Paintings for Sand Walls (page 40)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1,873 to 1,920 of 1,948.

Impressionist painting of two girls on balcony, bright flower hat, knitting basket.

Pierre-Auguste Renoir Two Sisters (On the Terrace), 1881 Art Institute of Chicago

Mountain Scene, Albert Bierstadt, 1880–90, oil on paper

Albert Bierstadt Mountain Scene, 1880–90 The Met

This painting shows a young girl standing and facing forward. She is holding an open, dark-colored parasol with one hand and a small, indistinct object with the other hand.

George Bellows Anne with a Japanese Parasol, 1917 National Gallery of Art

Juan de Pareja (ca. 1608–1670), Diego Velázquez, 1650, oil on canvas

Diego Velázquez Juan de Pareja (ca. 1608–1670), 1650 The Met

Portrait of a Man (Sir Ralph Sadler?), Hans Holbein the Younger, 1535, oil and gold on oak

Hans Holbein the Younger Portrait of a Man (Sir Ralph Sadler?), 1535 The Met

A young woman with flushed, peachy skin stands on a rocky shoreline with a fishing net slung over one shoulder in this horizontal painting. Her body faces us, and she looks off and down to our right.

Winslow Homer A Light on the Sea, 1897 National Gallery of Art

Anthony van Dyck The Prefect Raffaele Raggi, c. 1625 National Gallery of Art

Madame Paul Escudier (Louise Lefevre), John Singer Sargent, 1882, oil on canvas

John Singer Sargent Madame Paul Escudier (Louise Lefevre), 1882 Art Institute of Chicago

Johann (1498–1537), Duke of Saxony, Lucas Cranach the Elder, ca. 1534–37, oil on beech

Lucas Cranach the Elder Johann (1498–1537), Duke of Saxony, ca. 1534–37 The Met

The Golden State Entering New York Harbor, Fitz Henry Lane, 1854, oil on canvas

Fitz Henry Lane The Golden State Entering New York Harbor, 1854 The Met

A woman with a pale, peachy skin stands wearing a voluminous rose-pink, silk dress and holding a wreath of pink and white roses and greenery in this vertical portrait painting.

Anthony van Dyck Catherine Howard, Lady d'Aubigny, c. 1638 National Gallery of Art

Portrait of Don Juan Antonio Cuervo, Francisco de Goya, 1819, oil on canvas

Francisco de Goya Portrait of Don Juan Antonio Cuervo, 1819 Cleveland Museum of Art

Clouds hunker over a water-logged street that separates us from the end of a row of buildings in this horizontal painting. The scene is loosely painted, especially in the sky and water.

Alfred Sisley Flood at Port-Marly, 1872 National Gallery of Art

The Pond (La Mare), Théodore Rousseau, 1855, oil on wood

Théodore Rousseau The Pond (La Mare), 1855 The Met

Still Life with a Ginger Jar and Eggplants, Paul Cézanne, 1893–94, oil on canvas

Paul Cézanne Still Life with a Ginger Jar and Eggplants, 1893–94 The Met

A child and man stand facing away from us in this vertical painting. The scene is painted with visible dabs, stipples, and strokes of paint, and many details, especially in the distance, are indistinct.

Édouard Vuillard Child Wearing a Red Scarf, c. 1891 National Gallery of Art

The Repast of the Lion, Henri Rousseau, ca. 1907, oil on canvas

Henri Rousseau The Repast of the Lion, ca. 1907 The Met

The top three-quarters of this horizontal landscape painting is filled with roiling, deeply shadowed clouds that tower over a line of buffalo crossing a grassy meadow below.

Albert Bierstadt Buffalo Trail: The Impending Storm, 1869 National Gallery of Art

Joseph Gerrish, John Singleton Copley, 1770, oil on canvas

John Singleton Copley Joseph Gerrish, 1770 Art Institute of Chicago

Sarah Ursula Rose, Benjamin West, 1756, oil on canvas

Benjamin West Sarah Ursula Rose, 1756 The Met

Portrait of a Woman, Agnolo Bronzino, c. 1550, oil on wood

Agnolo Bronzino Portrait of a Woman, c. 1550 Cleveland Museum of Art

Beggar with Oysters (Philosopher), Édouard Manet, 1865–67, oil on canvas

Édouard Manet Beggar with Oysters (Philosopher), 1865–67 Art Institute of Chicago

This painting is a portrait of a man shown from the chest up, with his body partially turned to the right and his head facing us, the right side of his face in shadow.

Robert Henri George Cotton Smith, 1908 National Gallery of Art

Edward VI (1537–1553), When Duke of Cornwall, Hans Holbein the Younger, ca. 1545; reworked 1547 or later, oil and gold on oak

Hans Holbein the Younger Edward VI (1537–1553), When Duke of Cornwall, ca. 1545; reworked 1547 or later The Met

Six jockeys wearing colorful silks sit astride brown and black horses on a grassy field in this horizontal painting. Two more riders wearing top hats sit a bit farther back from the group, and two horses run on a grass track behind that.

Edgar Degas The Races, 1871-1872 National Gallery of Art

The Wheat Field, George Inness, c. 1875–77, oil on canvas

George Inness The Wheat Field, c. 1875–77 Cleveland Museum of Art

Shown from the waist up, a clean-shaven man with pale, peachy skin is dressed in black and burgundy red in this vertical portrait painting.

Lucas Cranach the Elder Portrait of a Man, 1522 National Gallery of Art

A Brook in the Forest, Gustave Courbet, ca. 1868–77, oil on canvas

Gustave Courbet A Brook in the Forest, ca. 1868–77 The Met

Christ on the Cross, El Greco, c. 1600–1610, oil on canvas

El Greco Christ on the Cross, c. 1600–1610 Cleveland Museum of Art

Portrait of a Man, Rembrandt van Rijn, 1632, oil on wood

Rembrandt van Rijn Portrait of a Man, 1632 The Met

A Young Man with a Chain, Rembrandt van Rijn, c. 1629 or 1632, oil on wood

Rembrandt van Rijn A Young Man with a Chain, c. 1629 or 1632 Cleveland Museum of Art

A Bouquet of Flowers, Clara Peeters, ca. 1612, oil on wood

Clara Peeters A Bouquet of Flowers, ca. 1612 The Met

Shown from the hips up, a man with pale, peachy skin, dressed in a black suit and tall hat, looks at us from in front of a dark brown background in this vertical portrait painting.

Rembrandt van Rijn Portrait of a Gentleman with a Tall Hat and Gloves, c. 1656/1658 National Gallery of Art

The painting is of an older woman from the waist up, her body slightly turned to the left and her head facing us. She has pale skin with soft lines, rosy cheeks, deep-set eyes, thin eyebrows, and thin red lips in a neutral expression.

Robert Henri Elizabeth Virginia Laning Bradner Smith (Mrs. George Cotton Smith), 1908 National Gallery of Art

Portrait of man, black coat, white collar, hand in book.

Ammi Phillips Cornelius Allerton, 1821–22 Art Institute of Chicago

This painting is a portrait of a man from the waist up. He is positioned slightly to the left, with his head turned toward us. He has light skin, green eyes, a faint moustache, and a neutral expression.

Francisco de Goya The Duke of Wellington, c. 1812 National Gallery of Art

Composition with Red, Yellow, and Blue, Piet Mondrian, 1927, oil on canvas

Piet Mondrian Composition with Red, Yellow, and Blue, 1927 Cleveland Museum of Art

Shown from the waist up, an older, pale-skinned man wearing clerical robes gestures to our right with one hand and turns his head to look off to our left in this vertical portrait painting.

Titian Cardinal Pietro Bembo, 1539/1540 National Gallery of Art

Christ Carrying the Cross, El Greco, ca. 1577–87, oil on canvas

El Greco Christ Carrying the Cross, ca. 1577–87 The Met

Painted dark colored portrait of man, hands in prayer.

Rogier van der Weyden Portrait of Jean Gros (recto); Coat of Arms of Jean Gros (verso), 1460–64 Art Institute of Chicago

Berthe Morisot Young Woman with a Straw Hat, 1884 National Gallery of Art

Salt Meadow in October, John Frederick Kensett, 1872, oil on canvas

John Frederick Kensett Salt Meadow in October, 1872 The Met

Madame Jean-Baptiste Nicolet (Anne Antoinette Desmoulins, 1743–1817), Jean-Baptiste Greuze, late 1780s, oil on wood

Jean-Baptiste Greuze Madame Jean-Baptiste Nicolet (Anne Antoinette Desmoulins, 1743–1817), late 1780s The Met

Portrait of a Man, Jacopo Tintoretto, 1550s, oil on canvas

Jacopo Tintoretto Portrait of a Man, 1550s The Met

A square white tile, rotated 90 degrees, crossed by black lines intersecting at 90-degree angles. A few of the shapes thus formed—some partial squares, some rectangles—are colored in a single shade of yellow, blue, black, or red.

Piet Mondrian Lozenge Composition with Yellow, Black, Blue, Red, and Gray, 1921 Art Institute of Chicago

A nude man holding a book in one hand and a rock down by his other side kneels at the opening of a rocky cave in this vertical painting. The man’s body and the shadowy cave opening nearly fill the composition.

El Greco Saint Jerome, c. 1610/1614 National Gallery of Art

A heronǳ silhouette sits amongst the brush in a golden hued forest.

George Inness The Home of the Heron, 1893 Art Institute of Chicago

Stag at Sharkey's, George Bellows, 1909, oil on canvas

George Bellows Stag at Sharkey's, 1909 Cleveland Museum of Art

Back to every group for sand walls

Other wall colors