fan.

Edgar Degas Madame Camus, 1869/1870 National Gallery of Art

Gideon Tucker, William Sidney Mount, 1830, oil on canvas

William Sidney Mount Gideon Tucker, 1830 The Met

Lady Rich (Elizabeth Jenks, died 1558), Hans Holbein the Younger, ca. 1540, oil and gold on oak

Hans Holbein the Younger Lady Rich (Elizabeth Jenks, died 1558), ca. 1540 The Met

Gustave Boyer (b. 1840) in a Straw Hat, Paul Cézanne, 1870–71, oil on paper, laid down on canvas

Paul Cézanne Gustave Boyer (b. 1840) in a Straw Hat, 1870–71 The Met

The Public Garden at Pontoise, Camille Pissarro, 1874, oil on canvas

Camille Pissarro The Public Garden at Pontoise, 1874 The Met

Portrait of a Woman, Rembrandt van Rijn, 1633, oil on wood

Rembrandt van Rijn Portrait of a Woman, 1633 The Met

Allegory of the Catholic Faith, Johannes Vermeer, ca. 1670–72, oil on canvas

Johannes Vermeer Allegory of the Catholic Faith, ca. 1670–72 The Met

Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie, Jean-Auguste-Dominique Ingres, 1851–53, oil on canvas

Jean-Auguste-Dominique Ingres Joséphine-Éléonore-Marie-Pauline de Galard de Brassac de Béarn (1825–1860), Princesse de Broglie, 1851–53 The Met

The Flight into Egypt, Giovanni Battista Tiepolo, ca. 1767–70, oil on canvas

Giovanni Battista Tiepolo The Flight into Egypt, ca. 1767–70 The Met

The face of a young woman with pale, peachy skin materializes from a deeply shadowed background in this vertical portrait painting. Shown from the waist up, her body is angled to our right, and her face turns to look at us.

Rembrandt van Rijn Saskia van Uylenburgh, the Wife of the Artist, probably begun 1634/1635 and completed 1638/1640 National Gallery of Art

Eaton's Neck, Long Island, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Eaton's Neck, Long Island, 1872 The Met

Lake George, 1872, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Lake George, 1872, 1872 The Met

Lieven Willemsz van Coppenol (born about 1599, died 1671 or later), Rembrandt van Rijn, 1648, oil on oak

Rembrandt van Rijn Lieven Willemsz van Coppenol (born about 1599, died 1671 or later), 1648 The Met

Henri de Toulouse-Lautrec Rue des Moulins, 1894, 1894 National Gallery of Art

Beyond a dense screen of stylized, dark brown tree trunks, bending branches, and sage and moss-green leaves, a man and woman ride side-by-side on horseback and embrace in this vertical landscape painting. Both people have pale skin.

Henri Rousseau Rendezvous in the Forest, 1889 National Gallery of Art

Three men and a woman sit around a wooden table on the right side of a dimly lit room in this horizontal painting. The scene is painted entirely in warm shades of bronze, golden yellow, and dark brown.

Rembrandt van Rijn Philemon and Baucis, 1658 National Gallery of Art

Open Valley, Dolomites, John Singer Sargent, ca. 1913–14, watercolor and gouache on white wove paper

John Singer Sargent Open Valley, Dolomites, ca. 1913–14 The Met

Joseph Sherburne, John Singleton Copley, ca. 1767–70, oil on canvas

John Singleton Copley Joseph Sherburne, ca. 1767–70 The Met

From Ávila, John Singer Sargent, ca. 1903, watercolor and gouache on white wove paper

John Singer Sargent From Ávila, ca. 1903 The Met

Two creamy-white, long-haired dogs facing our right in a snowy field fill this horizontal painting. The scene is painted with visible, textured strokes in shades of white and ice blue. The dogs have floppy ears and long muzzles.

Franz Marc Siberian Dogs in the Snow, 1909/1910 National Gallery of Art

Stefanina Primicile Carafa, Marchioness of Cicerale and Duchess of Montejasi, Edgar Degas, c. 1875, oil on fabric

Edgar Degas Stefanina Primicile Carafa, Marchioness of Cicerale and Duchess of Montejasi, c. 1875 Cleveland Museum of Art

The Annunciation, Hans Memling, 1480–89, oil on panel, transferred to canvas

Hans Memling The Annunciation, 1480–89 The Met

Madame Lerolle, Henri Fantin-Latour, 1882, oil on fabric

Henri Fantin-Latour Madame Lerolle, 1882 Cleveland Museum of Art

Shown from the waist up, a young girl wearing a slate-gray dress and straw hat stands with her hands clasped in front of her in this vertical portrait painting. The girl has light, peachy skin, and her cheeks are lightly flushed.

Mary Cassatt Child in a Straw Hat, c. 1886 National Gallery of Art

Stoke-by-Nayland, John Constable, ca. 1810–11, oil on canvas

John Constable Stoke-by-Nayland, ca. 1810–11 The Met

Roses in a Vase, Henri Fantin-Latour, 1878, oil on fabric

Henri Fantin-Latour Roses in a Vase, 1878 Cleveland Museum of Art

A young woman plays a small pipe organ while a winged angel holds up a piece of sheet music in this horizontal painting. A strong light source illuminates the scene from our right, creating deep shadows in the dark background.

Orazio Gentileschi Saint Cecilia and an Angel, c. 1617/1618 and c. 1621/1627 National Gallery of Art

The Holy Family with the Young Saint John the Baptist, Andrea del Sarto, ca. 1528, oil on wood

Andrea del Sarto The Holy Family with the Young Saint John the Baptist, ca. 1528 The Met

Auvers (Washerwomen), Charles-François Daubigny, 1861, oil on wood

Charles-François Daubigny Auvers (Washerwomen), 1861 National Gallery of Art

Two bottles, a carafe, drinking glass, plate, knife, and loaf of bread are arranged on a table covered with a white cloth in this horizontal still-life painting. The narrow table angles from the lower left toward the wall to our right.

Claude Monet Still Life with Bottle, Carafe, Bread, and Wine, c. 1862/1863 National Gallery of Art

The Forest Stream, Jacob van Ruisdael, ca. 1660, oil on canvas

Jacob van Ruisdael The Forest Stream, ca. 1660 The Met

A Woman and Two Men in an Arbor, Pieter de Hooch, ca. 1657–58, oil on wood

Pieter de Hooch A Woman and Two Men in an Arbor, ca. 1657–58 The Met

Saints Peter and John Healing the Lame Man, Nicolas Poussin, 1655, oil on canvas

Nicolas Poussin Saints Peter and John Healing the Lame Man, 1655 The Met

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