Paintings for Taupe Walls (page 27)

Echoes your wall

Paintings that share this wall’s color, so wall and picture read as one. Closest in hue and largest in share come first. Showing 1,249 to 1,296 of 2,035.

Margaret Strachan (Mrs. Thomas Harwood), Charles Willson Peale, ca. 1771, oil on canvas

Charles Willson Peale Margaret Strachan (Mrs. Thomas Harwood), ca. 1771 The Met

Majas on a Balcony, Francisco de Goya, ca. 1800–1810, oil on canvas

Francisco de Goya Majas on a Balcony, ca. 1800–1810 The Met

The Triumph of Marius, Giovanni Battista Tiepolo, 1729, oil on canvas

Giovanni Battista Tiepolo The Triumph of Marius, 1729 The Met

George Washington, Gilbert Stuart, begun 1795, oil on canvas

Gilbert Stuart George Washington, begun 1795 The Met

Newburyport Meadows, Martin Johnson Heade, ca. 1876–81, oil on canvas

Martin Johnson Heade Newburyport Meadows, ca. 1876–81 The Met

Facing away from us, a light-skinned woman blowing a silver horn stands in a grassy landscape in this vertical painting. The woman is lit brightly from the upper right, making her ankle-length, white dress glow.

Winslow Homer The Dinner Horn (Blowing the Horn at Seaside), 1870 National Gallery of Art

Painted entirely with small dots of pure color mostly in slate and azure blue, olive green, and cream white, this scene shows a sandy beach stretching to a lighthouse at the center and a four-story building to our right in this horizontal…

Georges Seurat The Lighthouse at Honfleur, 1886 National Gallery of Art

From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape.

Thomas Gainsborough Seashore with Fishermen, c. 1781/1782 National Gallery of Art

John, 4th Earl of Darnley, Thomas Gainsborough, 1785, oil on canvas

Thomas Gainsborough John, 4th Earl of Darnley, 1785 National Gallery of Art

Orchid Blossoms, Martin Johnson Heade, 1873, oil on canvas

Martin Johnson Heade Orchid Blossoms, 1873 Cleveland Museum of Art

Madonna and Child, Giovanni Bellini, late 1480s, oil on wood

Giovanni Bellini Madonna and Child, late 1480s The Met

Shown from the chest up, a man with pale, yellow-tinged skin is angled to our right with downcast eyes in this vertical portrait painting. He is cleanshaven with chin-length black hair.

Sandro Botticelli Giuliano de' Medici, c. 1478/1480 National Gallery of Art

Margaretha van Haexbergen (1614–1676), Gerard ter Borch, ca. 1666–67, oil on canvas

Gerard ter Borch Margaretha van Haexbergen (1614–1676), ca. 1666–67 The Met

Côte des Grouettes, near Pontoise, Camille Pissarro, probably 1878, oil on canvas

Camille Pissarro Côte des Grouettes, near Pontoise, probably 1878 The Met

Horsewoman, Théodore Géricault, 1820 or later, oil on canvas

Théodore Géricault Horsewoman, 1820 or later The Met

This vertical portrait painting shows the head and shoulders of a person with pale peach skin and an auburn, cheek-length bob hairstyle. The person has high cheek bones, deep pink lips, and an angular, pointed chin.

Amedeo Modigliani Madame Kisling, c. 1917 National Gallery of Art

Oleanders, Vincent van Gogh, 1888, oil on canvas

Vincent van Gogh Oleanders, 1888 The Met

We look slightly down onto a group of people gathered along the bank of a river that winds around a copse of tall trees to our left, past a hill to our right, and into the deep distance in this horizontal landscape painting.

Claude Lorrain Landscape with Merchants, c. 1629 National Gallery of Art

The Dreamer (La Rêveuse), Antoine Watteau, 1712–14, oil on panel

Antoine Watteau The Dreamer (La Rêveuse), 1712–14 Art Institute of Chicago

Autumn: The Woodland Pond, Narcisse Virgilio Díaz de la Peña, 1867, oil on canvas

Narcisse Virgilio Díaz de la Peña Autumn: The Woodland Pond, 1867 The Met

Portrait of a light-skinned man in a long white wig and red-orange coat, holding a folded piece of paper and standing next to a desk, a large sailing ship off his left shoulder.

John Smibert Richard Bill, 1733 Art Institute of Chicago

From a distance, we look slightly down into a lush park filled pairs and groups of elegantly dressed, light-skinned adults and children frolicking and socializing in this vertical painting.

Jean-Honoré Fragonard Blindman's Buff, c. 1775/1780 National Gallery of Art

The Silver Tureen, Jean-Baptiste-Siméon Chardin, ca. 1728–30, oil on canvas

Jean-Baptiste-Siméon Chardin The Silver Tureen, ca. 1728–30 The Met

Far below us, a river winds through a valley lined with hazy mountains in this horizontal landscape painting.

Thomas Moran The Juniata, Evening, 1864 National Gallery of Art

Three light-skinned girls hold hands to create a loose ring with their arms extended, in a grassy field in this horizontal painting. All three girls wear white headdresses, ankle-length, long-sleeved dresses, and clogs.

Paul Gauguin Breton Girls Dancing, Pont-Aven, 1888 National Gallery of Art

Nevada Falls, Yosemite, Albert Bierstadt, 1872 or 1873, oil on canvas

Albert Bierstadt Nevada Falls, Yosemite, 1872 or 1873 The Met

In a verdant green landscape, a stone castle sits on a tree-lined hill in the distance in front of a high, craggy mountain peak while eighteen armored knights ride toward us along a bridge and path in this horizontal painting.

Thomas Cole The Departure, 1837 National Gallery of Art

Shown from the knees up against a dark gray background, a young woman with peachy skin stands with her body angled to our left and she looks at us with brown eyes in this vertical portrait painting.

Francisco de Goya Young Lady Wearing a Mantilla and Basquina, c. 1800/1805 National Gallery of Art

Painting of a placid-looking, light-skinned woman in a maroon dress, seated in a chair with yellow upholstery, hands folded.

Paul Cézanne Madame Cezanne in a Yellow Chair, 1888–90 Art Institute of Chicago

Two Men, Edgar Degas, ca. 1865–69, oil on wood

Edgar Degas Two Men, ca. 1865–69 The Met

In this painting, there are two round, crusty rolls next to a cream-colored cup with a floral blue-and-yellow design on top of a saucer with a gold rim.

John Frederick Peto Breakfast, c. 1890s National Gallery of Art

Shepherdess Seated on a Rock, Jean-François Millet, 1856, oil on wood

Jean-François Millet Shepherdess Seated on a Rock, 1856 The Met

Self-Portrait, Anthony van Dyck, ca. 1620–21, oil on canvas

Anthony van Dyck Self-Portrait, ca. 1620–21 The Met

The Garden of the Tuileries on a Spring Morning, Camille Pissarro, 1899, oil on canvas

Camille Pissarro The Garden of the Tuileries on a Spring Morning, 1899 The Met

Shown from about the ankles up, a woman with ashen, pale skin, wearing a full, silvery-white dress with gray dots, sits on a low-backed white sofa against a pale peach background in this horizontal portrait painting.

Edgar Degas Madame René de Gas, 1872/1873 National Gallery of Art

Shown from the chest up, a pale-skinned man holds one hand to his chest as he looks at us in this vertical portrait painting.

Frans Hals Portrait of a Man, 1648/1650 National Gallery of Art

The painting displays the upper torso, head, and shoulders of a person wrapped in a light-colored fabric that covers their body and forms a hood around their head. The person appears to be seated, facing slightly towards the right.

Robert Henri Indian Girl in White Blanket, 1917 National Gallery of Art

Across a short stretch of sand in front of us, waves of bottle-green water break over two boulders on the shoreline, with sailboats in the water beyond, in this wide, horizontal painting.

Martin Johnson Heade Rio de Janeiro Bay, 1864 National Gallery of Art

Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895), Pierre-Auguste Renoir, 1878, oil on canvas

Pierre-Auguste Renoir Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895), 1878 The Met

A butter-yellow sky fills the top two-thirds of this square landscape painting while in the bottom third, a brown structure is surrounded by golden yellow and pine-green forms like clouds.

Joseph Mallord William Turner The Evening of the Deluge, c. 1843 National Gallery of Art

Ia Orana Maria (Hail Mary), Paul Gauguin, 1891, oil on canvas

Paul Gauguin Ia Orana Maria (Hail Mary), 1891 The Met

Young Woman with a Lute, Johannes Vermeer, ca. 1662–63, oil on canvas

Johannes Vermeer Young Woman with a Lute, ca. 1662–63 The Met

A woman and two children, all with pale skin and flushed cheeks, sit together in a landscape in this round painting. The woman takes up most of the composition as she sits with her right leg, to our left, tucked under her body.

Raphael The Alba Madonna, c. 1510 National Gallery of Art

Sea and Cliffs, Pierre-Auguste Renoir, ca. 1885, oil on canvas

Pierre-Auguste Renoir Sea and Cliffs, ca. 1885 The Met

Polynesian Woman with Children, Paul Gauguin, 1901, oil on linen canvas

Paul Gauguin Polynesian Woman with Children, 1901 Art Institute of Chicago

Boats on the Seacoast at Etaples, Charles-François Daubigny, 1871, oil on wood

Charles-François Daubigny Boats on the Seacoast at Etaples, 1871 The Met

The Love Letter, Jean-Honoré Fragonard, early 1770s, oil on canvas

Jean-Honoré Fragonard The Love Letter, early 1770s The Met

The Curious Little Girl, Camille Corot, 1860–64, oil on cardboard, laid down on wood

Camille Corot The Curious Little Girl, 1860–64 The Met

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