Paintings for Taupe Walls (page 26)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1,201 to 1,248 of 2,035.

Man in a Green Coat, Gilbert Stuart, ca. 1779–85, oil on canvas

Gilbert Stuart Man in a Green Coat, ca. 1779–85 The Met

An Egyptian in a Doorway, Lawrence Alma-Tadema, 1865, oil on wood

Lawrence Alma-Tadema An Egyptian in a Doorway, 1865 The Met

Petrus Scriverius (1576–1660), Frans Hals, 1626, oil on wood

Frans Hals Petrus Scriverius (1576–1660), 1626 The Met

Still life of geranium plant, fruit, water pitcher, and two cats.

Henri Matisse Still Life with Geranium, 1906 Art Institute of Chicago

A middle-aged, light-skinned man stands facing and looking at us, leaning on one arm propped on a tall rock in a landscape in this vertical portrait painting. The man looks out with dark blue eyes under curved black brows.

Charles Willson Peale John Beale Bordley, 1770 National Gallery of Art

This painting shows a man from the chest up, positioned facing the right, gazing into the distance. The male has pale skin, a long nose, and deep-set eyes. He has dark, wavy hair, a pointed beard, and a mustache that hides his mouth.

Thomas Eakins Louis Husson, 1899 National Gallery of Art

The Siesta, Paul Gauguin, ca. 1892–94, oil on canvas

Paul Gauguin The Siesta, ca. 1892–94 The Met

La Cervara, the Roman Campagna, Camille Corot, c. 1830–31, oil on fabric

Camille Corot La Cervara, the Roman Campagna, c. 1830–31 Cleveland Museum of Art

The Champion Single Sculls (Max Schmitt in a Single Scull), Thomas Eakins, 1871, oil on canvas

Thomas Eakins The Champion Single Sculls (Max Schmitt in a Single Scull), 1871 The Met

Three whole, green pears against a caramel-brown background fill this horizontal still life painting. The painting was created with long, parallel, visible brushstrokes throughout, and a strip of unpainted canvas lines the top edge.

Paul Cézanne Three Pears, 1878/1879 National Gallery of Art

Portrait of a Woman, Jean-Léon Gérôme, 1851, oil on canvas

Jean-Léon Gérôme Portrait of a Woman, 1851 Art Institute of Chicago

A pair of arched cave openings yawn in a steep, rocky cliff face that fills this horizontal painting.

Gustave Courbet La Grotte de la Loue, 1864 National Gallery of Art

Clouds hunker over a water-logged street that separates us from the end of a row of buildings in this horizontal painting. The scene is loosely painted, especially in the sky and water.

Alfred Sisley Flood at Port-Marly, 1872 National Gallery of Art

Shown from the thighs up, a man with pale, peachy skin, wearing a black suit, cape, and hat, stands with one hand on his hip against an elephant-gray background in this vertical portrait painting.

Frans Hals Portrait of a Gentleman, 1650/1652 National Gallery of Art

Edward VI (1537–1553), When Duke of Cornwall, Hans Holbein the Younger, ca. 1545; reworked 1547 or later, oil and gold on oak

Hans Holbein the Younger Edward VI (1537–1553), When Duke of Cornwall, ca. 1545; reworked 1547 or later The Met

A person rides a horse away from us on a narrow dirt path curving through a forest dominated by golden yellow trees in this vertical landscape painting.

Camille Corot The Forest of Coubron, 1872 National Gallery of Art

Orange, yellow, and white flowers in a brown vase on a round table, with a blue-green floral tablecloth and mottled, brownish background.

Pierre-Auguste Renoir Chrysanthemums, 1881–82 Art Institute of Chicago

Landscape, Camille Corot, c. 1870/1875, oil on canvas

Camille Corot Landscape, c. 1870/1875 National Gallery of Art

Madonna and Child with Saints, Giovanni Bellini, ca. 1505–10, tempera and oil on wood

Giovanni Bellini Madonna and Child with Saints, ca. 1505–10 The Met

Mrs. Robert Blencowe, Thomas Lawrence, c. 1792, oil on canvas

Thomas Lawrence Mrs. Robert Blencowe, c. 1792 National Gallery of Art

Spring Flowers, Claude Monet, 1864, oil on canvas

Claude Monet Spring Flowers, 1864 Cleveland Museum of Art

The Annunciation, Hans Memling, ca. 1465–70, oil on wood

Hans Memling The Annunciation, ca. 1465–70 The Met

Young Woman in White Holding a Bouquet, Alfred Stevens, c. 1865/1875, oil on wood

Alfred Stevens Young Woman in White Holding a Bouquet, c. 1865/1875 National Gallery of Art

The Grand Canal above the Rialto, Francesco Guardi, late 1760s, oil on canvas

Francesco Guardi The Grand Canal above the Rialto, late 1760s The Met

Madam Pompadour, Amedeo Modigliani, 1915, oil on canvas

Amedeo Modigliani Madam Pompadour, 1915 Art Institute of Chicago

Wyoming Valley, Pennsylvania, Jasper Francis Cropsey, 1864, oil on canvas

Jasper Francis Cropsey Wyoming Valley, Pennsylvania, 1864 The Met

The Little Shepherdess, Jean-François Millet, 1868–72, oil on panel

Jean-François Millet The Little Shepherdess, 1868–72 Art Institute of Chicago

We look across a river at a long, flat bridge that runs parallel to a hazy, city skyline in the distance in this horizontal painting.

Camille Pissarro Charing Cross Bridge, London, 1890 National Gallery of Art

A pale-skinned woman stands holding a spoon and egg, and bracing a long-handled pan in one elbow, in front of a wooden table near a fireplace mantle in this vertical painting.

Jean-Baptiste-Siméon Chardin The Attentive Nurse, 1747 National Gallery of Art

The Natchez, Eugène Delacroix, 1823–24 and 1835, oil on canvas

Eugène Delacroix The Natchez, 1823–24 and 1835 The Met

Fruit, Julian Alden Weir, ca. 1888, oil on canvas

Julian Alden Weir Fruit, ca. 1888 The Met

Portrait of a Woman, Amedeo Modigliani, c. 1917–18, oil on canvas

Amedeo Modigliani Portrait of a Woman, c. 1917–18 Cleveland Museum of Art

David: "Oh, that I had wings like a Dove! For then would I fly away, and be at rest." Psalm 55:6, Frederic Leighton, 1865, oil on fabric

Frederic Leighton David: "Oh, that I had wings like a Dove! For then would I fly away, and be at rest." Psalm 55:6, 1865 Cleveland Museum of Art

Four boats with low masts sit on a sandy beach next to rocky cliffs under a cloud-filled sky in this horizontal landscape painting. Three of the boats are clustered together near the center of the composition.

Gustave Courbet Boats on a Beach, Etretat, c. 1872/1875 National Gallery of Art

On the Beach, Sunset, Eugène Boudin, 1865, oil on wood

Eugène Boudin On the Beach, Sunset, 1865 The Met

This is a painting of a cherub with small wings hovering in the sky amidst swirling clouds. The sky is a soft blue with streaks of darker blue tones and a section of gray on the right.

Giovanni Battista Tiepolo Study for a Ceiling with the Personification of Counsel, before c. 1762 National Gallery of Art

Gray Weather, Grande Jatte, Georges Seurat, ca. 1886–88, oil on canvas

Georges Seurat Gray Weather, Grande Jatte, ca. 1886–88 The Met

Houses at Murnau, Wassily Kandinsky, 1909, oil on cardboard

Wassily Kandinsky Houses at Murnau, 1909 Art Institute of Chicago

Shown from the waist up, a young woman holds a baby up against her chest in this vertical painting. They both face us and have pale skin.

Giovanni Bellini Madonna and Child, c. 1480/1485 National Gallery of Art

Two loosely painted people stand side by side in a field as they rake with their backs to us in this horizontal painting. The brushstrokes are soft and textured, and the details are loosely rendered, giving the scene a hazy appearance.

Georges Seurat Haymakers at Montfermeil, c. 1882 National Gallery of Art

View of Pirna with the Fortress of Sonnenstein, Bernardo Bellotto, c. 1760, oil on canvas

Bernardo Bellotto View of Pirna with the Fortress of Sonnenstein, c. 1760 Art Institute of Chicago

Wheat Fields, Jacob van Ruisdael, ca. 1670, oil on canvas

Jacob van Ruisdael Wheat Fields, ca. 1670 The Met

Four women with musical instruments lounge in a massive garden courtyard.

Carl Blechen The Interior of the Palm House on the Pfaueninsel Near Potsdam, 1834 Art Institute of Chicago

Shown from the waist-up, a pale-skinned woman wearing a gold-colored gown and a muted dark pink shawl stands before a hazy landscape in this vertical portrait painting.

Benjamin West Mary Bethel Boude (Mrs. Samuel Boude), 1755/1756 National Gallery of Art

The head and shoulders of a pale-skinned, clean-shaven man fills this vertical portrait painting. The man’s shoulders are angled to our left, and he looks off in that direction with light green eyes.

Giovanni Bellini Portrait of a Young Man, c. 1490 National Gallery of Art

Two young boys sit side by side on some boulders with a cloudy sky behind them and dark tree branches above in this vertical portrait painting.

Henry Raeburn The Binning Children, probably c. 1811 National Gallery of Art

Shown from about the waist up, a light-skinned man with sagging jowls and a double chin wears a fur garment and hat, a large teardrop pearl earring, and gold chains in this vertical painting.

Rembrandt van Rijn A Polish Nobleman, 1637 National Gallery of Art

Moorish Buildings in Sunlight, John Singer Sargent, 1879–80, oil on wood

John Singer Sargent Moorish Buildings in Sunlight, 1879–80 The Met

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