Paintings for Sand Walls (page 36)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1,681 to 1,728 of 1,948.

Henri de Toulouse-Lautrec Hussars, 1878 National Gallery of Art

Saint Peter Repentant, Georges de La Tour, 1645, oil on canvas

Georges de La Tour Saint Peter Repentant, 1645 Cleveland Museum of Art

Shown from about the knees up, a man with peachy skin, wearing a voluminous black cloak and a tall, brimmed hat, looks directly at us in this vertical portrait painting.

Rembrandt van Rijn Portrait of a Man in a Tall Hat, c. 1663 National Gallery of Art

Autumn: The Woodland Pond, Narcisse Virgilio Díaz de la Peña, 1867, oil on canvas

Narcisse Virgilio Díaz de la Peña Autumn: The Woodland Pond, 1867 The Met

This painting depicts a sunlit forest with densely packed trees. Sunlight filters through the leaves, casting a warm glow and illuminating shades of green with hints of yellow and gold.

Henry Ward Ranger Spring Woods, c. 1910 National Gallery of Art

In this painting, abstract shapes and bright colors give the impression of two tall people standing outdoors.

August Macke People by the Blue Lake, 1913 National Gallery of Art

The French Comedians, Antoine Watteau, ca. 1720, oil on canvas

Antoine Watteau The French Comedians, ca. 1720 The Met

Princess Varvara Nikolaevna Gagarina (1762–1802), Jean-Baptiste Greuze, ca. 1780–82, oil on canvas

Jean-Baptiste Greuze Princess Varvara Nikolaevna Gagarina (1762–1802), ca. 1780–82 The Met

This painting shows a seated woman from the waist up. Her body faces us, and she looks off to the right with a neutral expression. She has light skin, brown eyes, and rosy cheeks.

George Bellows Maud Murray Dale (Mrs. Chester Dale), 1919 National Gallery of Art

Miss Davidson Reid, Henry Raeburn, c. 1800/1806, oil on canvas

Henry Raeburn Miss Davidson Reid, c. 1800/1806 National Gallery of Art

A young woman with pale, peach skin wearing a white apron over an ankle-length navy-blue dress stands in a dining room in this vertical painting. The painting is created using loose brushstrokes throughout.

Berthe Morisot In the Dining Room, 1886 National Gallery of Art

Portrait of a Man, Anthony van Dyck, ca. 1618, oil on wood

Anthony van Dyck Portrait of a Man, ca. 1618 The Met

Grapes, Lemons, Pears, and Apples, Vincent van Gogh, 1887, oil on canvas

Vincent van Gogh Grapes, Lemons, Pears, and Apples, 1887 Art Institute of Chicago

Gulian Verplanck, John Singleton Copley, 1771, oil on canvas

John Singleton Copley Gulian Verplanck, 1771 The Met

Haystacks, Morning, Eragny, Camille Pissarro, 1899, oil on canvas

Camille Pissarro Haystacks, Morning, Eragny, 1899 The Met

Lady Smith (Charlotte Delaval) and Her Children (George Henry, Louisa, and Charlotte), Joshua Reynolds, 1787, oil on canvas

Joshua Reynolds Lady Smith (Charlotte Delaval) and Her Children (George Henry, Louisa, and Charlotte), 1787 The Met

The Gardener, Georges Seurat, 1882–83, oil on wood

Georges Seurat The Gardener, 1882–83 The Met

Sunset at Sea, John Singer Sargent, 1905–6 (?) or 1905–?6, watercolor and gouache on white wove paper

John Singer Sargent Sunset at Sea, 1905–6 (?) or 1905–?6 The Met

In the Waves (Dans les Vagues), Paul Gauguin, 1889, oil on canvas

Paul Gauguin In the Waves (Dans les Vagues), 1889 Cleveland Museum of Art

Marguerite-Juliette Pierret, Eugène Delacroix, c. 1827, oil on fabric

Eugène Delacroix Marguerite-Juliette Pierret, c. 1827 Cleveland Museum of Art

We look across a forested ravine painted in deep greens and blues at a terracotta-orange building at the top of a hill at the center of this nearly square, loosely painted landscape.

Paul Cézanne Château Noir, 1900/1904 National Gallery of Art

The painting shows a beach scene with several people gathered on the shore. The people are gathered between four white tent-like structures in the center of the painting.

Eugène Boudin Beach Scene, 1862 National Gallery of Art

Boston Harbor, Thomas Chambers, mid 19th century, oil on canvas

Thomas Chambers Boston Harbor, mid 19th century National Gallery of Art

Surrounded by lush, bright foliage, man and a young girl at close range lean against a fence near a lake. The man is smoking, and both wear straw hats.

Pierre-Auguste Renoir Near the Lake, 1879–80 Art Institute of Chicago

A woman floats among billowing clouds over a rectangular stone coffin in this vertical painting.

Nicolas Poussin The Assumption of the Virgin, c. 1630/1632 National Gallery of Art

The Banks of the Marne at Charenton, Armand Guillaumin, c. 1895, oil on fabric

Armand Guillaumin The Banks of the Marne at Charenton, c. 1895 Cleveland Museum of Art

Heavy daubs of pigment form a crowded scene of roughly defined, finely dressed individuals in a brightly color park along a riverbank.

Georges Seurat Oil Sketch for "A Sunday on La Grande Jatte — 1884", 1884 Art Institute of Chicago

Shown from about the waist up, a man with pale, peachy skin, wearing a marine-blue greatcoat over several layers of clothing, looks out at us in this vertical portrait painting.

Jean-Auguste-Dominique Ingres Marcotte d'Argenteuil, 1810 National Gallery of Art

Madonna and Child, Giovanni Bellini, late 1480s, oil on wood

Giovanni Bellini Madonna and Child, late 1480s The Met

Five women, all with brown skin, sit and stand in a landscape painted with tones of emerald green, mauve pink, lilac and plum purple, and cobalt blue in this horizontal composition.

Paul Gauguin The Invocation, 1903 National Gallery of Art

The painting depicts a coastal scene. A rocky shore in warm tones of orange, brown, red, and purple is closest to us, with two boats and a simple structure visible near the center of the painting.

Henri-Edmond Cross Calanque des Antibois, 1891/1892 National Gallery of Art

Vibrant yellow, red, blue, and green painting of landscape with trees and mountains.

Wassily Kandinsky Landscape with Two Poplars, 1912 Art Institute of Chicago

The painting shows a landscape with a large, dark blue mountain in the background. Below the mountain are blocks of color, suggesting fields and structures.

Alexej von Jawlensky Murnau, 1910 National Gallery of Art

Lush treetops give way to a body of water and a hill in this loosely painted horizontal landscape.

Pierre-Auguste Renoir View of Monte Carlo from Cap Martin, c. 1884 National Gallery of Art

Clouds, Thomas Cole, ca. 1838, oil on paper laid down on canvas

Thomas Cole Clouds, ca. 1838 The Met

Arrangement in Black, No. 3: Sir Henry Irving as Philip II of Spain, James McNeill Whistler, 1876, reworked 1885, oil on canvas

James McNeill Whistler Arrangement in Black, No. 3: Sir Henry Irving as Philip II of Spain, 1876, reworked 1885 The Met

Fantastic Landscape, Francesco Guardi, ca. 1765, oil on canvas

Francesco Guardi Fantastic Landscape, ca. 1765 The Met

Men and women line up to either side of a man seated on a throne in this long, horizontal painting.

Giovanni Bellini An Episode from the Life of Publius Cornelius Scipio, after 1506 National Gallery of Art

The Building of the Dam, Julian Alden Weir, 1908, oil on canvas

Julian Alden Weir The Building of the Dam, 1908 Cleveland Museum of Art

A Cowherd at Valhermeil, Auvers-sur-Oise, Camille Pissarro, 1874, oil on canvas

Camille Pissarro A Cowherd at Valhermeil, Auvers-sur-Oise, 1874 The Met

Elie Williams, Charles Willson Peale, 1789, oil on canvas

Charles Willson Peale Elie Williams, 1789 The Met

Lieutenant General Duncan Campbell, Henry Raeburn, c. 1810, oil on canvas

Henry Raeburn Lieutenant General Duncan Campbell, c. 1810 Cleveland Museum of Art

Twigs of a magnolia tree with light green, glossy leaves and three cream-white blossoms lie on a sapphire-blue cloth in this horizontal still life painting.

Martin Johnson Heade Giant Magnolias on a Blue Velvet Cloth, c. 1890 National Gallery of Art

Sketch for "The Oriental Dream", Jean Lecomte du Nouÿ, before 1904, oil on fabric

Jean Lecomte du Nouÿ Sketch for "The Oriental Dream", before 1904 Cleveland Museum of Art

Fruits of the Midi, Pierre-Auguste Renoir, 1881, oil on canvas

Pierre-Auguste Renoir Fruits of the Midi, 1881 Art Institute of Chicago

Mont Sainte-Victoire and the Viaduct of the Arc River Valley, Paul Cézanne, 1882–85, oil on canvas

Paul Cézanne Mont Sainte-Victoire and the Viaduct of the Arc River Valley, 1882–85 The Met

Adeline Ravoux, Vincent van Gogh, 1890, oil on fabric

Vincent van Gogh Adeline Ravoux, 1890 Cleveland Museum of Art

Bouquet in a Chinese Vase, Odilon Redon, ca. 1912–14, oil on canvas

Odilon Redon Bouquet in a Chinese Vase, ca. 1912–14 The Met

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