Paintings for Sand Walls (page 38)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1,777 to 1,824 of 1,948.

Across a grassy field, a row of buildings and two trees line the horizon, which comes about halfway up this nearly square landscape painting.

Paul Cézanne Landscape near Paris, c. 1876 National Gallery of Art

Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, Francisco de Goya, 1804, oil on canvas

Francisco de Goya Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers, 1804 The Met

This painting depicts the upper half of a person's body. Their body is facing us, but their head is turned to the right in a three-quarters view, looking away from us.

Gustave Courbet Portrait of a Young Girl, 1857 National Gallery of Art

River Boat, Charles-François Daubigny, c. 1860, oil on board

Charles-François Daubigny River Boat, c. 1860 Art Institute of Chicago

Portrait of a Woman, Gerard ter Borch, c. 1665, oil on canvas

Gerard ter Borch Portrait of a Woman, c. 1665 Cleveland Museum of Art

Emma Van Name, Joshua Johnson, ca. 1805, oil on canvasPainting

Joshua Johnson Emma Van Name, ca. 1805 The Met

Early Morning, Tarpon Springs, George Inness, 1892, oil on canvas

George Inness Early Morning, Tarpon Springs, 1892 Art Institute of Chicago

Woman in a Garden, Berthe Morisot, 1882–83, oil on canvas

Berthe Morisot Woman in a Garden, 1882–83 Art Institute of Chicago

John Shaw, Gilbert Stuart, 1793, oil on canvas

Gilbert Stuart John Shaw, 1793 The Met

Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856), John Constable, 1818, oil on canvas

John Constable Mrs. James Pulham Sr. (Frances Amys, ca. 1766–1856), 1818 The Met

Shown from the knees up, a pale-skinned woman looking off to the left from her seat on a divan wears a carnation-pink gown and a fur-lined cloak in this vertical portrait painting.

John Singleton Copley Abigail Smith Babcock (Mrs. Adam Babcock), c. 1774 National Gallery of Art

The Sea, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett The Sea, 1872 The Met

Still life of geranium plant, fruit, water pitcher, and two cats.

Henri Matisse Still Life with Geranium, 1906 Art Institute of Chicago

Between us and a river lined with buildings on the far bank in the distance, tall willow trees nearly span the height of this horizontal landscape.

Claude Monet The Willows, 1880 National Gallery of Art

Painting composed of short, dense brushstrokes depicts two domed stacks of wheat that cast long shadows on a field. The angled light indicates either a rising or setting sun.

Claude Monet Stacks of Wheat (End of Summer), 1890–91 Art Institute of Chicago

The Red Bridge, Julian Alden Weir, 1895, oil on canvas

Julian Alden Weir The Red Bridge, 1895 The Met

A Maid Asleep, Johannes Vermeer, ca. 1656–57, oil on canvas

Johannes Vermeer A Maid Asleep, ca. 1656–57 The Met

Shown from about the knees up, a young woman sits in a chair angled to our right but she turns her face to look at us in this loosely painted, vertical portrait.

Vincent van Gogh La Mousmé, 1888 National Gallery of Art

Wooded and Hilly Landscape, Jacob van Ruisdael, 1660s, oil on canvas

Jacob van Ruisdael Wooded and Hilly Landscape, 1660s Cleveland Museum of Art

From a darkened arena around a boxing ring, we look up at two bare chested men, one with pale, white skin and the other with brown skin, who lock arms in a boxing match in this horizontal painting.

George Bellows Both Members of This Club, 1909 National Gallery of Art

Charing Cross Bridge, London, Claude Monet, 1901, oil on canvas

Claude Monet Charing Cross Bridge, London, 1901 Art Institute of Chicago

Portrait of Mary Wise, Thomas Gainsborough, c. 1774, oil on canvas

Thomas Gainsborough Portrait of Mary Wise, c. 1774 Cleveland Museum of Art

We look down on a few dozen people walking along the sidewalks of a wide, sunlit bridge in this almost square painting. The scene is loosely painted, which gives it a hazy, sun-dappled look and makes some details indistinct.

Pierre-Auguste Renoir Pont Neuf, Paris, 1872 National Gallery of Art

This is a painting depicting a social gathering under a large pavilion outdoors. The background shows a green, hilly landscape with hints of brown and white buildings in the distance, under a sky of soft blues with wispy gray clouds.

Eugène Boudin Concert at the Casino of Deauville, 1865 National Gallery of Art

Still Life with Meat, Fish, Vegetables, and Fruit, Jacob van Hulsdonck, c. 1615–20, oil on panel, the reverse prepared with gesso

Jacob van Hulsdonck Still Life with Meat, Fish, Vegetables, and Fruit, c. 1615–20 Cleveland Museum of Art

Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918), Anders Zorn, ca. 1900, oil on canvas

Anders Zorn Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918), ca. 1900 The Met

The Holy Family with Mary Magdalen, El Greco, c. 1590–95, oil on canvas

El Greco The Holy Family with Mary Magdalen, c. 1590–95 Cleveland Museum of Art

Edward Guthrie Kennedy, William Merritt Chase, ca. 1895, oil on canvas

William Merritt Chase Edward Guthrie Kennedy, ca. 1895 The Met

The Grand Canal above the Rialto, Francesco Guardi, late 1760s, oil on canvas

Francesco Guardi The Grand Canal above the Rialto, late 1760s The Met

Shown from the chest up, an older man with pale, peachy skin, wearing a high-collared black coat and a cream-white, ruffled collar, is shown against a deep wine-red background in this vertical portrait painting.

Gilbert Stuart George Washington (Vaughan-Sinclair portrait), 1795 National Gallery of Art

A bearded man with a coppery-peach completion, wearing a dark, navy-blue brimmed cap, vest, jacket, and pants sits on a wooden bench or chair against a green background in this vertical portrait.

Paul Cézanne The Gardener Vallier, 1906 National Gallery of Art

Venetian Glass Workers, John Singer Sargent, 1880–82, oil on canvas

John Singer Sargent Venetian Glass Workers, 1880–82 Art Institute of Chicago

We look across a profusion of vivid red, blush-pink, and white flowers lining a stony shoreline in this almost square landscape painting.

Childe Hassam Poppies, Isles of Shoals, 1891 National Gallery of Art

Still Life: Fish, William Merritt Chase, by 1908, oil on canvas

William Merritt Chase Still Life: Fish, by 1908 The Met

An older woman wearing a long black dress sits reading a book in front of a younger woman wearing cream white, who sits on a couch just beyond, in this vertical portrait painting.

Berthe Morisot The Mother and Sister of the Artist, 1869/1870 National Gallery of Art

Two haystacks, dusted with snow, in a hazy, snow-covered field at sunset. The snow is highlighted in purple tones, the sky a yellow and orange gradient.

Claude Monet Stacks of Wheat (Sunset, Snow Effect), 1890–91 Art Institute of Chicago

Albert Gallatin, Gilbert Stuart, ca. 1803, oil on canvas

Gilbert Stuart Albert Gallatin, ca. 1803 The Met

Portrait of a Young Woman with a Fan, Rembrandt van Rijn, 1633, oil on canvas

Rembrandt van Rijn Portrait of a Young Woman with a Fan, 1633 The Met

A woman with peachy skin and dark auburn hair is shown from her chest up sitting in a wooden chair in this vertical portrait painting.

Amedeo Modigliani Adrienne (Woman with Bangs), 1917 National Gallery of Art

Shown from the knees up, a young man with pale, peachy skin, wearing a black uniform and cap, leans against the back of a chair in this vertical portrait painting. He looks at us with pale blue eyes under sloping brows.

Edgar Degas Achille De Gas in the Uniform of a Cadet, 1856/1857 National Gallery of Art

Tahitian Landscape, Paul Gauguin, 1892, oil on canvas

Paul Gauguin Tahitian Landscape, 1892 The Met

Fight Between a Tiger and a Buffalo, Henri Rousseau, 1908, oil on fabric

Henri Rousseau Fight Between a Tiger and a Buffalo, 1908 Cleveland Museum of Art

Mrs. John Winthrop, John Singleton Copley, 1773, oil on canvas

John Singleton Copley Mrs. John Winthrop, 1773 The Met

Shown from the shoulders up, a man with peachy skin looks off to our left as he holds the feathered end of an arrow up in a hand resting along the bottom edge of this vertical portrait painting.

Hans Memling Portrait of a Man with an Arrow, c. 1470/1475 National Gallery of Art

Two men are situated inside a coral-red building that fills the left two-thirds of this composition, and two men are shown in a body of water in a landscape to our right in this horizontal painting.

Fra Filippo Lippi Saint Benedict Orders Saint Maurus to the Rescue of Saint Placidus, c. 1445/1450 National Gallery of Art

Eight men, women, and children stand or sit in straight-backed, wooden chairs gathered along a sandy beach near low, gently breaking waves with sailboats floating in the ocean beyond in this horizontal landscape painting.

Eugène Boudin Beach at Trouville, 1864/1865 National Gallery of Art

Still Life with Apples and a Pot of Primroses, Paul Cézanne, ca. 1890, oil on canvas

Paul Cézanne Still Life with Apples and a Pot of Primroses, ca. 1890 The Met

Luman Reed, Asher Brown Durand, 1835, oil on canvas

Asher Brown Durand Luman Reed, 1835 The Met

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