Paintings for Taupe Walls (page 28)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1,297 to 1,344 of 2,035.

Weaning the Calves, Rosa Bonheur, 1879, oil on canvas

Rosa Bonheur Weaning the Calves, 1879 The Met

Children and a Cow, Aelbert Cuyp, 1635–39, oil on wood

Aelbert Cuyp Children and a Cow, 1635–39 The Met

At seascape rendered in pastel tones. At right, boats line a pink shore underneath a tall cliff. At left, a single red sailboat floats in blue water.

Claude Monet Étretat: The Beach and the Falaise d'Amont, 1885 Art Institute of Chicago

Café Singer, Edgar Degas, 1879, oil on canvas

Edgar Degas Café Singer, 1879 Art Institute of Chicago

Lucas van Uffel (died 1637), Anthony van Dyck, ca. 1622, oil on canvas

Anthony van Dyck Lucas van Uffel (died 1637), ca. 1622 The Met

Several people sit, stand, or stroll along a dirt road that winds from the lower left corner of this horizontal landscape painting into the distance, past trees and cottages under a vivid blue sky.

Meindert Hobbema A View on a High Road, 1665 National Gallery of Art

Steamboats in the Port of Rouen, Camille Pissarro, 1896, oil on canvas

Camille Pissarro Steamboats in the Port of Rouen, 1896 The Met

Madame Roulin Rocking the Cradle (La berceuse), Vincent van Gogh, 1889, oil on canvas

Vincent van Gogh Madame Roulin Rocking the Cradle (La berceuse), 1889 Art Institute of Chicago

The House with the Cracked Walls, Paul Cézanne, 1892–94, oil on canvas

Paul Cézanne The House with the Cracked Walls, 1892–94 The Met

Herman Doomer (ca. 1595–1650), Rembrandt van Rijn, 1640, oil on wood

Rembrandt van Rijn Herman Doomer (ca. 1595–1650), 1640 The Met

We look across a dark, aquamarine-blue body of water at a bulky, stony outcropping to our right in this horizontal landscape painting.

John Frederick Kensett Beacon Rock, Newport Harbor, 1857 National Gallery of Art

Poppy Field (Giverny), Claude Monet, 1890–91, oil on canvas

Claude Monet Poppy Field (Giverny), 1890–91 Art Institute of Chicago

Johannes Vermeer Woman Holding a Balance, c. 1664 National Gallery of Art

In a darkened room, two women sit at a round table near a man who stands leaning against a fireplace mantle, all illuminated only by a soft, yellow light from a ceiling lamp hanging over the table in this nearly square painting.

Claude Monet Interior, after Dinner, 1868/1869 National Gallery of Art

Valley of the River Loire, Jules Dupré, 1860, oil on wood

Jules Dupré Valley of the River Loire, 1860 The Met

Interior with a Young Couple, Pieter de Hooch, probably ca. 1662–65, oil on canvas

Pieter de Hooch Interior with a Young Couple, probably ca. 1662–65 The Met

Landscape with Figures (Les Bohémiens), Camille Corot, 1872, oil on canvas

Camille Corot Landscape with Figures (Les Bohémiens), 1872 The Met

This is a painting of four people outside of a circular stone wall that contains a statue and several trees. The four people are on the left, next to an opening in the curving wall.

Arnold Böcklin The Sanctuary of Hercules, 1884 National Gallery of Art

A pale-skinned, clean-shaven man with a heavily lined, paunchy face sits against a green and red wall in this vertical portrait painting. The man sits in a wooden chair painted forest green and rests both hands on the closer arm.

John Singleton Copley Eleazer Tyng, 1772 National Gallery of Art

Beggar with a Duffle Coat (Philosopher), Édouard Manet, 1865–67, oil on canvas

Édouard Manet Beggar with a Duffle Coat (Philosopher), 1865–67 Art Institute of Chicago

We look across a glittering waterway lined with long, low boats and sailboats at an ivory-white church in the distance to our right in this horizontal landscape painting.

Joseph Mallord William Turner Venice: The Dogana and San Giorgio Maggiore, 1834 National Gallery of Art

A white rose, grapes and other fruit, a squat gourd, a bottle, and a glass are arranged across a dark wood table partly covered by a white cloth in this horizontal still life painting.

Édouard Manet Still Life with Melon and Peaches, c. 1866 National Gallery of Art

James DeLancey, Gilbert Stuart, ca. 1785, oil on canvas

Gilbert Stuart James DeLancey, ca. 1785 The Met

The image is a portrait painting of a woman. She is seated with her body turned slightly to the right, while her head is facing forward towards the viewer. She has a gentle expression with slightly raised eyebrows.

Henry Raeburn Mrs. George Hill, c. 1790/1800 National Gallery of Art

Friedrich III (1463–1525), the Wise, Elector of Saxony, Lucas Cranach the Elder, 1533, oil on beech, with letterpress-printed paper labels

Lucas Cranach the Elder Friedrich III (1463–1525), the Wise, Elector of Saxony, 1533 The Met

Two minuscule people stand in the center of an expansive, rugged landscape dusted with snow in this horizontal painting.

Caspar David Friedrich Northern Landscape, Spring, c. 1825 National Gallery of Art

Portrait of a Man, Rembrandt van Rijn, ca. 1655–60, oil on canvas

Rembrandt van Rijn Portrait of a Man, ca. 1655–60 The Met

Pair of Paintings: The Colonnade of Saint Peter's, Rome, during the Conclave and The Grotto of Posillipo, Hubert Robert, c.1769, oil on canvas

Hubert Robert Pair of Paintings: The Colonnade of Saint Peter's, Rome, during the Conclave and The Grotto of Posillipo, c.1769 Cleveland Museum of Art

Christ and the Virgin in the House at Nazareth, Francisco de Zurbarán, c. 1640, oil on canvas

Francisco de Zurbarán Christ and the Virgin in the House at Nazareth, c. 1640 Cleveland Museum of Art

Carmelita Requena, Thomas Eakins, 1869, oil on canvas

Thomas Eakins Carmelita Requena, 1869 The Met

The Holy Family with Saints Anne and Catherine of Alexandria, Jusepe de Ribera, 1648, oil on canvas

Jusepe de Ribera The Holy Family with Saints Anne and Catherine of Alexandria, 1648 The Met

Painting mostly in soft yellow, green, purple, blue, and pink of two wheatstacks, the right nearer than the left, in a country landscape at sunset.

Claude Monet Stacks of Wheat (End of Day, Autumn), 1890–91 Art Institute of Chicago

Still Life with a Glass and Oysters, Jan Davidsz de Heem, ca. 1640, oil on wood

Jan Davidsz de Heem Still Life with a Glass and Oysters, ca. 1640 The Met

A nearly nude man with peachy skin stands next to and looks up at a man with ashen, ivory-colored skin, wearing armor and riding a bright white horse in this vertical painting.

El Greco Saint Martin and the Beggar, 1600/1614 National Gallery of Art

Hendrickje Stoffels (1626–1663), Rembrandt van Rijn, mid-1650s, oil on canvas

Rembrandt van Rijn Hendrickje Stoffels (1626–1663), mid-1650s The Met

This square portrait shows the head and shoulders of a young woman in front of a spiky bush that fills much of the background except for a landscape view that extends into the deep distance to our right.

Leonardo da Vinci Ginevra de' Benci [obverse], c. 1474/1478 National Gallery of Art

A light-skinned, blond Virgin Mary in blue holds a child, his arms reaching around her neck and face upturned toward hers. At left, an angel looks on.

Sandro Botticelli Virgin and Child with an Angel, 1475–85 Art Institute of Chicago

A densely packed crowd of men and women, all of them with pale skin and most of them wearing black, stand in a theater lobby beneath a mezzanine level that runs close to the top edge of the composition in this horizontal painting.

Édouard Manet Masked Ball at the Opera, 1873 National Gallery of Art

Pansies, Henri Fantin-Latour, 1903, oil on canvas

Henri Fantin-Latour Pansies, 1903 The Met

This painting shows a landscape with tall, blue, snow-capped mountains in the distance. There are blue and purple clouds in the yellow sky.

Jasper Francis Cropsey View of Mt. Washington, 1881 National Gallery of Art

The Flight into Egypt, Giovanni Battista Tiepolo, ca. 1767–70, oil on canvas

Giovanni Battista Tiepolo The Flight into Egypt, ca. 1767–70 The Met

A woman kneels, angled to our left, and tips her face down toward a naked baby propped on a pillow against a pile of hay in a shed-like structure in this round painting.

Sandro Botticelli The Virgin Adoring the Child, 1480/1490 National Gallery of Art

Painted with wide strokes in almost geometric areas of mottled color, a woman wearing a long black dress stands at the side of a table in this stylized, vertical composition.

Édouard Vuillard Woman in Black, c. 1891 National Gallery of Art

This painting depicts buildings under a clear blue sky. The horizon line is low, mostly obscured by the structures. The buildings have pointed brown roofs, and they are a pale yellow color.

Charles-François Daubigny The Farm, 1855 National Gallery of Art

Barbara Claes (died 1663, called “Malle Babbe”), Frans Hals, 1637, oil on canvas

Frans Hals Barbara Claes (died 1663, called “Malle Babbe”), 1637 The Met

A pale-skinned woman wearing a cream-white dress stands in front of a shadowy landscape in this vertical portrait painting. Facing us, the woman looks directly out with dark gray eyes under gently curving brows.

Joshua Reynolds Lady Elizabeth Compton, 1780-1782 National Gallery of Art

The Weeders, Jules Breton, 1868, oil on canvas

Jules Breton The Weeders, 1868 The Met

Sarah Dupont, Thomas Gainsborough, c. 1777–79, oil on canvas

Thomas Gainsborough Sarah Dupont, c. 1777–79 Art Institute of Chicago

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